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Article

Russian, 18th – 19th century, male.

Born 1754, in St Petersburg; died 1824, in St Petersburg.

Painter, watercolourist. Urban landscapes, architectural views, still-lifes. Stage sets (?).

The son of a retired soldier employed as a custodian at the fine arts academy in St Petersburg, Alekseev trained there ...

Article

Vincenzo Fontana

(b Rome, March 5, 1873; d Rome, March 30, 1939).

Italian architect. His father, Luigi Bazzani, was a painter and stage designer. Bazzani graduated in civil engineering from the university in Rome in 1896. In 1899 he won the competition for the international art scholarship with a plan for a cathedral in an Italian Gothic Revival style. His first significant building was the Alterocca printing company building (1907) at Terni, in Stile Liberty. He was joint winner with Raimondo D’Aronco and Ernesto Pivovano of the architectural prize at the Esposizione de Sempione, Milan (1906). A number of important competition-winning schemes followed. In 1905 Bazzani won the competition for the façade of S Lorenzo (unexecuted) in Florence, which stood him in good stead for his entry for the Biblioteca Nazionale (won 1907; completed 1935) at Santa Croce. An eclectic Renaissance building, its structure picked out in grey against white, it already suggests a putative monumentalism and sits awkwardly in its Florentine context. In ...

Article

French, 19th century, male.

Born 7 October 1797, in Paris; died 14 September 1871, in Paris.

Painter, draughtsman. Religious subjects, landscapes, landscapes with figures, architectural views. Stage sets, church decoration.

Barbizon School.

A pupil of Bidauld, Ingres and Girodet-Trioson at the École des Beaux-Arts, Paris, François Bertin exhibited at the salon quite regularly from 1827 to 1853. He was the son of the founder of the ...

Article

German, 19th century, male.

Born 29 July 1798, in Cottbus; died 23 July 1840, in Berlin.

Painter, engraver, lithographer, decorative designer. Landscapes, landscapes with figures, seascapes, ruins, architectural views. Stage sets.

Biedermeier.

Karl Blechen studied at the Berlin Akademie der Künste under the landscape artist Lütke. As an impoverished young painter, he came to the attention of the architect and stage designer, Schinkel, who found him a job as scene painter at the Königstadt Theatre in Berlin in ...

Article

American, 19th century, male.

Born 1 August 1866, in Oberlin (Ohio); died 1946.

Stage designer, architect, author, illustrator.

Claude Fayette Bragdon is above all remembered as an architect. He first worked as a stage designer in 1919 on Walter Hampden's travelling production of Hamlet. He designed fourteen other productions for Hampden between ...

Article

French, 19th – 20th century, male.

Born 2 February 1823, in Paris; died 1907, in Paris.

Painter, watercolourist, designer. Church interiors, landscapes, urban landscapes, architectural views. Stage sets.

Philippe Chaperon was set designer at the Opéra in Paris, producing most of the sets for French subsidised theatres, as well as the main theatres in France and abroad and the Expositions Universelles. He painted watercolours based on nature. He was the father of Eugène and Émile Chaperon, who took over from him....

Article

French, 19th century, male.

Born 17 August 1782, in St-Cloud; died 22 August 1868, in St-Chéron.

Painter, watercolourist, caricaturist. Landscapes. Stage sets.

A pupil of architect Bellangé, Pierre Luc Charles Ciceri exhibited at the Paris Salon from 1827. He was made a Chevalier de la d'honneur in ...

Article

Raquel Henriques da Silva

[José]

(b Siena, 1808; d Lisbon, July 23, 1879).

Italian stage designer and architect, active in Portugal. He studied in Milan and was a stage designer in Lyon before being invited to Lisbon (1836) by Francisco Lodi, the impresario of the Teatro S Carlos there. For more than 40 years he worked in Lisbon as a stage designer, in partnership with another Italian designer, Achille Rambois (c. 1810–82), contributing to a brilliant period in Portuguese opera. Cinatti, who was essentially a Romantic, also practised as an architect, attempting to turn the landscapes and buildings of his imaginary stage designs into reality with strictly academic Neo-classical forms and an eclectic fusion of motifs and ornament. His Palacete Bessone (1856), Rua Vitor Cordon, Palacete Nunes Correia (1865), Avenida da Liberdade, and Palacete Anjos Praça do Príncipe Real are among the most distinguished eclectic buildings in Lisbon, with elegant proportions, discrete decoration and sensitivity to context. Outside Lisbon his Palácio Valenças at Sintra has an Italianate design with contrasting neo-Manueline details, and the Casa Bessone (...

Article

Italian, 19th century, male.

Born 8 September 1833, in Milan; died 11 May 1907, in Milan.

Painter, watercolourist. Landscapes, architectural views, church interiors. Stage sets, theatre decoration.

In 1867 Carlo Ferrario decorated La Scala in Milan, and also designed stage sets there, particularly for the works of Verdi. From ...

Article

Italian, 19th century, male.

Born 1797; died 1869.

Painter, architect. Landscapes. Stage sets.

In around 1830 Domenico Ferri was working as a set designer in Paris, at the Théâtre des Italiens, making the stage sets for a production of Rossini's William Tell. He exhibited two landscapes at the Paris Salon of ...

Article

Italian, 19th century, male.

Born 1748; died 1817, in Milan.

Painter, decorative artist, architect. Stage sets.

Giuseppe Galliari was one of Fabrizio Galliari's three sons. He worked in Turin and elsewhere.

London, 16-17 April 1997: Design for a Stage Set (pen and brown ink, brown and grey wash...

Article

V. Rakitin

(Yakovlevich)

(b Moscow, March 1, 1863; d Detskoye Selo [now Pushkin], nr St Petersburg, April 17, 1930).

Russian stage designer and painter. He studied architecture, then painting under Vladimir Makovsky, Vasily Polenov and Illarion Pryanishnikov at the Moscow College of Painting, Sculpture and Architecture (1881–90). In 1889 he attended Jacques-Emile Blanche’s studio in Paris and in 1895 travelled in Italy, France and Spain. In 1897 he studied under Raphaël Collin (b 1850) and Luc-Olivier Merson in Paris. A member of the Moscow Society of Painters from 1894, he lived in Moscow until 1901. Golovin expressed a great interest in Art Nouveau and in the search for a new national style of Russian art. Together with Yelena Polenova he devised a project in 1898 for the decoration of a Russian dining-room at the house of the painter Maria Yakunchikova, and he collaborated with Konstantin Korovin on the décor of the artisan section in the Russian pavilion at the Exposition Universelle in Paris in 1900...

Article

Italian, 18th – 19th century, male.

Born 25 March 1751, in Longarone (Veneto); died 1831, in St Petersburg.

Painter, watercolourist, draughtsman (including ink), architect. Landscapes, architectural views, interiors. Theatre decoration, stage sets.

Pietro di Gottardo Gonzaga was the son of Gottardo Gonzaga. He worked as an architect in St Petersburg ...

Article

Andrzej Rottermund

In 

Article

Article

Raquel Henriques da Silva

(b Lisbon, 1812; fl Lisbon, 1840s).

Portuguese architect and stage designer of Italian descent. He was a son of Francisco Lodi, the impresario of the Teatro S Carlos, Lisbon. Nothing is known of his academic training, and his importance to the architecture of 19th-century Lisbon is largely due to his design of the Teatro Nacional Dona Maria II (1842–6), Praça do Rossio, Lisbon. When a public competition for the design of the theatre was proclaimed in 1841 none of the entries submitted was chosen, but the Conde de Farrobo, a powerful capitalist and the principal financial backer of the theatre, ensured the presentation and acceptance of the designs of Lodi, who was his brother-in-law. In spite of the unusual way in which Lodi was appointed to build the theatre, over the heads of more highly reputed and experienced architects and academics, the result was nevertheless a satisfactory one. The theatre was built swiftly and became a landmark in one of the most important squares in the city. Of Neo-classical derivation with Palladian elements, the design of the building is notable for the erudition of its central portico of six Ionic columns, which elegantly emphasizes the comparative austerity of the wings, and for its balanced proportions, which blend into the overall context of the city. The building became one of the most familiar sights of Lisbon. Lodi also designed the Teatro da Quinta das Laranjeiras (...

Article

Raquel Henriques da Silva

(b Crema, March 8, 1848; d Brescia, 1936).

Italian architect and stage designer, active in Portugal. He studied at the Accademia di Brera (now Accademia di Belle Arti), Milan, under Carlo Ferrario (1833–1907), stage designer at La Scala, Milan. Manini was appointed stage designer of the Teatro S Carlos, Lisbon, in 1879, at a time when the theatre received the most important European operatic productions. In this position he succeeded his compatriot Giuseppe Cinatti and, like his predecessor, in addition to his work in the theatre he designed houses for middle-class clients with a taste for his late Romantic façades, influenced by scenery design. He carried over into his architectural designs his passion for painting and for trompe l’oeil landscapes, and his principal achievements were decorative: the interior decoration of the Teatro do Funchal, Madeira; the ceiling of the Teatro S João, Oporto; and the winter garden (1893) of the Teatro Dona Amélia, Lisbon. His contributions to the layout of the terrace of the Palácio da Cidadela, Cascais, and the Portuguese Pavilion at the Exposition Universelle, Paris (...

Article

Andrzej Rottermund

Polish family of artists of Italian origin. The Italian architect Francesco Marconi had two sons, Leandro Marconi (1763–1837), an architect, painter and stage designer who was active in Rome and taught at the Accademia delle Belle Arti in Bologna, and Giovanni Battista Marconi, an architect and painter who worked in Mantua. Leandro’s son Ferrante Marconi (1798–1868), a sculptor, went to work in Poland at the request of his older brother (1) Henryk Marconi; Ferrante’s son Leonard Marconi (1836–99) was born in Warsaw and worked in Poland as an architect and sculptor. Of (1) Henryk’s eight children, Karol Marconi (1826–64) was a painter working in Poland and Italy, while (2) Leandro Jan Ludwik Marconi and (3) Władysław Marconi were both architects.

(b Rome, Jan 7, 1792; d Warsaw, Feb 21, 1863).

Architect. He began his training under his father Leandro Marconi and studied at both the University and the Accademia delle Belle Arti in Bologna (...

Article

Italian, 19th century, male.

Born 15 October 1785, in Alexandria; died 18 April 1837, in Milan.

Painter, watercolourist. Genre scenes, architectural views, urban landscapes, architectural interiors. Stage sets.

He received early encouragement from his cabinetmaker father Pietro Migliara. He went on to paint stage sets but ultimately made his name painting architectural subjects. He was elected to membership of the academies in Milan, Turin, Naples and Venice....

Article

Italian, 18th – 19th century, male.

Born 21 April 1772, in San Miniato; died 9 March or or, in Naples.

Painter, architect. Stage sets.

Antonio Niccolini carried out decorative work for the theatres of Florence, Naples and Bari. He also undertook a number of theatre restoration projects, particularly that of the Teatro Rossi in Pisa and the exterior renovation of the Teatro San Carlo in Naples. The Teatro San Carlo was subsequently destroyed by fire on the ...