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Jean E. Feinberg

(b Cincinnati, OH, June 6, 1935).

American painter, sculptor, printmaker, illustrator, performance artist, stage designer and poet. He studied art at the Cincinnati Arts Academy (1951–3) and later at the Boston Museum School and Ohio University (1954–7). In 1957 he married Nancy Minto and the following year they moved to New York. Dine’s first involvement with the art world was in his Happenings of 1959–60. These historic theatrical events, for example The Smiling Workman (performed at the Judson Gallery, New York, 1959), took place in chaotic, makeshift environments built by the artist–performer. During the same period he created his first assemblages, which incorporated found materials. Simultaneously he developed the method by which he produced his best known work—paintings, drawings, prints and sculptures that depict and expressively interpret common images and objects.

Clothing and domestic objects featured prominently in Dine’s paintings of the 1960s, with a range of favoured motifs including ties, shoes and bathroom items such as basins, showers and toothbrushes (e.g. ...

Article

Marco Livingstone

(b Bradford, July 9, 1937).

English painter, printmaker, photographer, and stage designer. Perhaps the most popular and versatile British artist of the 20th century, Hockney made apparent his facility as a draughtsman while studying at Bradford School of Art between 1953 and 1957, producing portraits and observations of his surroundings under the influence of the Euston Road School and of Stanley Spencer. From 1957 to 1959 he worked in hospitals as a conscientious objector to fulfil the requirements of national service. On beginning a three-year postgraduate course at the Royal College of Art, London, in 1959, he turned first to the discipline of drawing from life in two elaborate studies of a skeleton before working briefly in an abstract idiom inspired by the paintings of Alan Davie.

Encouraged by a fellow student, R. B. Kitaj, Hockney soon sought ways of reintegrating a personal subject-matter into his art while remaining faithful to his newly acquired modernism. He began tentatively by copying fragments of poems on to his paintings, encouraging a close scrutiny of the surface and creating a specific identity for the painted marks through the alliance of word and image. These cryptic messages soon gave way to open declarations in a series of paintings produced in ...

Article

American, 20th century, male.

Born 13 September 1928, in New Castle (Indiana).

Painter, sculptor. Stage sets, stage costumes, posters.

Pop Art.

Robert Indiana trained at the John Herron School of Art, Indianapolis, in 1945 and 1946, then at the Munson-Williams Proctor Institute, Utica (New York), Art Institute of Chicago from 1949 to 1953, Skowhegan School of Painting (Maine), University of Edinburgh and Edinburgh College of Art, and then in London. Afterward, he travelled to Mexico, Europe, and the interior of the USA. In 1958, he moved to New York and, in 1978, settled in Vinhalven, on an island in Maine....

Article

American, 20th century, male.

Born 15 May 1930, in Allendale (South Carolina) or Augusta (Georgia).

Painter, sculptor, draughtsman, printmaker, mixed media, costume and set designer, illustrator. Encaustic.

Neo-Dadaism, Pop Art.

Jasper Johns grew up in South Carolina. He attended courses in art and painting at the University of South Carolina and, in 1948, enrolled in a commercial art school for two semesters in New York City. He served in the US Army for two years during the Korean War but was able to resume his studies at City College in New York in 1953, thanks to the GI Bill. It was at this time that he met his lifelong friend Robert Rauschenberg, the composer John Cage, and the dancer Merce Cunningham. He acted as artistic adviser for Cage and Cunningham’s dance company until 1972, collaborating with painters such as Robert Morris, Frank Stella, Bruce Nauman, and Andy Warhol. He lives and works in New York State and St Martin in the French West Indies. He has been a member of the New York Academy of Arts and Letters since 1988....

Article

British, 20th century, male.

Born 1937, in Southampton.

Painter, sculptor, draughtsman. Scenes with figures, figures. Stage sets, stage costumes.

Pop Art.

Allen Jones studied painting at Hornsey College of Art from 1955 to 1959, and from 1960 to 1961 (the intervening year was spent at the Royal College of Art in London). He travelled to Paris in 1958, where he discovered the work of Robert Delaunay. He taught in the USA in the mid-1960s, and then returned to live and work in London. He was elected an associate of the Royal Academy in 1981 and a full member in 1986....

Article

Alfred Pacquement

(b Paris, Oct 29, 1930; d San Diego, CA, May 21, 2002).

French sculptor, writer, stage designer and film maker. She spent the first 20 years of her life in New York. A self-taught artist, on her return to Europe she began to work in a style similar to art brut. She first came to public attention through the Shots series (1960–61; see 1980 exh. cat., pp. 14–15), ironic parodies of Art informel painting, comprising plaster reliefs incorporating pockets of paint, which burst when fired at by visitors to the exhibition, thus staining the surface. Through these works Saint Phalle became associated with Nouveau Réalisme. She produced reliefs and sculptures made of objets trouvés and plastic toys; these were always playful and imaginary; see Die Waldaff, 1962. Monsters and other fantastic creatures were also among her favourite themes (e.g. King Kong, 1963; Stockholm, Mod. Mus.), while other assemblages were in the form of iconoclastic altars (e.g. O.A.S. Altar, 1962; priv. col., see ...