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In the 20th century, discussion of the relationship between Byzantine art and the art of the Latin West evolved in tandem with scholarship on Byzantine art itself. Identified as the religious imagery and visual and material culture of the Greek Orthodox Empire based at Constantinople between ad 330 and 1453, studies of Byzantine art often encompassed Post-Byzantine art and that of culturally allied states such as Armenian Cilicia, Macedonia, and portions of Italy. As such fields as Palaiologan family manuscripts and wall paintings, Armenian manuscripts, and Crusader manuscripts and icons emerged, scholars identified new intersections between Western medieval and Byzantine art. Subtle comparisons emerged with the recognition that Byzantine art was not static but changed over time in style and meaning, although most analyses identified Byzantine art as an accessible reservoir of the naturalistic, classicizing styles of antiquity. Scholars considering the 7th-century frescoes at S Maria Antiqua and mosaics at S Maria in Cosmedin, both in Rome, and the 8th-century frescoes at Castelseprio and Carolingian manuscripts such as the Coronation Gospels of Charlemagne (Vienna, Schatzkam. SCHK XIII) used formal comparisons with works such as pre-iconoclastic icons at St Catherine’s Monastery on Sinai, along with the history of Byzantine iconoclasm, to argue for the presence of Greek painters in the West. Similarly, Ottonian and Romanesque painting and luxury arts, such as ivories, provided examples of the appropriation of Byzantine imperial imagery. Yet the study of works such as the great 12th-century ...

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Maskana  

J.-C. Margueron

[Mesken; Meskene; Miskina]

Small town in north Syria on the south bank of the River Euphrates near an ancient site known in antiquity as Emar, in Byzantine times as Barbalissos and in Islamic times as Balis. It lay on an ancient trade route between the Mediterranean, Anatolia and Mesopotamia. The site was excavated in 1929 and again between 1971 and 1976 during salvage operations accompanying the building of the Tabqa Dam. The minaret was dismantled and rebuilt on higher ground, but the ancient site and Maskana itself have been flooded by Lake Assad. Finds are in the National Museum, Aleppo, and the Musée du Louvre, Paris; objects looted from the site are in numerous private collections.

J.-C. Margueron

This Bronze Age city flourished during the 3rd and 2nd millennia bc as a staging-post on a major trade route, where not only goods but also ideas and influences were exchanged. The city is mentioned in the Ebla texts of the second half of the 3rd millennium ...