1-8 of 8 results  for:

  • Renaissance and Mannerism x
  • Sculpture and Carving x
  • Religious Art x
Clear all


Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time....


Robin A. Branstator

Danish sculptor and architect. His sculptural work shows a precocious awareness of early Renaissance art, suggesting that he trained in the workshop of Claus Berg in Odense. He first served Christian II, King of Denmark (reg 1512–23), as architect and sculptor and had settled in Copenhagen by ...


German, 15th – 16th century, male.

Born probably in Kaufbeuren.


Augsburg School.

Some German authorities claim Loy Hering as the first great sculptor of the High Renaissance in that country. There are said to be around 100 of his religious and funerary carvings in churches in Würzburg, Augsburg, Heilsbronn, Kastl, Münden and Vienna....


Marie-Claire Burnand

French architect and sculptor. Claims that he was born at Commercy in 1371 are unproven. Owing to the faulty reading of his lost epitaph in the Cordeliers’ church at Toul by Dom Calmet, his Christian name has been wrongly given as Rogier and the date of his death as ...


Eva de la Fuente Pedersen

Danish sculptor and carver. He was the most prominent maker of church carvings in Skåne (now in Sweden) during the reign of Christian IV, King of Denmark and Norway (reg 1588–1648). In 1603, when buying 500 engravings, he was described as being ‘from Lund’. He moved to Lund presumably in the mid-1590s and stayed there for the rest of his life. The engravings that he purchased served as models for his sculptures, relief-cycles and ornamentation. In his youth he probably worked for the ...


Ludovico Borgo and Margot Borgo

Italian sculptor, painter and draughtsman. He was the son of Bernardino del Signoraccio (Bernardino d’Antonio; 1460–after 1532), a minor Pistoian painter, and is first recorded in 1513 as a monk of the Dominican convent of S Marco in Florence. In that year he made two clay statues of ...


German, 17th century, male.

Died 1691, in Constance.

Sculptor. Religious subjects.

Schenck, whose work had certain similarities with Baroque, was inspired by the traditions of mannerism, which prevailed in the region of Lake Constance. Particularly notable is the powerful musculature of his figures carved in wood....


Géza Jászai

German sculptor. In 1493 he entered the Carthusian monastery of Marienburg, becoming procurator in 1506 and prior in 1531. He presumably learnt his skills in the pottery town of Vreden, Westphalia. He produced devotional pictures and house altars as low reliefs completely in the tradition of the Utrecht ‘picture bakers’ or ‘picture makers’ using white pipeclay and fired hollow moulds (...