Swiss painter, lithographer and photographer, active in Brazil and Australia. He attended a drawing school in Lausanne, where his teacher may have been Marc-Louis Arlaud (1772–1845), and is thought to have spent some time with the landscape painter Camille Flers in Paris c....
Jocelyn Fraillon Gray
Australian painter and performance artist of Chilean birth. He studied law and fine arts at the University of Chile. Following the coup of 1973, he arrived in Melbourne as a tourist after meeting an Australian in Buenos Aires, and later took up residence. He exhibited widely in Australia, Europe and South America, returning frequently to Chile, which, thematically and politically, remained a focus for his art. He worked primarily with the quotation of cultural ephemera (e.g. newspaper photographs, advertisements, etc). Originally noted for his adaptations of Pop art in an effort to rewrite the international history of painting from a provincial or Third World perspective, he increasingly developed a hybrid pictorial language that refused the strict confines of Modernism or Post-modernism, seen, for example, in ...
(b Sydney, 1935; d Ocho Rios, 2007).
Jamaican painter of Australian birth. He studied painting first at the National School of Art, Sydney (1953–1955), and later at the Central School of Art and Design, London (1959), before emigrating to Jamaica in 1962. He arrived in the island a very competent painter, with the rudiments of his style in place. Inspired essentially by Surrealism and Magic Realism, he also studied the work of various artists who have exhibited a taste for the fantastic, such as Botticelli, Bosch, Giuseppe Arcimboldo, and Richard Dadd. He also benefited from his knowledge of the art of John Dunkley and some of the Haitian primitives. Jamaica and Haiti were his principal sources of inspiration. The land and sea, the flora, the birds, fish, and the people of varied types and exotic costumes all feature in his surreal juxtapositions. The paintings are hard to decipher, and indeed, Garland claimed that they are not meant to be unraveled like puzzles but simply viewed as exotic fantasias. However, paintings such as ...