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Article

American, 20th century, male.

Born 1924, in Ann Arbor (Michigan); died 1997.

Painter, sculptor, draughtsman, photographer, installation artist.

Conceptual Art, Appropriation Art.

Douglas Charles Huebler studied at the Cleveland Institute of Art at the University of Michigan, then at the Académie Julian, Paris. Like numerous young American artists who, despite the wave of Pop Art, remained loyal to Abstract art, his research led him, in terms of his early work, to 'minimal art'; his main preoccupation seemed to be gigantic dimensions. But in less than three years he switched to work which was more or less equivalent to Conceptual Art, and ultimately became one of its leading exponents, along with Joseph Kosuth, Sol Lewit, Robert Barry and Lawrence Weiner. His Conceptual Art enquiries focused on 'interpreting' the range of life of forms in multiple signs and places, rather than the internalising or integrity of objects typical of the 'minimalist' genre....

Article

American, 20th–21st century, female.

Born 1947, in Hazleton (Pennsylvania).

Photographer, painter, draughtsman, watercolourist, lithographer, installation artist.

Neo-Conceptual Art, Appropriation Art (Simulationism).

Sherrie Levine was a student at the University of Wisconsin, in Madison, from 1969 to 1973, where she studied photography. After obtaining her diploma, she lived in Berkeley, and then established herself in New York....

Article

American, 20th – 21st century, male.

Born 1949, in the Panama Canal zone.

Painter, photographer.

Neo-Conceptual Art, Appropriation Art (Simulationism), Neo-Pop Art.

Richard Prince used the technique of 'appropriation' that was popular in the 1980s with those who were influenced by Post-Modernist ideas. In his photographs, which made him famous, he takes new pictures of existing advertising images, deleting the text of the commercial advertisement. In this way he isolates the persona of such characters as the famous ...