1-1 of 1 results  for:

  • Nineteenth-Century Art x
  • Art Materials and Techniques x
  • Impressionism and Post-Impressionism x
Clear all

Article

Jane Block

Technique of employing a point, or small dot, of colour to create the maximum colour intensity in a Neo-Impressionist canvas. While Neo-Impressionism suggests both the style created by Georges Seurat and the ensuing movement that flourished between 1886 and 1906, Pointillism denotes only the technique. Seurat favoured the term ‘chromo-luminarism’, which conveys his dual interest in intensifying the effect of colour and light. Seurat’s chief disciple, Paul Signac, in his book D’Eugène Delacroix au Néo-Impressionnisme (Paris, 1899), offered an alternative term to Pointillism or chromo-luminarism: Divisionism. Divisionism refers to the separation of colour into individual strokes of pigment, in accord with colour theories, rather than to the points themselves.

Colour interaction, §1(ix): Principal colour studies: Optical mixture

Light, §4(iii): History of light in Western painting, 19th–20th centuries

Neo-Impressionism

Perception, §I, 1: Matching picture and scene: Colour

Pissarro: (1) Camille Pissarro, §1: Life and painted work

Seurat, Georges

Seurat, Georges, §1: Life and work...