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Article

Claire Baines

(b Dec 12, 1479; d ?Bologna, c. April 1552).

Italian historian, topographer, writer and patron. He was a friar and first entered the Dominican Order at Forlì but was in Bologna from 1495 and was officially transferred to the monastery there in 1500. Alberti received an extensive grounding in humanist studies under the Bolognese rhetorician Giovanni Garzoni. After acting as companion to the head of the order, Tomaso de Vio Cajetan, Alberti was made Provinciale di Terra Santa in Rome in 1520. This included the role of travelling companion to Tomaso’s successor, Fra Silvestri da Ferrara (‘il Ferrariense’). His travels with Silvestri throughout Italy, including the islands, laid the foundations for his most important work, the Descrittione di tutta l’Italia (1550), modelled on the Italia illustrata of Flavio Biondo. It was reprinted many times: the Venice edition of 1561 was the first to include Alberti’s sections on the islands of Italy, which were not covered by Biondo; the Venice edition of ...

Article

Debra Higgs Strickland

Richly illustrated bestiary manuscript (275×185mm, 105 fols; Oxford, Bodleian Lib., Ashmole 1511), written in Latin and illuminated probably in southern England around 1210. The original patron is unknown. It contains the text and illustrations of a complete bestiary, with prefatory Creation scenes and excerpts from Genesis and part of Hugh de Folieto’s Aviarium (Book of Birds). It is a luxury manuscript with lavish use of gold leaf, sometimes tooled, in the backgrounds of the full-page miniatures and numerous smaller framed animal ‘portraits’. Its images are especially notable for their ornamental qualities, evident in both the pictorial compositions and a wide variety of geometric framing devices. The prefatory cycle includes a full-page miniature of Adam Naming the Animals. The Ashmole Bestiary is considered a ‘sister’ manuscript to the Aberdeen Bestiary (Aberdeen, U. Lib., MS. 24), to which it is iconographically very closely related, but owing to major stylistic differences the two manuscripts have been attributed to different artists. The chronological relationship between the two has been disputed: based on proposed workshop methods, Muratova (...

Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

Article

Italian, 18th century, male.

Born c. 1675, in Rome; died c. 1730.

Engraver (burin), art dealer. Religious subjects, architectural views.

Worked initially under the tutelage of his father, Pietro Santo Bartoli. It is probable that this is the same artist as F. Bartoli who produced coloured drawings based on religious works in St Peter's in Rome on behalf of the English art collector John Talman. The volume containing these engraved illustrations has been in the British Museum in London since ...

Article

Lucy Freeman Sandler

Group of twelve manuscripts, primarily Psalter and Book of Hours, nearly all illustrated by in-house artists for members of the Bohun family in the second half of the 14th century. The owner–patrons were the successive earls of Essex, Hereford and Northampton: Humphrey de Bohun VI (1309–61), the 6th Earl of Hereford and 5th Earl of Essex and his nephew Humphrey de Bohun VII (1342–73), the 7th earl of Essex and 2nd Earl of Northampton, Humphrey VII’s wife Joan Fitzalan (d 1419) and their daughters Eleanor (1366–99), who married Thomas of Woodstock, Duke of Gloucester (see Plantagenet, House of family §(5)), son of King Edward III, and Mary (c. 1369–94), who married Henry of Bolingbroke (1366–1413; from 1399 King Henry IV), son of John of Gaunt, Duke of Lancaster. Known to have been active between c. 1360 and ...

Article

British, 17th century, male.

Born in Wales; died c. 1692.

Engraver, picture dealer. Religious subjects, portraits.

Edward Davis was a pupil of Loggan. He went to work in Paris, producing, among other works, Ecce Homo, after Annibale Carracci, and St Cecilia, after Van Dyck. He returned to London and became an art dealer. In ...

Article

American, 20th century, male.

Born 7 June 1931, in Eatonton (Georgia).

Painter, draughtsman (including ink), collage artist, print artist, sculptor, collector, art historian. Religious subjects, figures, portraits, figure compositions, scenes with figures, landscapes. Designs for stained glass.

David C. Driskell earned a BFA at Howard University in ...

Article

German, 19th century, male.

Born 1802, in Amorbach; died 7 September 1846, in Aschaffenburg.

Painter, sculptor, engraver, collector. Church decoration.

He studied a wide range of subjects in Munich. Among other things, he decorated the Catholic church in Nördlingen (Bavaria).

Article

Jutland  

Harriet Sonne de Torrens

Mainland peninsula of modern-day Denmark and one of the three provinces (Jutland, Zealand and Skåne, southern Sweden) that constituted medieval Denmark. The conversion of the Danes to Christianity initiated a reorganization of the economic, social and legal structures of Denmark that would change the shape of Jutland dramatically between the 11th and 14th centuries. Under Knut the Great, King of Denmark and England (reg 1019–35), Jutland acquired a stable diocesan system (1060) that enabled a systematic collection of tithes and the growth of religious institutions between 1050 and 1250. During this period, agricultural practices changed as manor houses and landed estates were established, producing wealth for the ruling families. Under Valdemar I (reg 1157–82) and Knut VI (reg 1182–1202), Jutland witnessed a great building activity; on Jutland more than 700 stone churches were constructed, some replacing earlier wooden churches, each needing liturgical furnishings. Workshops, such as that of the renowned sculptor Horder and many others, were actively engaged in carving stone baptismal fonts (e.g. Malt, Skodborg, Ut, Stenild), capitals, reliefs (Vestervig, Aalborg) and tympana (Gjøl, Ørsted, Stjaer, Skibet), wooden cult figures, Jutland’s golden altars (Lisbjerg, Sahl, Stadil, Tamdrup) and wall paintings. Evidence of the earliest wall paintings in Jutland, ...

Article

Toru Asano

(b Tokyo, June 23, 1891; d Tokuyama, Yamaguchi Prefecture, Dec 20, 1929).

Japanese painter and collector. Son of the progressive journalist Ginkō Kishida (1833–1905), he decided to leave school when he was 15, became a Christian and devoted himself to church activities. At the same time he painted and struggled with the decision of whether to live as a Christian or as a painter. In 1908 he entered the Aoibashi Western Painting Study Centre and studied plein-air painting under Seiki Kuroda (1866–1924), exhibiting two years later at the fourth Bunten, a show sponsored by the Japanese Ministry of Education. From the end of 1911 to early 1912 he was inspired by the work of modern French painters, which he discovered through the magazine Shirakaba (‘White birch’) and through illustrated books. The Self-portrait Wearing a Coat (1912; Tokyo, priv. col., see Hijikata, ed., 1980, pl. 1) was clearly painted under the influence of Vincent van Gogh and Tsukiji Settlement...

Article

French, 18th – 19th century, male.

Born 18 July 1758, in Courtrai; died 12 January 1835, in Paris.

Painter, picture dealer. Church interiors, architectural views.

Pierre Joseph Lafontaine was first a student of Kaplan Van Neste, a distinguished connoisseur, who had him accepted by the academy in Courtrai, and then he worked with Jean Douelle. He concentrated especially on the painting of church interiors. He went to Paris, where he seems to have had some success. Taunay, Demarne, Swebach and Drolling worked on some of his pictures. Bryan's ...

Article

Dutch, 17th century, male.

Born c. 1620, in Rotterdam; died 31 August 1676, in Rotterdam.

Painter, architect, collector. Religious subjects, portraits.

Lois married Eva van Mismebeck on 31 August 1649. He was captain of the civil guard from 1652 to 1653, and in 1664 was made an alderman....

Article

Malang  

Filipino, 20th – 21st century, male.

Born 1928, in Santa Cruz, Manila, Philippines.

Painter, cartoonist, illustrator, printmaker. Local genre scenes, figures, landscapes, flora and fauna, folk art.

Saturday Group of Artists.

Malang (Mauro Malang Santos) learned how to draw at the age of ten from a private tutor. In ...

Article

Dutch, 17th – 18th century, male.

Born 1649, in Dordrecht; died c. 1727.

Painter, collector. Religious subjects, portraits.

Jakob Moelart studied with Nicolas Moos, and became well known as an excellent portrait painter and a painter of historical subjects. Houbraken singles out several of his works for praise, especially his ...

Article

Ingrid Sattel Bernardini

[Maler Müller]

(b Kreuznach, Jan 13, 1749; d Rome, April 23, 1825).

German painter, engraver, draughtsman, poet and Playwright. From about 1765 he was taught by Daniel Hien (1724–73), court painter to Christian IV, Duke of Zweibrücken, with 17th-century Dutch painting as his model. Müller showed a talent for realistic depiction of animals, especially horses, and landscape, including farm scenes. The Duke gave him an allowance so that, from 1769, he was able to attend the Mannheim Akademie. Müller’s friendship there with Ferdinand Kobell and Franz Kobell (1749–1822) led to a considerable mutual influence in the work of all three. Müller also established himself as a poet at this time, becoming one of the representatives of the late 18th-century German literary movement known as Sturm und Drang. In the course of the 1770s Müller wrote a celebrated series of idylls, the lyric drama Niobe and the first parts of his Fausts Leben dramatisiert, all issued in editions with his own engraved illustrations. Life drawings and etchings from this period are in Mannheim (Städt. Reiss-Mus.), Frankfurt am Main (Goethemus.) and Monaco-Ville (Archvs Pal. Princier). At this time, however, Müller’s work as a poet and dramatist was more widely known and admired than his work as an artist. His study of the famous collection of casts of antique sculptures in the Antikensaal at Mannheim, and of paintings in the picture gallery belonging to the Elector ...

Article

British, 19th – 20th century, male.

Born c. 1849; died 1919, in London.

Painter, watercolourist, art dealer, collector. Religious subjects, portraits, genre scenes.

Charles Fairfax Murray was a pupil of Dante Gabriel Rossetti. He worked as a studio assistant to Burne-Jones and was later sent to Italy to make copies of Old Masters for Ruskin. He exhibited at the Royal Academy and the Grosvenor Gallery from 1867 onward. He was also an art collector....

Article

Pomposa  

Charles B. McClendon

Italian former Benedictine abbey near the mouth of the Po River and 45 km north of Ravenna in the province of Emilia Romagna. Although first documented in ad 874, a monastic settlement probably existed there at least two centuries earlier. Pomposa rose to prominence in the 10th and 11th centuries through the support of the Holy Roman emperors. Over the course of the 14th century, a notable series of wall paintings in three different buildings were sponsored despite the monastery’s waning fortunes. In 1663 the monastic community was suppressed by papal decree. The site was secularized in 1802 and became property of the Italian state after 1870.

The proportions of the wooden-roofed basilican church, along with the polygonal outline of its main apse, reflect influence from nearby Ravenna and Classe and suggest a date in the 8th or 9th century. An elaborate pavement of mosaic and cut stone (opus sectile...

Article

Ratgar  

David Parsons

[Radger]

(d 6 Dec ?sd 820).

Abbot and architect. He was Abbot of Fulda from 802 to 817. Ratgar is described in a near-contemporary source as ‘skilful architect’ and is regarded by some authorities as second only to Einhard as a master builder of the Carolingian revival. A pupil of Sturm, the first Abbot (744–79), he took charge of the rebuilding of the monastery church in the 790s under Abbot Baugulf (779–802). Following his unanimous election, the early years of Ratgar’s abbacy were peaceful, but his rule became autocratic and he punished harshly monks who were disobedient or who protested against his policies. His building projects were regarded by some of the community as superfluous. Of these the most significant was the westward extension of the Abbey Church at Fulda (see Fulda §1). This grandiose scheme sought to imitate Old St Peter’s and other churches in Rome and produced one of the largest churches in the Carolingian empire, more than doubling the size of the building reconstructed under Baugulf. The building works diverted the monks from their other duties and impoverished the community. Ratgar’s solution to the financial problem was to build proprietorial churches on the Abbey’s estates in order to claim their tithes. This further alienated the monks, who complained to Charlemagne in 812 and finally revolted in 817. They appealed to Louis the Pious who banished Ratgar. He died at a daughter house near Fulda....

Article

Dutch, 17th century, male.

Born c. 1590, in Haarlem, c. 1625 according to Bryan's Dictionary (erroneously); died c. 1638, in Amsterdam, in 1679 according to some sources.

Painter, engraver, draughtsman, art dealer. Religious subjects, scenes with figures, landscapes with figures, landscapes, waterscapes.

Hercules Seghers was probably a pupil of Gilles Coninxloo for a period of months before the latter's death in 1607, when Seghers acquired a number of drawings and prints at the sale of the contents of Coninxloo's studio. He was a member of the guild of Haarlem in 1612 and made an arranged marriage to Anneken van den Brugghen (then aged 40) in 1614. He established himself on the Lindengracht in 1619 and was resident in Amsterdam in 1629, Utrecht in 1631 and The Hague in 1633. Acording to some historians, he travelled to Italy, Dalmatia and Montenegro....

Article

Dutch, 18th century, male.

Born 1694 or 1695, in Haarlem; died 10 May 1731, in Haarlem.

Painter, engraver (etching), collector. Religious subjects, figures.

Nicolaus Six was a pupil of Carel de Moor. In 1715 he entered the guild of Haarlem and was deputy mayor of that town. The museum of Bremen has a canvas by him entitled ...