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Piero Pacini

(b Turin, Aug 18, 1871; d Rome, March 1, 1958).

Italian painter, sculptor, stage designer, decorative artist and actor. He was one of the originators of Futurism (see Furttenbach [Furtenbach; Furttembach], Josef [Joseph], the elder) and was particularly concerned with the representation of light and movement. His personal interest in scientific methods of analysis contributed to both the practical and ideological bases of the movement. His oeuvre from the Futurist period overshadowed the work of later years.

Balla was self-taught and began painting in Turin. In 1895 he settled in Rome. At the age of about 25 he painted some lively sketches of urban life that are characterized by a thick impasto, for example the series Machietta romana (1898; Rome, priv. col., see Lista, 1982, nos 12–17) and landscapes showing familiarity with the divisionism practised by the northern Italian artists Giuseppe Pelizza da Volpedo, Giovanni Segantini and Vittore Grubicy de Dragon, for example Luci di marzo (...

Article

Russian, 20th century, female.

Active in France from 1924.

Born 1882 or 1884, in Bielostok (Kiev); died 1949, in Fontenay-aux-Roses, France.

Painter, decorative artist. Stage sets, stage costumes.

Symbolism, Futurism, Constructivism.

Groups: Golubaya Roza (Blue Rose), Bubnovy Valet (Jack of Diamonds).

A student at the school of fine art in Kiev, Aleksandra Exter exhibited for the first time with the ...

Article

Christina Lodder

(Vasil’yevich)

(b Nizhny Novgorod, 1861; d Leningrad [now St Petersburg], Oct 14, 1934).

Russian painter, patron, musician, writer and publisher. He pursued a highly original line of artistic thought and practice and developed an organic perception of the world, deriving his inspiration from nature rather than machines, unlike many of his Russian Constructivist contemporaries.

Matyushin trained initially as a musician at the Moscow Conservatory (1878–81) and played the violin in the Court orchestra in St Petersburg from 1881 to 1913. In 1889 he began to attend the School of the Society for the Encouragement of the Arts in St Petersburg, where he studied painting with Yan Tsionglinsky (d 1914). In Tsionglinsky’s studio he met the artist and writer Yelena Guro, whom he married. Later (1906–8) he studied with the World of Art (Mir Iskusstva) painters Léon Bakst and Mstislav Dobuzhinsky at the Zvantseva School of Art in St Petersburg.

In 1909 Matyushin briefly joined the circle around Nikolay Kul’bin and the following year he founded the ...

Article

Emily Braun

(b Sassari, Sardinia, May 12, 1885; d Milan, Aug 13, 1961).

Italian painter, sculptor, architect, stage designer and illustrator. He was brought up in Rome where his family moved in 1886. In 1902 Sironi enrolled in the Engineering Faculty of the University of Rome, but after a long illness abandoned his studies to devote himself to painting. In 1903 he attended the Scuola Libera del Nudo at the Accademia di Belle Arti in Rome and frequented the studio of Giacomo Balla. Following a short spell in Milan in 1905–6, he travelled to Paris in 1906 and shared a room with his close friend Umberto Boccioni. Several family and self-portraits painted in a divisionist technique (see Divisionism) date from this period. Sironi also visited Germany several times between 1908 and 1911, where he was exposed to contemporary Expressionist currents. He lived in Rome from 1909 until he moved to Milan in late 1914 or early 1915.

Sironi experimented with Futurism from ...