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Fiorella Sricchia Santoro

Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumi’s works is signed or dated, but his highly personal ...

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Françoise Jestaz

Italian engraver, goldsmith and medallist, active also in Poland. He is first recorded in 1526 in the entourage of Marcantonio Raimondi in Rome. There the printer and publisher Baviera introduced him to Rosso Fiorentino, whose allegory Fury he engraved (b. 58). Caraglio continued to collaborate with Rosso and engraved several suites, such as the ...

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South Netherlandish painter, sculptor, architect and designer of woodcuts, stained glass and tapestries. Son of the Deputy Mayor of the village of Aelst, he was married twice, first to Anna van Dornicke (d 1529), the daughter of the Antwerp painter Jan Mertens, who may have been his teacher; they had two children, Michel van Coecke and ...

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Italian painter, draughtsman, sculptor and military engineer. He is first documented in 1523 in Bologna but had probably arrived there c. 1520. Between 1515 and 1520 he produced an engraving (initialled) of Susanna and the Elders and a series of drawings that were engraved by ...

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Marianne Grivel

French goldsmith, medallist, draughtsman and engraver. He was recorded as a journeyman goldsmith in Paris in 1546 and was appointed to the royal mint in January 1552. He was, however, removed in June that year. A number of medals, including one of Henry II (Paris, Bib. N., Cab. Médailles), are attributed to him. He did not become an engraver until about ...

Article

Antonio Manno

Italian sculptor, architect, draughtsman, antiquarian, engineer and decorator. He began his career as a goldsmith and engraver. He arrived in Rome in 1548 and the next year entered the workshop of the sculptor and architect Raffaele da Montelupo, where he worked mostly on wall decorations for mausoleums. Around this time he carved a statue of ...

Article

German sculptor, medallist, cabinetmaker, woodcutter and designer. It has been conjectured on stylistic grounds that between 1515 and 1518 he was active in Augsburg and worked in Hans Daucher’s workshop on the sculptural decoration (destr.) of the Fugger funerary chapel in St Anna. His early style was formed by the Italianism of Daucher and of Hans Burgkmair I and also by a journey to Italy in ...

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Henri Zerner

Term that encompasses work in a wide variety of media, including painting, sculpture, stuccowork and printmaking, produced from the 1530s to the first decade of the 17th century in France (e.g. The Nymph of Fontainebleau). It evokes an unreal and poetic world of elegant, elongated figures, often in mythological settings, as well as incorporating rich, intricate ornamentation with a characteristic type of strapwork. The phrase was first used by ...

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Jacques Thirion

French sculptor, illustrator and architect. He was one of the great masters of relief sculpture. Through his collaboration with the architect Pierre Lescot he was involved in many major building projects, and in his refined relief sculptures, such as the carved panels for the Fountain of the Innocents, Paris, he achieved a highly personal synthesis between the mannered style of the ...

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Christiane Andersson

Swiss draughtsman, goldsmith, die-cutter, engraver, woodcut and stained-glass designer, painter and glass painter. He was the most original and gifted artist of the early Renaissance in German-speaking Switzerland. His highly imaginative drawings, created as independent works of art, are works of exceptional quality, vitality, expressiveness and often humour. For northern European art, Graf played an important role in the liberation of drawing from its traditionally subsidiary status as preparatory study for works of art in other media....

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Renate Baumgärtel-Fleischmann

German painter, draughtsman and designer. He ran a painting and woodcarving workshop in Bamberg from 1465, his main patrons being the town of Bamberg and the bishop’s court. Although he was generally commissioned to supply objects for everyday use, these have not survived; nor have the stained-glass windows for which he made preliminary drawings. Extant works based on his designs include a carved stone coat of arms (...

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Jane S. Peters

German printmaker, draughtsman and medallist. Often erroneously referred to as Hans Sebald Lautensack, he was the son of Paul Lautensack (1478–1558), a painter and organist from Bamberg. In 1527 his family moved from Bamberg to Nuremberg, where he probably, like his brother Heinrich Lautensack (...

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Marianne Grivel

French medallist and engraver. He is first recorded in 1545 and was working as an assistant to the medallist Marc Béchot (c. 1520–57) in 1547. His prints are unsigned and were for a long time attributed to René Boyvin, who was his pupil in ...

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Marianne Grivel

French painter, sculptor and engraver. Born at Gray or Pesmes (both in Haute-Saône), he began work in Dijon, on ephemeral decorations for the ceremonial entry of Francis I in 1521. He probably also produced some stained-glass windows with coats of arms at Gray in 1530...

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Françoise Jestaz

Croatian engraver, painter and sculptor. ‘The last disciple of Marcantonio Raimondi’ (Kristeller), he engraved after the latter the series of Christ and the Twelve Apostles (b. 16). He made no original engravings but transcribed on copper, by etching or with the burin, the works of ...

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French, 16th century, male.

Born between 1515 and 1520, in Gray; died 1601, in Dijon.

Sculptor (wood), draughtsman, engraver, architect. Architectural views.

The exhibition Hugues Sambin: An Artist of the French Renaissance ( Hugues Sambin: Un Artiste de la Renaissance Française), held in the National Museum of the Renaissance in Écouen in ...

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South Netherlandish painter, draughtsman, etcher and sculptor, active in Italy, Austria and Bohemia. With Hans von Aachen and Joseph Heintz (i), he was one of the most important artists at the Prague court of Emperor Rudolf II. He had a unique ability to combine the Netherlandish tradition and Italian influences, particularly the Roman brand of Mannerism, so as to achieve a style of his own that had a lasting influence on other artists in Prague. His sensually elegant yet intellectual paintings embody an ideal of beauty distinctive to the Rudolfine court....

Article

German sculptor, engraver, and painter. His work covers the period overlapping the Late Gothic and the Northern Renaissance. He is one of the best-documented and most significant German limewood sculptors of his time. Stoss developed a uniquely expressive and personal style in this material, while also achieving considerable success working in other woods and stone. It is likely that he came from an artistic family as he had at least one brother, ...

Article

Margarita Estella

Spanish sculptor and engraver. The elegant Mannerism and refinement of his works, and the anatomical correctness of the figures, indicate that he may have trained in Italy. He had a workshop in Ávila until 1554, when he settled in Toledo. While there he executed carvings for the cathedral and worked on the wooden altarpiece of the parish church of Almonacid de Zorita (...

Article

Marianne Grivel

French goldsmith, painter, sculptor, medallist and engraver . He followed his father and grandfather in working as a goldsmith until c. 1555, after which he was primarily active as an engraver. In that year he received two privileges for the Pinax iconicus (Adhémar, 6), published in ...