1-8 of 8 results  for:

  • Buddhist Art x
  • 1600–1700 x
  • Books, Manuscripts, and Illustration x
Clear all

Article

Stephen Addiss

Japanese Zen monk, painter and calligrapher. He entered the Shingon-sect temple Kansōji at the age of four or five, transferring to the Sōtō-sect Zen temple Chōgenji a few years later. Around the age of 16 he moved to the leading Sōtō temple in eastern Japan, Sōrinji. After completing his Zen training, perhaps in ...

Article

Elizabeth Horton Sharf

Chinese monk, poet and calligrapher. He became a major figure in the Ōbaku Zen lineage in Japan. Along with Ingen Ryūki and Mokuan Shōtō, he is extolled as one of the ‘Three Brushes of Ōbaku’ (Jap. Ōbaku no sanpitsu), master Zen calligraphers (see also...

Article

Elizabeth Horton Sharf

Chinese monk, poet and calligrapher, active in Japan. Along with his disciples Mokuan Shōtō and Sokuhi Nyoitsu, he was extolled as one of the Ōbaku no Sanpitsu (‘Three Brushes of Ōbaku’), the three principal calligraphers of the Ōbaku Zen school. He was a leading southern Chinese Buddhist master who, not long after the end of the Ming period (...

Article

Norihisa Mizuta

Chinese Zen monk, seal-carver, calligrapher, poet and Musician, active in Japan. He left his family at the age of seven and entered the Buddhist order, first training in Jiangxi Province and eventually in Hangzhou. In 1677 he emigrated to Japan, at the invitation of the monk Chin’i Dōryō of Kōfukuji, an Obaku-sect Zen temple in Nagasaki. He took up missionary work but found himself at odds with Ōbaku monks and for a short time was held in temple confinement. In ...

Article

Elizabeth Horton Sharf

Chinese Ōbaku Zen monk, calligrapher, poet, seal-carver and medical expert, active in Japan. Dokuryū was one of many learned men from south-east China to emigrate to Japan during the political turmoil following the collapse of the Ming dynasty in 1644. He arrived in Nagasaki in ...

Article

Cecil H. Uyehara

Japanese Shinto–Shingon Buddhist priest, painter and calligrapher. Together with Konoe Nobutada and Hon’ami Kōetsu (see Hon’ami family, §1), he is known as one of the three Kan’ei no Sanpitsu (‘Three Brushes of the Kan’ei era’ (1624–44)). He began his religious training at the age of 17 at Mt Otoko, near Kyoto, at the Shinto–Shingon Buddhist sanctuary of Iwashimizu Hachimangu, of which he became abbot in ...

Article

Elizabeth Horton Sharf

Chinese monk, calligrapher, painter and poet. He was the second abbot of Manpukuji and a prominent early patriarch of Ōbaku Zen Buddhism in Japan. Together with Ingen Ryūki (Yinyuan Longqi) and Sokuhi Nyoitsu (Jifei Ruyi), he became known as one of the Three Brushes of Ōbaku (Ōbaku no Sanpitsu), noted master Zen calligraphers (...

Article

Stephen Addiss

Japanese Zen monk, painter and calligrapher. One of the most influential monks of the early 17th century, he was a painter and calligrapher in the Zen tradition (see Japan, §VI, 4, (vii)). He was born to a farming family and entered the Buddhist order at the age of eight, later studying Zen with the master Shun’oku Sōen (...