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Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

Article

Margaret Lyttleton

(reg 377–352 bc). Ancient Greek ruler. He was the Satrap (i.e. vassal of the King of Persia) of Caria in Asia Minor, now western Turkey, and a member of the Hekatomnid dynasty. Although Carian by birth, Mausolos greatly admired Greek culture and art. He was famous for having moved his capital from Mylassa to the coastal site of Halikarnassos, where there was a good harbour. He laid out the new capital in the natural hollow by the harbour, as described by Vitruvius (On Architecture II. 811ff), with his tomb, the Mausoleum, at the centre. He employed the most famous Greek architects and sculptors of his time to build and decorate this, but he died before it was completed. The Mausoleum was finished by his wife and half-sister, Artemisia, who reigned after him. A fine portrait statue from the Mausoleum (London, BM, 1001) has been thought to represent Mausolos, though there is no proof of this....

Article

S. J. Vernoit

(b Kilmarnock, Aug 18, 1835; d Edinburgh, July 3, 1900).

Scottish soldier, archaeologist, diplomat and collector of Iranian art. He was educated at Glasgow University, and in 1855 he obtained a commission in the Royal Engineers. The following year he joined the expedition of Charles Newton to Halikarnassos, which resulted in the discovery of the Mausoleum and the acquisition of its sculptures for the British Museum. In 1860 with E. A. Porcher, Murdoch Smith formed at his own expense an expedition to Cyrene in Libya. From this expedition he returned with Greek sculptures and inscriptions (London, BM). In 1863 he was selected for service on the Iranian section of a proposed telegraph line from Britain to India, and in 1865 he became its director in Tehran, holding that post for the next 20 years. He initiated his collecting activities for the South Kensington (later Victoria and Albert) Museum in 1873 when he offered his services as an agent. From 1873 to 1885...

Article

Noémie Goldman and Kim Oosterlinck

Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages.

The history of plundering and art imperialism may be traced back to ancient times. Looting has been documented in many instances from the sack by the Romans of the Etruscan city of Veii in ...

Article

Andrew F. Stewart

Name given to the Macedonian kings of Syria and their territories between 311 and 64 bc, whose empire dominated the Ancient Near East from the end of the 4th century bc until the 2nd. Seleukos I Nikator (reg 305–281 bc), one of Alexander the Great’s generals, founded the empire in Babylon in 311 bc; in 300 bc he moved its capital to Antioch, and by his death he controlled most of the region now occupied by Afghanistan, Iran, Iraq, Syria and Turkey (about two-thirds of Alexander’s conquests). Continuous warfare on all fronts considerably eroded this vast territory during the 3rd century bc. Antiochos III (reg 223–187 bc) succeeded in reversing the situation by the 190s bc and even added Israel to the empire, but his unsuccessful invasion of Greece in 191 bc and subsequent defeat by Pergamon and Rome in 188 bc deprived him of most of Asia Minor and saddled the empire with a huge indemnity. A single Roman envoy prevented the ablest of his successors, the eccentric ...