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(b Paris, Nov 29, 1686; d Paris, March 20, 1766).

French textile manufacturer, collector and amateur engraver. He was the nephew of François de Jullienne, a cloth merchant, and of Jean Glucq, a celebrated dyer for the Gobelins factory in Paris, and in 1721 he merged their successful businesses. As a young man he studied drawing with Jean-François de Troy, and engraving with François Boucher and Girard Audran, and he was friendly with François Lemoyne and with Antoine Watteau, whose Portrait of a Gentleman (Paris, Louvre) has been said to be of Jullienne. Shortly before his death Watteau presented Jullienne with a large number of his drawings; Jullienne eventually owned more than 500 of Watteau’s drawings. In 1726 he published Figures de différents caractères de paysages et d’études, dessinés d’après nature par Antoine Watteau, a volume of engravings by major artists after all the drawings by Watteau then known (Jullienne himself provided 12 plates). In 1736 Jullienne was ennobled and created a Chevalier of the Order of St Michel; in that same year he published four volumes of the ...

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Teresa del Conde

(b Juchitán, Oaxaca, July 17, 1940).

Mexican painter, sculptor, textile designer, printmaker and collector. He grew up in an area that was rich in legends, rites and beliefs springing from a strong rural tradition predating the Spanish conquest of Mexico. He began to draw and paint at a very early age, studying first in Oaxaca, where he produced linocuts in the graphic workshop run by Arturo García Bustos (b 1926). In 1957 he moved to Mexico City to attend the Escuela de Diseño y Artesanía of the Instituto Nacional de Bellas Artes. After holding his first one-man shows of gouaches and prints in 1959 in Fort Worth, TX, and Mexico City, he moved in 1960 to Paris, where until 1963 he studied printmaking under Stanley William Hayter. While continuing to work within western traditions, he became interested in the art of oriental cultures and in ancient Mexican art, especially in those forms that were not officially sanctioned. In his attitude towards the sustaining inspiration of traditions he was particularly close to Paul Klee....