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(b Holywood, County Down, Ireland, Jan 26, 1922).

Australian painter, printmaker, book designer, lecturer, collector, gallery director and publisher of limited edition artists’ books, of Irish decent. He worked as a draughtsman before entering war service in the British Admiralty from 1940 to 1949, including five years in Colombo, where he made sketching trips to jungle temples with the Buddhist monk and artist Manjsiro Thero. Between 1949 and 1951 Adams worked as an exhibition designer in London and studied wood-engraving with Gertrude Hermes in her evening class at the Central School of Arts and Crafts (now Central St Martin’s College of Art and Design). In 1951, after moving to Melbourne, Adams began a 30-year teaching commitment at the Royal Melbourne Institute of Technology (RMIT), where he instructed many of the younger generation of Australian printmakers, including George Baldessin and Jan Senbergs. A brief return to Britain and Ireland in 1957–8 provided experience with Dolmen Press, Dublin, which published his first book of engravings, ...

Article

Jetty E. van der Sterre

(bapt Mechelen, Jan 14, 1600; d Deurne, Antwerp, Nov 1, 1652).

Flemish painter, draughtsman and printmaker . In 1622–3 he became a master in the Guild of St Luke, Antwerp. In 1625–6 he took on Peter van de Cruys (fl 1625–44) as his pupil, who was followed by Frans Wouters in 1629 and Wouters’s brother, Pieter Wouters (1617–after 1632), in 1631–2. In 1631 van Avont became a citizen of Antwerp.

A recurring motif in van Avont’s work is a group of figures dominated by children and putti; these appear in a variety of forms—the Infant Christ, John the Baptist, angels—in van Avont’s many pictures of the Holy Family. The figure groups in these pieces are often of the same type: angels paying tribute to the Virgin and Child. The grouping is identical in several paintings. Van Avont also used figures of children in his bacchanals and in such allegorical scenes as the Four Elements (Basle, Kstmus.) and ...

Article

[Pieter]

(b Antwerp, c. 1526–28; d Antwerp, 1584).

South Netherlandish painter, draughtsman, engraver and publisher. He was the son of the sculptor Balten Janszoon de Costere (fl 1524). In 1550 he became a master in the Guild of St Luke in Antwerp and in 1569 its dean. Primarily on the authority of van Mander, Baltens was long considered to be an inferior imitator of Bruegel family, §1 the elder. Baltens’s best-known work, the signed St Martin’s Day Kermis (e.g. versions Amsterdam, Rijksmus.; Antwerp, Kon. Mus. S. Kst.), was formerly thought to be a free copy after Bruegel’s treatment of the subject, known through an engraving and the Gift of St Martin, a fragment on cloth (Vienna, Ksthist. Mus.). The relationship between Baltens and Bruegel is, however, more complicated. In 1551 they collaborated on an altarpiece (destr.) for the Mechelen Glovemakers. Baltens’s other works, for example the Ecce homo (Antwerp, Kon. Acad. S. Kst.), reveal that the two artists were closely associated: a group from the ...

Article

French, 19th century, male.

Active in the middle of the 19th century.

Draughtsman, designer of ornamental architectural features, engraver (etching), print publisher.

Article

French, 18th century, male.

Born 9 May 1695, in Orléans; died 11 June 1772, in Paris.

Painter, engraver, designer of ornamental architectural features, print dealer.

There is much confusion about the biography and whereabouts of the Huquiers, apparently because of mistakes in earlier works about Gabriel and Jacques Gabriel. Le Blanc swaps their first names around, giving the father the names of the son. Bryan's Dictionary states that Gabriel died in London, yet there is a certificate of burial drawn up in the parish of St-Benoît for the 30 June 1772 to prove the opposite. His alleged flight to England following the publication of a pamphlet attacking the Jesuits and subsequently pinned on him has not been verified and fits better with what we know of Jacques Gabriel. Because of their place in the history of French engraving, it is a matter of no small importance to get as clear a view as possible of these artists....

Article

Guido Zucconi

(b Milan, Nov 18, 1891; d Milan, Sept 16, 1979).

Italian architect, painter, writer, designer and publisher. After serving in World War I, he graduated (1921) from the polytechnic in Milan, where he later held a professorship (1936–61). Working first (1923–7) with architects Mino Fiocchi and Emilio Lancia, and later (1927–33) in partnership with Lancia only, in his early years of practice he was attracted to the simplified classicism of the Novecento Italiano. As designer (1923–7) to the ceramic manufacturer Richard-Ginori he produced a porcelain that was exhibited at the first Monza Biennale (1923) and at the Exposition des Arts Décoratifs et Industriels Modernes (1925) in Paris, where the chairman of Cristoffle, Tony Bouilhet, commissioned him to make a new range of cutlery; he also asked him to design his villa (completed 1926) at Garches, Paris. This villa, together with the slightly earlier house (...

Article

German, 16th century, male.

Born between 1505 and 1506; died between October 1575 and October 1576, in Augsburg.

Painter, architect, writer, print publisher.

From 1531 onwards, Tirol worked in Augsburg, where he painted frescoes, illustrated historical works and painted architectural views and portraits.