1-3 of 3 results  for:

  • Publisher or Printer x
  • Eighteenth-Century Art x
Clear all

Article

Madeleine Barbin

(b Liège, Jan 19, 1722; d Paris, July 31, 1776).

French engraver and print publisher. He was descended from a family of gunsmiths. In 1739 he went to Paris to join a brother who had established himself there as a goldsmith. Beginning as an engraver and chaser, in 1746 he obtained the rank of master. As early as 1757 he began to specialize in crayon manner (see Crayon manner §2) using a roulette, a process that brought him success; Jean-Charles François contributed in developing this process, but Demarteau, because of his superior skill, outstripped his rival. At a time when drawing was greatly in vogue, he offered the public faithful reproductions, first of red chalk drawings and then of drawings intended for decoration or teaching, in two or three colours, by contemporary artists. His oeuvre comprises 560 numbered plates, half of them after specially provided drawings by François Boucher (for illustration see Crayon manner) or after drawings owned by collectors such as ...

Article

German, 17th – 18th century, male.

Active in Augsburg.

Born c. 1647; died 1727.

Goldsmith, engraver, print publisher.

Abraham Drentwett's output included 8 plates for Various Silver Pieces and 28 plates for Augsburg Goldwork. He sometimes signed with just his initials.

Article

Christiaan Schuckman

(b Amsterdam, 1651–2; d Amsterdam, Oct 21, 1726).

Dutch mezzotint engraver and publisher. He was the son of Leendert Gerritsz. Valck, a silversmith from Amsterdam, and the pupil, brother-in-law and business partner of Abraham Blooteling, with whom he went to London in 1672. Valck’s earliest dated mezzotint, Sleeping Cupid (1677; Hollstein, no. 40), is after a painting by Guido Reni. Valck’s 67 engravings and mezzotints were mostly based on designs by other artists, for example Peter Lely, Gérard de Lairesse (Hollstein, nos 1–2 and 22–3) and Philipp Tidemann (e.g. illustrations for an unpublished Danish translation of Ovid’s Metamorphoses; Hollstein, nos 32–8); they were often published by Valck himself. In Amsterdam he worked in partnership with his brother-in-law Pieter Schenck and later with his son Leonardus Valck. Gerard Valck’s publications include atlases, separate maps and printed globes, as well as series of prints with views of houses belonging to the Orange-Nassau family, trades and professions, fountains, chimneys and birds....