1-2 of 2 results  for:

  • Scenography x
  • Film and Video x
  • Latin American/Caribbean Art x
Clear all

Article

Uruguayan, 20th century, male.

Active in Spain.

Born 5 February 1898, in Montevideo; died 12 February 1929, in Montevideo.

Painter (including gouache), watercolourist, draughtsman, illustrator, scenographer. Religious subjects, genre scenes, scenes with figures, landscapes, urban landscapes. Stage sets, comic cartoons.

The son of Spanish emigrants, Rafaél Pérez Barradas spent most of his artistic life in Spain, where he was soon contributing illustrations to the press. In 1913, he traveled in Italy and France, then settled in Condal. In 1928, he decided to return to Uruguay. He died prematurely of an illness. He is considered to have formed part of the Spanish artistic avant-garde at the beginning of the 1920s. Starting in a Post-Impressionist style that was soon influenced by Gauguin, he rapidly lightened his palette and became interested in the Cubist vision of reality while breaking out of the unitary vision of form. His canvases, with grey and ochre colours, represent landscapes and burlesque scenes from daily life. ...

Article

Eduardo Serrano

(b Cartagena, 1920).

Colombian painter, sculptor, printmaker, film maker and stage designer. He studied at the Art Students League in New York from 1941 to 1943 and subsequently visited Italy, where he studied fresco and etching techniques before settling again in Colombia. Consistently devoted to the human form, he initially depicted figures with angular heads and striped tunics in a strong light, with symbolic objects such as eggs, masks or cages.

In such later paintings as Boy with Umbrella (1964; Washington, DC, A. Mus. Americas) Grau’s figures were transformed into plump, fleshy and voluptuous beings, richly arrayed with lace, feathers, hats and fans, like characters taken from the theatre or from popular turn-of-the-century postcards. His scenes were gradually filled with anecdotal details and numerous objects, including cupboards, easels, boxes, masks and flowers, through which he suggested emotionally charged atmospheres. Grau also produced murals, prints, stage sets, films and especially sculptures. The first of these were assemblages of antique and industrial objects, but he subsequently made cast-bronze sculptures that convey a sensuousness, mystery and nostalgia similar to that evoked by his paintings....