African American photographer. Bey was born and raised in the neighborhood of Jamaica, in Queens, New York City. His interest in photography was cemented by viewing the now infamous exhibition, Harlem on My Mind, at the Metropolitan Museum of Art in 1969. He studied at the School of Visual Arts during ...
Camara Dia Holloway
Mary M. Tinti
African American photographer of Jamaican birth. Although born in Jamaica, Cox was raised in an upper–middle-class neighborhood in Scarsdale, NY. Interested in both film and photography, Cox favored the latter for its immediacy and began her study of the craft while at Syracuse University. After a brief stint as a fashion photographer, Cox received her MFA from the New York School of Visual Arts in ...
English photographer. He lived in Cuba and the USA until his widowed English mother took her two sons to England in 1869. He studied medicine at King’s College Hospital, London (1879), and later received a BA (1883) and a Bachelor of Medicine degree (...
American sculptor and photographer of Cuban birth. He moved in 1979 to New York, where he completed a BFA in photography at the Pratt Institute (1983) and an MFA at the International Center of Photography, New York University (1987), as well as enrolling in the Whitney Museum of American Art Independent Study Program. In ...
Sarah Urist Green
Chilean architect, public interventionist, installation artist, photographer and filmmaker, active in the USA since 1982. He first studied architecture at the Universidad de Chile in Santiago, then filmmaking at the Instituto Chileno-Norteamericano de Cultura, Santiago, concluding in 1981. Throughout his career, Jaar has consistently endeavored to highlight and give visual form to complex ideas and incomprehensible tragedies. In over fifty projects he termed ‘public interventions’, Jaar conducted extensive research around the world to create site-specific works that reflect political and social realities near and far from his sites of exhibition. He created works—in gallery spaces and in public, often engaging spectator involvement—that harness and reappropriate the power of images through various and calculated strategies of representation....
Chicago-based American sculptor also working in photography, video and installation. He received a BA in art and art history and a BA in Latin American and Spanish literature from Williams College in 1983. In 1989 he earned a MFA from the School of the Art Institute of Chicago....
(b Havana, 1948). Cuban American photographer. Morell specialized in photographic illustration using camera obscura and tent camera techniques. He received his BA from Bowdoin College in Brunswick, ME, and completed his MFA at Yale University School of Art, in New Haven, CT, in ...
American photographer. He received his BA in American literature from the University of Michigan in 1968. After marrying in 1971, he moved to New Mexico and graduated with a Master of Fine Arts degree from the University of New Mexico in 1974. He settled in Boston to teach at the Massachusetts College of Art and Design. One of the photographers involved in the revival of large format camera in the 1970s, Nixon used this format to document the lives of everyday people. Nixon is best known for his ongoing series titled ...
American, 18th – 19th century, male.
Active in New York, Chile, Peru, Bolivia, and Panama.
Born in Bloomfield (New Jersey).
Painter, engraver, photographer. Landscapes, portraits.
Charles V. Ward was the son of Caleb Ward and the brother of Jacob Caleb Ward. At the end of the 1820s he lived in Bloomfield and New York. Ward established himself as a landscape painter in New York around ...
American photographer and teacher
. A self-taught photographer, he began taking photographs in 1893 and soon developed a style that showed the influence of Whistler, Sargent and Japanese prints. He was elected to the
(b Chicago, Sept 6, 1925; d Mexico City, May 2, 2002).
Mexican photographer, printmaker, and writer of American birth. After studying humanities in Chicago, in 1944 she emigrated to Mexico. From 1945 to 1958 she worked as an engraver in the Taller de Gráfica Popular with Leopoldo Méndez. She was a founder-member in 1951 of the Salón de la Plástica Mexicana. As a photographer Yampolsky studied under Lola Álvarez Bravo at the Academia de San Carlos Mexico City. Álvarez Bravo’s influence can be seen in Yampolsky’s photographs of rural Mexico, in particular vernacular architecture and harmonious depictions of sites used for either daily or ceremonial functions. She also photographed Indian or mestizo peasants engaged in domestic activities and celebrations, and she published educational and art books.La casa que canta: Arquitectura popular mexicana. Mexico City, 1982.Estancias del olvido. Mexico City, 1987.La raíz y el camino. Mexico City, 1988.Mazahua. Toluca, 1993.Haciendo Poblanas, text by R. Rendón Garcini...