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Article

José Miguel Rojas

(b San José, June 1, 1907; d 1998).

Costa Rican engraver, painter, illustrator, draughtsman, writer and critic. He studied for a year from 1931 at the Escuela Nacional de Bellas Artes but was otherwise initially self-taught, using Louis Gonse’s L’Art japonais (Paris, 1883) as a source. He produced a series of caricature drawings, influenced by Cubism, in the Album de dibujos de 1926. During 1929 he met the sculptors Juan Manuel Sánchez and Francisco Zúñiga (the latter was also a printmaker), and through his interest in German and Mexican Expressionist printmakers, he developed a passion for wood-engraving. His first wood-engravings were published in the periodical Repertorio Americano (1929). He went on to contribute wood-engravings and drawings to collections of short stories and poetry, educational books, periodicals and newspapers. In 1931 he taught drawing and wood-engraving at the Escuela Normal in Heredia. He exhibited at the Salones Anuales de Artes Plásticas in San José (1931–6...

Article

Hana Larvová

(b Pavlíkov, nr Rakovník, Sept 14, 1936).

Czech draughtsman, painter and printmaker. From 1955 to 1961 he studied painting and graphic art at the Academy of Fine Arts in Prague. From 1961 to 1968 he worked at the Black Theatre of Jiří Srnec, a centre of the Prague avant-garde. He was assistant to Professors Jiří Trnka and Zdeněk Sklenář at the Faculty of Applied Art in Prague from 1969 to 1973, and in 1982–4 his work was shown at the central exhibition of the Biennale in Venice. His primary means of expression is drawing. His work forms closed complexes that capture moments of human existence, either in connection with ancient myths and legends or as aspects of contemporary life, for example the cycles of paintings, drawings and graphics Village Dancing Girl (1960–62), Illusion and Reality (1980–83; 1981, Ljubljana, Grand Prix BIB; 1982, Venice Biennale) and Apocalyptic Genetics (1982–3) and the cycle of paintings ...

Article

M.-E. Hellyer

(fl 1759–70; d after Jan 16, 1773).

French draughtsman and painter. Most of the biographical information about him comes from the writings of his friend, the painter Jean-Antoine Julien, who established in his autobiography that Ango was already in Rome in November 1760; he also described Ango as a painter, although only drawings by him survive. In 1772, in correspondence with the Belgian painter Andries Cornelis Lens, Julien referred to an attack of apoplexy that had left Ango half-paralyzed and reduced to living on charity. Julien’s last mention of him is on 16 January 1773. Dated drawings known to be by Ango are from the period 1759–70. Most of the surviving drawings are of paintings and decoration in Roman churches and palaces, but some attest to a knowledge of Naples, and it is recorded that on 18 March 1761 Ango and Jean-Honoré Fragonard were given permission to draw copies of the paintings in the gallery of Capodimonte there. Many of Ango’s drawings are copies after Old Masters such as ...

Article

Anne Pastori Zumbach

(b Lausanne, Aug 18, 1872; d Lausanne, Oct 11, 1957).

Swiss draughtsman, painter and illustrator. He began his career as an apprentice banker but abandoned this to study music and languages in Dresden, and then painting at the South Kensington School of Art, London (1895). In 1896 he went to Paris where he took courses in anatomy and became the pupil of Luc Olivier Merson and possibly of Whistler. In 1897 he entered the Ecole des Beaux-Arts but continued to frequent Merson’s studio. At the end of 1899, after a short stay in Bavaria, Auberjonois went to Florence, where he passed several months studying and copying the paintings of the Old Masters and painting the Tuscan landscape. Returning to Paris in 1901, he began to work independently, exhibiting for the first time at the Salon in Paris and at the Exposition Nationale Suisse des Beaux-Arts in Vevey. From 1901 to World War I he lived alternately in Paris and in Switzerland....

Article

French, 20th century, male.

Born February 1903, in Tunis; died 24 January 1978, in Aix-en-Provence.

Painter, architect, decorative designer, designer, poster artist. Wall decorations, stage costumes and sets, furniture, advertising art.

Art et Lumière.

Félix Tahar Marie Aublet was the son of the Orientalist painter Albert Aublet. He was brought up both in Neuilly, France, and in a Moorish palace in Tunis, where the family spent six months of the year. His second forename, Tahar, means 'blessed one' in Arabic. In ...

Article

Polish, 20th – 21st century, male.

Active in Poland and in France from 1980.

Born 17 January 1948, in Bierna.

Painter (including mixed media), poster artist, architect. Frescoes.

Antoni Bachur followed courses in drawing and painting between 1968 and 1972, when he was taught by Kryzanowski, Czajka and Michalowski in Wroclaw. Having graduated in architecture in Wroclaw, he was a pupil of Jean Prouvé in Paris ...

Article

Ioana Vlasiu

(b Bucharest, Jan 22, 1895; d 1979).

Romanian painter, illustrator, watercolourist, draughtsman and pastellist . She studied at the School of Fine Arts in Bucharest (1913–16) and had private lessons with the painters Eustaţiu Stoenescu (b 1885) and Gheorghe Petraşcu. Between 1919 and 1922 she studied in Paris at the Académies Julian and Ranson, and the Academia Pedro Correja d’Aranjò with Paul-Albert Laurens (b 1870), Othon Friesz, Maurice Denis, Paul Sérusier and Edouard Vuillard. During this period she showed works at the Salon des Artistes Français and the Salon d’Automne. In Romania between the World Wars she exhibited at the official Salon and with the groups New Art (Arta Nouă) and the Association of Women Painters (Asociaţia Femeilor Pictore). She was awarded prizes in Romania and abroad, for example at the Exposition Internationale des Arts et Techniques dans la Vie Moderne, Paris, 1937. Her work included illustrations for books by Tudor Arghezi, ...

Article

Irish, 20th century, male.

Born 1943, in Dublin.

Painter, graphic designer, theatre designer.

Robert Ballagh studied architecture at the Bolton Street College of Technology. He decided to become a painter in 1966 and the following year he exhibited at the Irish Exhibition of Living Art....

Article

Monica Bohm-Duchen

(b Haag, Austria, April 5, 1900; d Santa Barbara, CA, Sept 30, 1985).

American painter, designer, photographer and typographer, of Austrian birth. After serving in the Austrian army (1917–18), Bayer studied architecture under Professor Schmidthammer in Linz in 1919 and in 1920 worked with the architect Emanuel Margold in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting (with Vasily Kandinsky) and typography; it was at this time that he created the Universal alphabet, consisting only of lowercase letters. In 1925 he returned to the Bauhaus, then in Dessau, as a teacher of advertising, layout and typography, remaining there until 1928. For the next ten years he was based in Berlin as a commercial artist: he worked as art manager of Vogue (1929–30) and as director of the Dorland advertising agency. Shortly after his first one-man exhibitions at the Galerie Povolotski, Paris, and at the Kunstlerbund März, Linz (both 1929), he created photomontages of a Surrealist nature, such as ...

Article

Valerie Holman

(b Mennecy, Seine-et-Oise, Feb 3, 1895; d Paris, June 6, 1979).

French painter, sculptor, draughtsman, graphic artist, ceramicist and tapestry designer. He attended the Ecole des Arts Décoratifs, Paris, from 1911, until he joined the army in 1915. After World War I he devoted himself primarily to painting. In 1922 he met Juan Gris with whose encouragement his early Matisse-influenced rhythmical compositions acquired greater stability. In the late 1920s he was promoted by Tériade as a successor to the Cubists, with such works as The Mirror (1929; Paris, Pompidou), in which a highly simplified figure and its mirror-image are defined by patches of flat colour and fragments of linear contrast, and by the 1940s he was seen as one of the major representatives of the Ecole de Paris. In the 1950s his earlier predilection for curvilinear shapes gave way to a more angular and dynamic geometry, as in the First Race (1952; Paris, Pompidou). His subject-matter was taken from daily life, with marked preferences for the nude in movement, as in ...

Article

German, 19th – 20th century, male.

Born 14 April 1868, in Hamburg; died 27 February 1940, in Berlin.

Painter, draughtsman, engraver, architect, designer, decorative artist, graphic designer. Posters, furniture, wallpaper, carpets, glassware, ceramics, table services, jewellery, silverwork, objets d'art, typefaces.

Jugendstil, functional school.

Die Sieben (Group of Seven), Deutscher Werkbund...

Article

Iain Boyd Whyte

(b Hamburg, April 14, 1868; d Berlin, Feb 27, 1940).

German architect, designer and painter. Progressing from painting and graphics to product design and architecture, Behrens achieved his greatest successes with his work for the Allgemeine Elektrizitäts-Gesellschaft (AEG), in which he reconciled the Prussian Classicist tradition with the demands of industrial fabrication.

After attending the Realgymnasium in Altona, he began his painting studies in 1886 at the Kunstakademie in Karlsruhe. From there he moved to Düsseldorf, where he studied with Ferdinand Brütt. In December 1889 Behrens married Lilli Krämer, and the following year the couple moved to Munich, where he continued his studies with Hugo Kotschenreiter (1854–1908). Behrens was one of the founder-members of the Munich Secession (see Secession, §1) in 1893 and, shortly afterwards, a founder of the more progressive Freie Vereinigung Münchener Künstler, with Otto Eckmann, Max Slevogt, Wilhelm Trübner and Lovis Corinth. He also joined the circle associated with the magazine Pan, which included Otto Julius Bierbaum, Julius Meier-Graefe, Franz Blei, Richard Dehmel and Otto Eckmann....

Article

(b Salzburg, May 1, 1753; d Prague, June 25, 1829).

Austrian painter, printmaker, draughtsman, illustrator and teacher, active in Bohemia. He was taught by his father, the sculptor and painter Josef Bergler the elder (1718–88), and, during his stay in Italy, by Martin Knoller in Milan and Anton von Maron in Rome. An accomplished portrait painter, he was employed as official painter by bishops and cardinals at Passau and painted a number of altarpieces in Austria and especially in Bohemia. He helped establish the Academy of Fine Arts, Prague (1800), which placed a new emphasis on draughtsmanship, composition and Classical subjects and models. As the first Director of the Academy, Bergler won new academic prestige for art in Bohemia and, for himself, a privileged position in obtaining commissions such as the Curtain at the Estates Theatre (sketches, 1803–4; Prague, N.G., Convent of St Agnes). He also published albums of engravings intended as models (Compositions and Sketches...

Article

German, 20th century, male.

Active in the USA.

Born 15 March 1883, in Stuttgart; died 29 May 1972, in New York.

Painter, sculptor, graphic designer, poster artist, illustrator, architect, designer, decorative artist. Designs for carpets, advertising art, furniture, lamps, wallpaper.

Jugendstil.

Deutscher Werkbund.

Lucian Bernhard studied painting at the Kunstakademie in Munich, but taught himself design. He was active in Berlin. In ...

Article

Mariana Katzarova

(b Dolni Dŭbnik, nr Pleven, July 24, 1901; d Sofia, Jan 23, 1958).

Bulgarian cartoonist, illustrator, draughtsman, painter, teacher, editor and critic. In 1926 he studied painting at the Academy of Art, Sofia, and although he was later known for his paintings, he achieved greater fame as a political and social cartoonist and newspaper and magazine illustrator. His early cartoons are courageous commentaries on political events in Bulgaria from 1925 to 1934, wittily satirizing the monarchy and dictatorships. He also mocked the machinations of the various bourgeois political parties as they fought for power. Among his most celebrated cartoons are the Kidnapping of the Constitution and the Tsar’s Family, published in the Sofia newspapers Zemedelsko Zname and Sturetz, as well as Suvremennik and other left-wing publications. He also illustrated the series Spanish Chronicle (1936). In 1940 he began freelancing for the anti-Fascist satirical newspaper Sturshel (Sofia) and in 1941 became its editor. During World War II he executed many political cartoons opposing Fascism and Nazism (e.g. ...

Article

Hans Frei

(b Winterthur, Dec 22, 1908; d Zurich, Dec 9, 1994).

Swiss architect, sculptor, painter, industrial designer, graphic designer and writer. He attended silversmithing classes at the Kunstgewerbeschule in Zurich from 1924 to 1927. Then, inspired by the Exposition Internationale des Arts Décoratifs et Industriels Modernes (1925), Paris, by the works of Le Corbusier and by a competition entry (1927) for the Palace of the League of Nations, Geneva, by Hannes Meyer and Hans Wittwer (1894–1952), he decided to become an architect and enrolled in the Bauhaus, Dessau, in 1927. He studied there for two years as a pupil of Josef Albers, László Moholy-Nagy, Paul Klee and Vasily Kandinsky, mainly in the field of ‘free art’. In 1929 he returned to Zurich. After working on graphic designs for the few modern buildings being constructed, he built his first work, his own house and studio (1932–3) in Zurich-Höngg; although this adheres to the principles of the new architecture, it retains echoes of the traditional, for example in the gently sloping saddle roof....

Article

Christian Dittrich

(b Sangerhausen, July 30, 1641; d Dresden, May 29, 1706).

German painter, draughtsman, graphic artist and writer on art. He was a son and pupil of Andreas Bottschild II (c. 1590–1657), a painter and engraver, who decorated churches in Sangerhausen. Samuel had further training with his brother Johann Andreas Bottschild (b 1630; d after 1670), with whom he went to Saxony. In 1658–61 they worked jointly on gallery paintings of 19 scenes from the Passion (heavily restored 1852) in the Dorfkirche at Hohnstädt, near Leipzig. The decorations for the banqueting hall of Schloss Rötha, near Leipzig (c. 1668–70; destr.), were Bottschild’s first complete programme of mythological themes. At Rötha he also completed two group portraits of the female and male lines of the Friesen family (Dresden, Inst. Dkmlpf.)

In 1673 Bottschild painted a Presentation in the Temple for Freiberg Cathedral. It was probably after this that he left for Italy with his cousin and pupil ...

Article

Clare A. P. Willsdon

(b Bruges, May 12, 1867; d Ditchling, Sussex, June 11, 1956).

English painter and graphic artist. Largely self-taught, he helped his father, William Brangwyn, who was an ecclesiastical architect and textile designer in Bruges. After his family moved to England in 1875 Brangwyn entered the South Kensington Art Schools and from 1882 to 1884 worked for William Morris. Harold Rathbone and Arthur Mackmurdo encouraged him to copy Raphael and Donatello in the Victoria and Albert Museum, complementing his already broad knowledge of Dutch and Flemish art.

Brangwyn’s plein-air work in Cornwall from 1884 to 1888 resulted in a series of oils, exhibited at the Royal Academy and the Royal Society of British Artists, London, in which the subdued tones indicate the influences of Whistler and the Newlyn school. Journeys to the Near East, South Africa and Europe in the early 1890s, and contact with Arthur Melville, encouraged the use of a brighter palette in exotic subjects such as the Slave Market...

Article

Andrew Wilson

(b Ardning, Styria, Sept 27, 1938).

Austrian performance artist, draughtsman, painter and film maker. He studied commercial graphic art at the Akademie für Angewandte Kunst in Vienna between 1957 and 1960. Following visits to Spain and the Venice Biennale of 1960, he started to paint gestural abstractions and came into contact with the Austrian painter Alfons Schilling (b 1934). In 1961 this development was interrupted when he was called up for military service, after which he found it difficult to return to painting, and by the end of 1962 he had started to concentrate on the act of painting rather than on the finished works themselves. He was persuaded by Otto Muehl to create, with his wife Anni, his first Aktion or performance, Ana, in November 1964, which he recorded on film in the first of a series of collaborations with the film maker Kurt Kren (b 1920). This led to his first self-painting ...

Article

Cecilia Suárez

(b Quito, Sept 8, 1939).

Ecuadorean painter, graphic designer, sculptor, installation artist, architect and teacher. He studied architecture at the Universidad Nacional de Bogotá, Colombia. He worked for the Graham Foundation and the National Endowment for the Arts, Washington, DC, and received a grant to attend the Center for Advanced Visual Studies at Massachusetts Institute of Technology, Cambridge, MA, where he worked with György Kepes. Later he became a professor at the arts faculty of the Universidad Central, Quito. Bueno worked first in graphic design before going on to experiment with the incorporation of technology into art, using laser beams, mechanical pumps, plastic, glass and such elements as water, fire and air, for example in 49 Tubes, exhibited at the Bienal de Arte Coltejer in Medellín in 1972. He also combined visual art with music in such works as Flame Orchards, with music by Paul Earls, which won joint first prize with Kepes in the same exhibition. Exploration into ecological and environmental art led him to experiment with the idea of an aerial view of the urban landscape incorporating military camouflage sheets....