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Article

Swedish, 19th century, female.

Born 8 March 1808, on the island of Oland; died 23 March 1862, in Stockholm.

Painter, copyist. Flowers, animals.

Sofia Adlersparre began her studies with the sculptor Zvarnstrom and the painter Robert Wilhelm Ekman. She continued in Paris with Leon Cogniet in ...

Article

French, 20th – 21st century, male.

Born 20 January 1951, in Paris.

Painter, sculptor, draughtsman, illustrator.

Agid began his studies in 1970-1971 by taking one course of teaching and research on the environment. He studied architecture between 1971 and 1976, before registering in fine arts at the Université de Paris VIII....

Article

French, 20th century, male.

Born 14 November 1925, in La Ciotat.

Painter, watercolourist, draughtsman, sculptor, lithographer, illustrator. Figure compositions, figures, nudes, portraits, interiors, landscapes, urban landscapes, seascapes, still-lifes. Wall decorations.

Symbolism.

Jean-Pierre Alaux was the son of François Alaux and the great-great-grandson of Jean-Paul Alaux. From ...

Article

French, 20th – 21st century, male.

Born 11 January 1953, in Saïda.

Painter, pastellist, sculptor, engraver, draughtsman, illustrator. Designs for stained glass.

Figuration Libre, Citationism.

Jean-Michel Albérola lived in Algeria until 1962. He then went to France, living successively in several cities, including Marseilles, Toulouse, Avignon and Paris. He studied in Marseilles and in Aix-en-Provence. Until ...

Article

Italian, 20th century, male.

Born 2 December 1899, in Albisola; died May 1971, in Albisola.

Ceramicist, draughtsman, painter, sculptor, screen printer, photographer. Artists' books.

Futurism.

Tullio d'Albisola studied with his father Giuseppe, a master potter, then with Gaetano Ballardini at the international university pottery class in Faenza, which he entered in ...

Article

American, 20th century, male.

Born 28 November 1907, in Charlotte (North Carolina); died 27 April 1977, in New York.

Painter, sculptor, illustrator, lithographer. Murals.

Groups: Spiral, 306.

Charles Alston moved to New York with his mother in 1914, after his father died. Alston received his BA and MA (...

Article

Russian, 20th century, male.

Also active in France from 1910.

Born 1889, in Vinnitsa; died 1970, in Leningrad (now St Petersburg).

Painter, sculptor, draughtsman, illustrator. Stage sets.

Bubnovy Valet (Jack of Diamonds) group.

A student at the school of fine art in Odessa between 1903...

Article

American, 20th century, male.

Born 13 November 1930, in Madison (Georgia).

Painter, collage artist, installation artist, sculptor, photographer, illustrator, draughtsman, watercolourist, print artist. Figures, portraits, interiors with figures, landscapes, animals.

African-American artist Benny Andrews served in the USA Air Force during the Korean War. He studied at the Art Institute of Chicago, graduating with a BFA in ...

Article

Austrian, 20th century, male.

Born 10 March 1871, in Waidhofen-am-Ybbs; died 19 May 1956, in Vienna.

Painter, sculptor, engraver, illustrator. Genre scenes. Toys.

Art Nouveau.

Secession group.

Andri studied under Julius Berger and Edouard Lichtenfels at the Venice Academy, then, from 1892, under Claus Meyer at Karlsruhe Academy, before returning to settle in Venice. In ...

Article

Mark Jones

(b Bordeaux, Nov 4, 1761; d Paris, Dec 10, 1822).

French medallist, engraver and illustrator. He was first apprenticed to the medallist André Lavau (d 1808) and then attended the Académie de Peinture et de Sculpture in Bordeaux. In 1786 he travelled to Paris and entered the workshop of Nicolas-Marie Gatteaux. His first great success was a large, realistic and highly detailed medal representing the Fall of the Bastille (1789); because it would have been difficult and risky to strike, he produced it in the form of single-sided lead impressions or clichés, coloured to resemble bronze. The following year he used this novel technique again, to produce an equally successful companion piece illustrating the Arrival of Louis XVI in Paris. Andrieu lay low during the latter part of the French Revolution, engraving vignettes and illustrating an edition of Virgil by Firmin Didot (1764–1836). He reappeared in 1800, with medals of the Passage of the Great St Bernard...

Article

Russian, 20th century, male.

Also active in France.

Born 11 July 1889, in Petropavlosk (Kamchatka); died 1974, in Paris.

Painter, collage artist, sculptor, illustrator, draughtsman. Stage costumes and sets, film sets.

The son of a political exile in Kamchatka, Yuri Annenkov was able to go to St Petersburg in 1898 and study at the school of fine art and at several artists’ workshops between 1908 and 1911, developing a passion for the theatre and theatrical production. He went to Paris in 1911 and studied with Maurice Denis and Félix Vallotton and then went to Switzerland in 1913. He exhibited at the Salon des Indépendants in Paris in 1912 and 1913 and then returned to Russia where he joined the...

Article

Antico  

Italian, 15th – 16th century, male.

Born c. 1460; died 1528, in Bózzolo.

Goldsmith, sculptor, medallist, copyist. Statues, statuettes.

Antico was from Mantua and went to Rome in 1495 and 1497. His first commission was in 1479, for a pair of medals commemorating the wedding of Gianfranceso Gonzaga to Antonia del Banzo. His first visit to Rome, in ...

Article

Philip Ward-Jackson

(b London, June 18, 1828; d London, Dec 4, 1905).

English sculptor, silversmith and illustrator. He was the son of a chaser and attended the Royal Academy Schools, London. At first he gave his attention equally to silverwork and to sculpture, exhibiting at the Royal Academy from 1851. An early bronze, St Michael and the Serpent, cast in 1852 for the Art Union, shows him conversant with the style of continental Romantics, and his debut in metalwork coincided with the introduction into England of virtuoso repoussé work by the Frenchman, Antoine Vechte (1799–1868). In the Outram Shield (London, V&A), Armstead displayed the full gamut of low-relief effects in silver, but its reception at the Royal Academy in 1862 disappointed him, and he turned his attention to monumental sculpture. Among a number of fruitful collaborations with architects, that with George Gilbert I Scott (ii) included a high degree of responsibility for the sculpture on the Albert Memorial in Kensington Gardens, London. Here Armstead’s main contribution was the execution of half of the podium frieze (...

Article

French, 20th century, male.

Born 2 October 1924, in La Valette (Var).

Painter (including gouache/mixed media), sculptor, illustrator, designer. Designs for tapestries.

Mec Art.

After secondary school in Toulon, François Arnal studied at the faculty of arts and law in Aix-en-Provence. He began painting in 1940, then, having joined the French Resistance in 1943, settled in Paris in 1948 and began his career as an artist. In 1949 he was awarded the Prix de la Jeune Peinture, which gave him the opportunity to mount his first solo exhibition the following year. In the 1950s he belonged to Michel Tapié's group ...

Article

French, 20th century, male.

Born 16 September 1886, in Strasbourg; died 7 June 1966, in Basel.

Collage artist, engraver, sculptor, draughtsman, illustrator, poet.

Dadaism.

Der Moderne Bund, Dadaist groups in Zurich and Cologne, Artistes Radicaux, Das Neue Leben, Paris Surrealist Group, Abstraction-Création.

Hans Arp joined the École des Arts et Métiers in Strasbourg in 1902, at the age of 16. In 1903 he began painting and contributed to a local magazine. In 1904 he made his first trip to Paris. From 1905 to 1907 he studied under Ludwig von Hoffmann at the fine arts academy in Weimar, where he attended modern art exhibitions. He returned to Strasbourg, which his family then left for Weggis, on the edge of the Lac des Quatre Cantons in Switzerland. Between 1908 and 1910 he made a second trip to Paris and worked for a time at the Académie Julian. In Weggis he completed his first Abstract compositions and learned the art of modelling. In 1911 he co-founded the group...

Article

French, 19th century, male.

Born 13 December 1780, in Paris; died 3 August 1855.

Painter.

Louis Arsenne tried his hand at various painting genres but enjoyed more success as an author and publisher. Among his books is his Painter and Sculptor's Handbook ( Manuel du peintre et du sculpteur...

Article

Artistic manifestations of Arthurian legends antedate surviving textual traditions and sometimes bear witness to stories that have not survived in written form. Thus the Tristan sculptures (c. 1102–17) carved on a column from the north transept of the Cathedral of Santiago de Compostela show that the story was in circulation at least a generation before the earliest surviving written text was composed. The one surviving manuscript of Béroul’s Tristan is unillustrated, while the fragments of Thomas’s version include a single historiated initial showing Tristan playing the harp (Oxford, Bodleian Lib., MS. Fr. d. 16, fol. 10). Although Eilhart von Oberge’s Tristrant, composed in the late 12th century, is the earliest version of the Tristan story to survive complete, the only surviving illustrated copy dates from the 15th century (c. 1465–75; Heidelberg, UBib., Cpg 346), while the Munich manuscript of Gottfried von Strassburg’s Tristan was made in south Germany ...

Article

American, 20th century, male.

Born 2 February 1914, in Washington (North Carolina), 1919, according to some sources; died 1977.

Sculptor, print artist, ceramicist, illustrator.

William E. Artis studied at the University of Syracuse, New York, New York State University and the Art Students League, New York. He was also a student of Augusta Savage at the Harlem Community Art Center, New York. Artis expressed his humanist ideals by depicting impassive faces in a purified style, combining African and classical sculpture....

Article

Aslan  

French, 20th century, male.

Active since 1995 in Canada.

Born 23 May 1930, in Lormont (Gironde).

Draughtsman, illustrator, sculptor. Figures, nudes.

Aslan joined the École des Beaux-Arts in Bordeaux at the age of 14, then at 16 he was given special dispensation to enter the École Nationale Supérieure des Beaux-Arts in Paris. He was, for a time, an army painter. Of Armenian descent, he took his grandfather's name as a pseudonym....

Article

Phyllis Pray Bober

(b Bologna, 1474–5; d Bologna, Nov 19, 1552).

Italian painter, sculptor, illuminator, printmaker and draughtsman . He was born into a family of painters, and his youthful facility reportedly astonished his contemporaries. His work developed in the Emilian–Ferrarese tradition of Ercole de’ Roberti, Lorenzo Costa the elder and, above all, Francesco Francia. Until the re-evaluation by Longhi, critical assessment of Amico’s oeuvre was over-reliant on literary sources, especially Vasari’s unsympathetic account of an eccentric, half-insane master working so rapidly with both hands (the ‘chiaro’ in one, the ‘scuro’ in the other) that he was able to finish decorating an entire house façade in one day.

Longhi presented Amico as a creative master whose expressive intensity and sensitive use of colour rescued Bolognese painting of the early 16th century from sterile echoes of Raphael. Today Aspertini is viewed as an influential precursor of Mannerism, and his highly individual study of antiquity has been brought to the fore by the publication of his sketchbooks. Amico was not a mere imitator of ancient artists, but their imaginative rival, whether in his grotesques derived from the decorations of Nero’s Domus Aurea in Rome (e.g. the Parma sketchbook and the borders of his ...