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Spanish, 20th – 21st century, male.

Born 1962, in Barcelona.

Sculptor, video installation artist, photographer, scenographer.

Colomer studied art history at Universitat Autònoma, in Barcelona, and then studied architecture at Escola Tècnica Superior in Barcelona. He lives and works in Barcelona. He produces scenography for the theatre, notably for Valère Novarina's play ...

Article

Eduardo Serrano

(b Cartagena, 1920).

Colombian painter, sculptor, printmaker, film maker and stage designer. He studied at the Art Students League in New York from 1941 to 1943 and subsequently visited Italy, where he studied fresco and etching techniques before settling again in Colombia. Consistently devoted to the human form, he initially depicted figures with angular heads and striped tunics in a strong light, with symbolic objects such as eggs, masks or cages.

In such later paintings as Boy with Umbrella (1964; Washington, DC, A. Mus. Americas) Grau’s figures were transformed into plump, fleshy and voluptuous beings, richly arrayed with lace, feathers, hats and fans, like characters taken from the theatre or from popular turn-of-the-century postcards. His scenes were gradually filled with anecdotal details and numerous objects, including cupboards, easels, boxes, masks and flowers, through which he suggested emotionally charged atmospheres. Grau also produced murals, prints, stage sets, films and especially sculptures. The first of these were assemblages of antique and industrial objects, but he subsequently made cast-bronze sculptures that convey a sensuousness, mystery and nostalgia similar to that evoked by his paintings....

Article

Alfred Pacquement

(b Paris, Oct 29, 1930; d San Diego, CA, May 21, 2002).

French sculptor, writer, stage designer and film maker. She spent the first 20 years of her life in New York. A self-taught artist, on her return to Europe she began to work in a style similar to art brut. She first came to public attention through the Shots series (1960–61; see 1980 exh. cat., pp. 14–15), ironic parodies of Art informel painting, comprising plaster reliefs incorporating pockets of paint, which burst when fired at by visitors to the exhibition, thus staining the surface. Through these works Saint Phalle became associated with Nouveau Réalisme. She produced reliefs and sculptures made of objets trouvés and plastic toys; these were always playful and imaginary; see Die Waldaff, 1962. Monsters and other fantastic creatures were also among her favourite themes (e.g. King Kong, 1963; Stockholm, Mod. Mus.), while other assemblages were in the form of iconoclastic altars (e.g. O.A.S. Altar, 1962; priv. col., see ...