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Anis Farooqi

(b Karachi [now in Pakistan], Feb 19, 1946).

Indian painter and printmaker. She studied painting at the Sir Jamshetjee Jeejebhoy School of Art, Bombay, in 1964–9; she also worked in a studio at the Bhulabhai Memorial Institute, Bombay, between 1964 and 1967 with other painters, including performing artists. On a French Government scholarship she studied in Paris in 1970–72 (producing e.g. Painting No. 16, oil on canvas, 1.16×1.16 m, New Delhi, N.G. Mod. A.) and participated in international exhibitions and international festivals of arts in Tokyo, Cagnes-sur-Mer, Oxford and several cities in Germany. Her work can be categorized as the portrayal of Social Realism: interpreting the life of Indian middle-class families, their surroundings and activities with an illustrative configuration and expressionistic overtones imbued with naivety.

J. Berger: Art and Revolution (New York, 1969) G. Kapur: Nalini Malani (New Delhi, 1982) Nalini Malani (exh. cat. by A. Sinha, Bombay, Pundole Gal., 1984) Voiceovers: 5th Guinness Contemporary Art Project (exh. cat. by ...

Article

Canadian First Nations (Inuit), 20th–21st century, female.

Born 1969, in Cape Dorset (Nunavut).

Graphic artist (felt pen, crayon, pencil), printmaker (lithography, stone cut). Contemporary Inuit domestic scenes, social realism.

Active in Cape Dorset from the 1990s, Pootoogook moved to Ottawa after becoming the first indigenous artist to win the prestigious Sobey Art Award in ...

Article

Native American (Diné/Navajo), 20th–21st century, female.

Born 1966, in Ganado (Arizona).

Printmaker, sculptor, painter.

Political and social realism, abstraction, post-colonial themes.

Melanie Yazzie uses a variety of media including photography, sculpture, print, and paint to create personal, autobiographical and socio-political works. Using her Diné heritage as a source of inspiration, her practice draws attention to many key issues facing indigenous peoples. Themes have included issues of racism, misogyny, identity problems, poverty and abuse. Later works have concentrated more on personal issues and storytelling and touch on traditional, contemporary and imagined themes, including depictions of ceremonial life and ritual. Yazzie often collaborates with artists from other indigenous nations in order to raise further awareness and create shared experience through art practice....