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Article

Mark Dike DeLancey

[Jenne] [Friday Mosque]

Malian mosque that was built in 1906–7 in the Sudanese style under the direction of master mason Ismaïla Traoré. Local historical traditions state that a mosque was first built on this site in the 12th century, replacing the palace of Djenné’s ruler Koi Konboro after he converted to Islam. By the turn of the 20th century the mosque was in ruins.

The mosque’s heavy earthen walls (see fig.) are inset with wooden timbers that act as scaffolding for replastering, while numerous pilasters create a sense of verticality. The horizontal emphasis of the eastern qibla wall is broken by three huge towers, creating a rhythmic alternation of reserved horizontal wall surfaces and projecting vertical towers. Towers in the centre of the north and south walls provide rooftop access for the call to prayer via internal staircases. A monumental entrance on the north side is composed of three projecting pillars enclosing two deep recesses. Seven projections at the top of the portal echo the tops of the pilasters extending beyond the roofline of the mosque walls....

Article

Sheila S. Blair and Jonathan M. Bloom

(b. Tripoli, Libya, 1945).

Libyan painter. He returned to Libya in 1970 after graduating from the Plymouth School of Architecture and Design in England. In 1974 he was appointed consultant to the Festival of Islam in London, and in 1981 he settled in England. He typically uses individual letter forms based on the maghribī style of script typical of North Africa, setting one or two large letters against a richly textured abstract ground with accompanying excerpts from Arabic and world literature that address social and moral issues. His works have been exhibited in more than 60 solo and group exhibitions and can be found in many major museums. Chairman of Muslim Cultural Heritage Center in London, he has also been involved with several other cultural and intellectual institutions there.

A. O. Ermes: Ali Omar Ermes: Art and Ideas: Works on Paper (exh. cat., Oxford, Ashmolean, 1992)A. O. Ermeswith S. Rizvi: Reaching Out: Conversations on Islamic Art with Ali Omar Ermes...

Article

Hasan-Uddin Khan and Jonathan M. Bloom

revised by Sheila S. Blair

(b Alexandria, March 23, 1900; d Cairo, Nov 30, 1989).

Egyptian architect, teacher and writer. He graduated in architecture (1926) from the High School of Engineering, University of King Fuad I (now University of Cairo), and then worked at the Department of Municipal Affairs, Cairo (1926–30). He subsequently began to teach at the Faculty of Fine Arts at the university (1930–46 and 1953–7) while working independently as an architect. Fathy’s work can be considered in five main phases (see Steele, 1988). His early projects (1928–37) reveal his interest in the classical Beaux-Arts tradition, Art Deco and other trends fashionable in Europe at the time. In his second phase (1938–56) he developed the interest in indigenous building that made him internationally known. Starting with villas, the use of mud-brick and a preoccupation with the rural poor, Fathy evolved a new aesthetic that irrevocably linked him to local vernacular building traditions. This new direction was expressed in a series of beautiful gouaches and coloured pencil drawings (see Richards, Serageldin and Rastorfer, pls 1–8) exhibited in Mansoura and Cairo in ...

Article

Mark Dike DeLancey

Term used to refer to architecture from the western Sudan, generally understood as encompassing Mauritania, Mali, Burkina Faso, Niger, and northern regions of Côte d’Ivoire, Ghana, Togo, and Benin. The term ‘Sudanic’ is derived from the Arabic phrase ‘Bilad al-Sudan’, or ‘Land of the Blacks’, used historically to denote sub-Saharan Africa. References to Sudanic architecture were first employed in the late 19th century, particularly by French colonial administrators and adventurers, to refer to the architecture of French West Africa. These commentators frequently likened the architecture of the region to that of Egypt, thereby endowing the French colony with a degree of prestige, particularly in the wake of waves of Egyptomania that washed across Europe in the 19th century.

Perhaps more controversial are the much more common references to the Sudanese style of architecture. While focused primarily in the regions referenced above, this interpretation may also incorporate works from surrounding regions such as Guinea, Senegal, and Nigeria. What exactly constitutes the Sudanese style has been the subject of extensive debate. The ...

Article

Hasan-Uddin Khan

(b Cairo, Aug 7, 1943).

Egyptian architect. He graduated from Ain-Shams University in Cairo in 1965. Between 1965 and 1970 he lectured at the university whilst studying and working with his mentor Hassan Fathy, the well-known proponent of indigenous architecture. In 1971 he went into private practice, eventually establishing offices in Cairo, Jiddah and Ashford, Kent. From 1993 he was based in Miami, Florida. He acted as an adviser to the Ministry of Tourism in Egypt (1972) and as consultant to UNESCO (1979–80). In 1980 he won the Aga Khan Award for Architecture for the Halawa house in Agamy, Egypt, completed in 1975. The two-storey house was built around a courtyard, and the articulation of space was handled with great sensitivity and simplicity. Openings in the white walls filter light to the interior through carved wooden screens (Arab. mashrabiyyas), and much of the courtyard remains in shadow, staying cool during the heat of the day. From this small vacation house El-Wakil went on to design larger houses such as the spectacular Al Sulaiman Palace in Jiddah, which uses the same principles but on a more lavish and larger scale. For a short time the architect toyed with other expressions of form but quickly returned to his exploration of tradition. El-Wakil’s most convincing designs have been those for mosques (for illustration ...