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Latvian, 20th century, male.

Born 24 October 1962, in Riga, Latvian SSR (now Latvia).

Painter, graphic artist, multimedia artist. Allegorical subjects, abstraction and portraiture. Sculptural objects, conceptual installations.

Of the generation that came of age during Latvia’s transition from Soviet occupation to political independence, Kristaps Ģelzis distinguished himself as the most cerebral of that nation’s artists while, paradoxically, anchoring his work in intrinsic properties of base materials, the timelessness of simple forms, and labour-intensive craft. The son and younger brother of renowned architects, Ģelzis resolved to pursue another creative vocation, first studying violin while attending Riga’s 50th Secondary School, then taking preparatory classes for the Latvian Art Academy in lieu of attending the art high school. As a student in the academy’s department of graphic art ...

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Michelle Yun

(b New York, NY, Dec 25, 1944).

American sculptor, draftsman and installation artist. Saret received a BArch from Cornell University in Ithaca, NY, in 1966 and subsequently studied at Hunter College in New York under Robert Morris from 1966 to 1968. In the late 1960s his work was classified as part of the “anti-form” movement, which rejected the rigidity of Minimalism in favor of creating non-figurative works that were structured in part by the inherent physical properties of the industrial materials favored by this group.

Saret’s early sculptures from the 1960s and 1970s were primarily crafted from industrial metal wire of varying thickness, though he also sometimes used rubber, wire mesh or other non-art materials. They were often suspended from the ceiling or installed directly on the ground and exuded a weightless, ephemeral quality akin to clouds or gestural drawings rendered three-dimensionally. It was around this time, in 1967, that Saret began his ongoing Gang drawings series. These gestural drawings were initially created as preliminary studies for the sculptures and were produced by the artist spontaneously grabbing a handful, or “gang,” of colored pencils, thereby integrating an element of chance to the process....