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Article

Pat Gilmour

(b Glendale, CA, Dec 11, 1918; d Albuquerque, NM, May 13, 2002).

American painter, printmaker, art historian, writer and teacher. His appointment to the art faculty of the University of California, Los Angeles, in 1942 was interrupted by military service, and it was not until 1946 that he resumed his career as a teacher of the practice and theory of art. This took him to the universities of Kentucky (Lexington), Florida (Gainesville) and finally New Mexico (Albuquerque), where he served as Dean (1961–76). Despite academic demands, Adams always found time to paint and showed his work in over 50 solo exhibitions. Equally at home in oil, acrylic, watercolour and egg tempera, he was initially inspired by the abstracted cityscapes of Stuart Davis. Later he absorbed the lessons of Matisse, achieving particularly radiant paintings during the 1980s. In 1993 he was elected an Academician by the National Academy of Design.

In 1948, at Stanton Macdonald-Wright’s suggestion, Adams began to make lithographs with the Los Angeles printer, ...

Article

Roberta K. Tarbell

[Margaret] (Frances)

(b Ridgefield, CT, May 2, 1895; d Kennebunk, ME, Jan 4, 1987).

American printmaker, illustrator, painter, and writer. Bacon’s artist parents, Elizabeth and Charles Roswell Bacon, met at the Art Students League around 1890. Bacon lived in Cornish, NH (1903), and in Montreuil-sur-Mer, France (1904–6), and learnt French, Latin, Greek, drawing, and writing from tutors before attending the Kent Place School in Summit, NJ (1909–13). She then attended the School of Applied Design for Women briefly and the New York School of Fine and Applied Arts. In 1914 and 1915, landscape artist Jonas Lie (1880–1940) taught her oil painting. At the Art Students League (1915–20), she took the ‘Women’s Life Class’ with Kenneth Hayes Miller, portraiture with George Bellows, and painting with John Sloan, studied briefly with George Bridgman (1864–1943) and Max Weber, and received critiques in printmaking from Mahonri Young. She then studied modern painting with Andrew Dasburg (...

Article

American, 20th century, male.

Born 2 September 1911, in Charlotte (North Carolina); died 12 March 1988, in New York.

Painter (including gouache), watercolourist, lithographer, screen printer, engraver, collage artist, newspaper cartoonist, illustrator, art theorist. Religious subjects, figure compositions, local figures. Humorous cartoons, frontispieces, stage sets...

Article

American, 20th century, male.

Born 13 March 1924, in New York.

Painter, engraver, art critic.

Paul Brach studied at the State University of Iowa, graduating in 1948-1949. He taught at the University of Missouri from 1952 to 1955, at the New School for Social Research between ...

Article

American, 20th century, male.

Born 20 February 1878, in Hartford (Connecticut); died 16 April 1936, in Hartford.

Painter, illustrator, engraver, art critic. Landscapes, portraits.

James Britton trained in the studio of Charles Noel Flagg and at the Art Students' League in New York. He was a founding member of the Connecticut Academy of Fine Arts, but spent much of his career in New York. He also contributed articles to the weekly ...

Article

American, 20th century, male.

Born 18 July 1921, in Cambridge (Massachusetts).

Painter, engraver, art theorist.

Calvin Burnett studied at the Massachusetts College of Art in Boston. His work is an indictment of capitalist corruption, as in I've Been in Some Big Towns, 1942, well served by a style which highlights the bleakness of poverty. Oppression is palpable in his dark portraits assailed by shadows in compositions based on the superimpositions of angles. He has also written a book on drawing: ...

Article

American, 20th century, female.

Born 1 November 1917, in St Rose (Louisiana).

Sculptor (bronze), engraver, painter, illustrator, watercolourist, writer. Figures, portraits, genre scenes.

Margaret T.G. Burroughs studied at the Art Institute of Chicago and Illinois State University. In 1961, Burroughs and her husband founded the Ebony Museum of Negro History and Art at their home in Chicago. The museum remains under Burroughs' directorship, but was later renamed the DuSable Museum of African American History. In ...

Article

Hugh Davies

(b Los Angeles, Sept 5, 1912; d New York, Aug 12, 1992).

American composer, philosopher, writer and printmaker. He was educated in California and then made a study tour of Europe (1930–31), concentrating on art, architecture and music. On his return to the USA he studied music with Richard Buhlig, Adolph Weiss, Henry Cowell and Arnold Schoenberg; in 1934 he abandoned abstract painting for music. An interest in extending the existing range of percussion instruments led him, in 1940, to devise the ‘prepared piano’ (in which the sound is transformed by the insertion of various objects between the strings) and to pioneer electronic sound sources.

Cage’s studies of Zen Buddhism and Indian philosophy during the 1940s resulted in a decision to remove intention, memory and personal taste from music, based on the Oriental concern with process rather than result. According equal status to both structured sound and noise, he treated silence (the absence of intentional sounds) as an element in its own right. In the early 1950s he began his close collaboration with the pianist ...

Article

American, 20th century, female.

Active in France.

Born 26 June 1939, in Philadelphia.

Sculptor, painter, print artist, illustrator, writer.

Barbara Chase-Riboud received her BFA from Temple University, Philadelphia, and her MFA from Yale University, New Haven, Connecticut. She also studied in Rome. She has lived and worked in Paris since ...

Article

Jean E. Feinberg

(b Cincinnati, OH, June 6, 1935).

American painter, sculptor, printmaker, illustrator, performance artist, stage designer and poet. He studied art at the Cincinnati Arts Academy (1951–3) and later at the Boston Museum School and Ohio University (1954–7). In 1957 he married Nancy Minto and the following year they moved to New York. Dine’s first involvement with the art world was in his Happenings of 1959–60. These historic theatrical events, for example The Smiling Workman (performed at the Judson Gallery, New York, 1959), took place in chaotic, makeshift environments built by the artist–performer. During the same period he created his first assemblages, which incorporated found materials. Simultaneously he developed the method by which he produced his best known work—paintings, drawings, prints and sculptures that depict and expressively interpret common images and objects.

Clothing and domestic objects featured prominently in Dine’s paintings of the 1960s, with a range of favoured motifs including ties, shoes and bathroom items such as basins, showers and toothbrushes (e.g. ...

Article

Nancy E. Green

(b Ipswich, MA, April 6, 1857; d New York, NY, Dec 13, 1922).

American painter, printmaker, photographer, writer and teacher. Dow took art classes in the Boston studio of James M. Stone, where he met Frank Duveneck, who would remain a lifelong friend. He went to Paris in 1884 to study at the Académie Julian with Jules(-Joseph) Lefebvre and Gustave(-Clarence-Rodolphe) Boulanger. Dow also took evening classes at the Ecole des Arts Décoratifs, where the American artist Francis D. Millet (1846–1912) offered critiques of the students’ work. Dow then spent some time in Pont-Aven, where he met Paul Gauguin and Emile Bernard, and in Concarneau where he sought out the advice of American painter Alexander Harrison (1853–1930). Dow’s painting Au Soir won an honorable mention at the Universal Exposition in 1889 and two of his paintings were accepted that same year for the Paris Salon and were hung on the line (i.e. at eye-level).

Dow returned to Boston where he began independent studies at the Boston Public Library that led him to the work of Japanese artists ...

Article

American, 20th century, male.

Born 7 June 1931, in Eatonton (Georgia).

Painter, draughtsman (including ink), collage artist, print artist, sculptor, collector, art historian. Religious subjects, figures, portraits, figure compositions, scenes with figures, landscapes. Designs for stained glass.

David C. Driskell earned a BFA at Howard University in ...

Article

American, 19th – 20th century, male.

Born 9 November 1872, in Cincinnati (Ohio); died 1961.

Painter, draughtsman, lithographer, art theorist. Figures, landscapes, winter landscapes.

Edward Eisenlohr was a pupil of Gustav Schönleber at the Karlsruhe Academy of Fine Arts. He then became a teacher in America. He was also a lecturer, art theorist and writer of several works: ...

Article

American, 20th century, male.

Born 1909, in Baltimore; died 1993.

Painter, draughtsman, print artist, illustrator, art historian, writer. Figures, portraits, genre scenes, scenes with figures, landscapes. Comic strips.

Elton Clay Fax studied at Clafin University, Orangeburg, South Carolina, and Syracuse University, Syracuse, New York. He was taught by Augusta Savage....

Article

Catherine M. Grant and Margaret Rose Vendryes

(b Cleveland, OH, 1959).

American printmaker, film maker, installation and conceptual artist and writer.

Green, of African descent, has worked primarily with film-based media, and has published criticism and designed installations that reveal her commitment to ongoing feminist and black empowerment movements. She earned her BA from Wesleyan University in 1981 and also spent some time at the School of Visual Arts in New York in 1980, returning in the late 1980s to study in the Whitney Independent Study Program, graduating in 1990. At the age of 24 she began exhibiting her comparative compositions containing found objects, images, and texts that question recorded history.

Green’s work deals with issues of anthropology and travel. By undertaking projects via the methodology of the 19th-century explorer, she exposed the arbitrary and prejudiced nature of classification, as in Bequest (1991; see 1993 exh. cat.), an installation she made at the invitation of the Worcester Museum of Art to commemorate their 50th anniversary. Using the museum as a ready-made stage set, she installed works of art alongside 19th-century texts explaining stereotypes of whiteness and blackness. Green characteristically intervened in the history of her chosen site to produce a fiction that included her own responses as an African American woman to her findings. In ...

Article

American, 20th – 21st century, male.

Born 1948, in Ohio.

Painter, lithographer, art historian.

AfriCobra Group.

Michael D. Harris studied at Howard University, Washington DC, before earning a PhD from Yale University. He is a member of the group AfriCobra (African Commune of Bad Relevant Artists), which promotes an art in the service and for the advancement of the Afro-American community. He began teaching at the University of North Carolina in ...

Article

American, 19th century, male.

Born 1831; died 1874, in New York.

Painter, draughtsman, engraver, writer.

John A. Hows produced many illustrations for various New York magazines. He also produced oil paintings and was a member of the National Academy of Design in New York.

Article

American, 19th century, female.

Born 24 October 1863, in Covington (Illinois); died 1941.

Painter, engraver, illustrator, writer, teacher.

Bertha E. Jaques studied in Chicago, where she settled. She founded the Chicago Society of Etchers in 1910.

Patterson, Joby: Bertha E. Jaques and the Chicago Society of Etchers...

Article

Fridolf Johnson

(b Tarrytown, NY, June 21, 1882; d Au Sable Forks, NY, March 13, 1971).

American painter, printmaker, illustrator, writer, and sailor. He first studied architecture but turned to painting, studying in New York at the schools of William Merritt Chase and of Robert Henri. In his realistic landscapes, the most famous of which related to his long sojourns in such remote and rugged places as Alaska, Tierra del Fuego, and Greenland (e.g. Eskimo in a Kayak, 1933; Moscow, Pushkin Mus. F.A.), he favoured a precise rendering of forms with strong contrasts of light and dark. He was also renowned for the many books that he illustrated and wrote about his adventures. His considerable reputation as an illustrator was based on his striking drawings for such classics as Voltaire’s Candide (New York, 1928) and Herman Melville’s Moby Dick (Chicago, 1930). His simple but distinctive graphic designs, such as God Speed (wood-engraving, 1931; see Kent, 1933, p. 87), were widely imitated.

Rockwellkentiana (New York, 1933)...

Article

G. Lola Worthington

(b San Francisco, CA, Oct 5, 1937).

Native American (Maidu–Wintu) painter, printmaker, photographer, writer, educator, traditional dancer and poet. LaPena, also known as Tauhindauli, spent time with the Nomtipom Wintu and other regional neighboring elders to conserve and regain traditional cultural practices. He was taught traditional tribal songs, dances and ceremonial rituals of Northern California Native American culture that inspired his interest in reviving and preserving Northern California tribal culture and accompanying performance arts. His work, along with Frank Day (1902–76), a late Maidu elder and painter, aided the founding of the Maidu Dancers and Traditionalists, a group dedicated to carrying out traditional cultural forms and social practices. Earning his bachelor’s degree from California State University (CSU), Chico (1965), and an Anthropology Masters of Arts degree from CSU, Sacramento (1978), he taught for the next 30 years in the CSU, Sacramento American Indian Studies program.

For LaPena, his art was a spiritual act, which empowers the maker with an opportunity to achieve a stronger sense of understanding life. Inspired by prehistoric rock painting, some painted images are depicted in total abstraction, while others illustrate a narrative theme. His strong consciousness of his Californian Native American heritage is distinctive and many themes in his compositions provide a powerful commentary in their depiction of the struggles of Northern California Native Americans; “To let the world know what happened in California, and to the indigenous populations points out that survival issues are still of great concern.” His paintings and prints reached a popular acceptance. LaPena exhibited throughout the United States and internationally at the Wheelwright Museum, Santa Fe, NM, the Chicago Art Institute, the San Francisco Museum, the Linder Museum, Stuttgart, the American Arts Gallery, New York, the George G. Heye Center of the Smithsonian, New York, and numerous galleries. In ...