1-8 of 8 results  for:

  • Prints and Printmaking x
  • Artist, Architect, or Designer x
  • American Art x
  • Expressionism x
Clear all

Article

Sharon Matt Atkins

(b Oakland, CA, Aug 26, 1925; d Tucson, AZ, June 4, 2009).

American painter, printmaker and teacher. Colescott produced highly expressive and gestural paintings that addressed a wide range of social and cultural themes and challenged stereotypes. Interested in issues of race, gender and power, his work critiqued the representation of minorities in literature, history, art and popular culture. Stylistically, his work is indebted to European modernism, particularly Cubism and Expressionism, but also makes references to African sculpture, African American art and post–World War II American styles.

Colescott was introduced to art at an early age. His mother was a pianist and his father was a classically-trained violinist and jazz musician. Through his parents’ social circles, he often found himself surrounded by creative individuals as he was growing up, like his artistic mentor, the sculptor Sargent Johnson (1888–1967). Colescott received his BA in 1949 and later his MFA in 1952 from the University of California, Berkeley. He also studied with ...

Article

American, 20th – 21st century, male.

Born 1946.

Painter, draughtsman, engraver.

John Himmelfarb is an architecture graduate from Harvard University. He is an exponent of Abstract Expressionism whose development of line has been described as 'dramatic'. His often calligraphic drawings and paintings spring from jazz rhythms or an allusive imagery. Himmelfarb is best known for the gigantism of his 'works in progress' executed in full view of the public, much in the way of a performance. He has benefited from grants from the National Education Association and the Pollock-Krasner Foundation. He has shown his works in solo exhibitions mostly in the Midwest but also at the University of Connecticut, Fairfield, and at the Centre for Contemporary Art, Christchurch, New Zealand....

Article

(b New York, July 24, 1927).

American painter, sculptor, and printmaker. He studied (1946–50) in New York and in Skowhegan, ME. In the early 1950s he was influenced by the work of Jackson Pollock and other Abstract Expressionists and produced swiftly executed pictures of trees as well as various works based on photographs. In the mid-1950s, working from life, he painted spare, brightly coloured works of landscape, interiors, and figures, and soon afterwards also produced simplified images in collage. These early works emphasized the flatness of the picture plane while remaining representational, and this insistence on figuration placed him outside the contemporary avant-garde mainstream, in which abstraction and chance were key qualities. He developed his style in the portrait works of ordinary people from the late 1950s, such as Ada with White Dress (1958; artist’s col., see Sandler, pl. 55). This resolution of the demands of formalism and representation looked forward to the Pop art of the following decade. In the 1960s Katz’s works became more realistic and were executed in a smoother, more impersonal style, as in ...

Article

Robert Saltonstall Mattison

(b Aberdeen, WA, Jan 24, 1915; d Princetown, MA, July 16, 1991).

American painter, printmaker, and editor. A major figure of the Abstract Expressionist generation (see Abstract Expressionism), in his mature work he encompassed both the expressive brushwork of action painting and the breadth of scale and saturated hues of colour field painting, often with a marked emphasis on European traditions of abstraction.

Motherwell was sent to school in the dry climate of central California to combat severe asthmatic attacks and developed a love for the broad spaces and bright colours that later emerged as essential characteristics of his abstract paintings. His later concern with themes of mortality can likewise be traced to his frail health as a child. From 1932 he studied literature, psychology, and philosophy at Stanford University, CA, and encountered in the poetry of the French Symbolists an expression of moods that dispensed with traditional narrative. He paid tribute to these writers in later paintings such as ...

Article

David Anfam

(b New York, Jan 29, 1905; d New York, July 4, 1970).

American painter, sculptor, printmaker, and writer. He was a major exponent of Abstract Expressionism whose reductive idiom employing large chromatic expanses exerted a considerable impact on abstract art after World War II. His writings and pronouncements also contributed to the accompanying theoretical debates during and after the 1960s about meaning in non-figurative expression.

After studies at the Art Students League, New York, in 1922 and 1929 Newman destroyed most of his basically realistic initial output and stopped painting by about 1939–40. He explained that the world historical crisis then had rendered traditional subject-matter and styles invalid, necessitating the search for a new, awe-inspiring content appropriate to the moment. A series of essays and catalogue introductions throughout the 1940s reiterated this aesthetic quest. Their polemical stance focused upon the need for a break with outworn European traditions (including such native continuations as American Scene painting), chaos as a wellspring of human creativity, and the irrelevance of beauty in times of terror. Instead, he resurrected the venerable concept of the Sublime for a metaphysical ‘art which through symbols will catch the basic truth of life which is its sense of tragedy’ (‘The Plasmic Image’, unpublished essay, ...

Article

American, 20th–21st century, male.

Born 1936, in Chicago.

Painter, printmaker (lithography/etching).

Figures, animals, landscapes, geometric forms.

Rhino Horn Group.

At the age of 18, Peter Passuntino exhibited his work in a group exhibition at the Carnegie Institute in Pittsburgh, Pennsylvania and had his first solo show at the Artists Guild in Chicago, Illinois when he was 19. He attended the School of the Art Institute of Chicago from 1954 to 1958. In 1958, Passuntino became the chairman of the Exhibition Momentum Group and helped organize the exhibition New Talent from the Mid-West at the John Marshall Law School. In 1963, he received a Fulbright Fellowship in painting and travelled to Paris for two years. In Paris, Passuntino studied at the Institut des Arts et Archeologie (1963–1965) and had a solo exhibition at the American Arts Center called Bad Manners, A Happening. During the late 1960s in New York, Passuntino ran the St Marks Place Gallery with Bill Barrell, Christopher Lane, and Jay Milder. They organized art exhibitions, film screenings, and poetry readings. Passuntino co-founded an anti-Pop Art contingent called the Rhino Horn Group in ...

Article

American, 20th century, male.

Born 14 March 1923, in Brooklyn (New York); died 1976, in New York.

Painter, collagist, printmaker, experimental film. Figures, abstraction.

Figurative Expressionism.

Earle Montrose Pilgrim was a Caribbean-American artist, experimental filmmaker, and jewelry designer. Pilgrim’s parents, Leon and Amy, were born in the British West Indies and settled in the Brooklyn neighbourhood of Bedford-Stuyvesant where they raised Pilgrim and his sister. Pilgrim was a rebellious youth who was expelled from high school in his sophomore year for not wearing the regulation school uniform. Instead of completing his high school education, Pilgrim took an apprenticeship with a printmaker, which was instrumental in his venture into the arts. In 1943, during World War II, Pilgrim joined the US Army and wrote for the Army newspaper, Yank. Pilgrim’s rebelliousness eventually led him to be court-martialled for his refusal to listen to a white officer.

After the war, Pilgrim returned to New York, and studied at the Art Students League as well as with jewelry maker Sam Kramer. In the summer of ...

Article

American, 20th century, male.

Born 28 January 1912, in Cody, Wyoming; died 11 August 1956, in Southampton, New York.

Painter, printmaker (etchings, screenprints).

Abstract Expressionism, Action Painting.

School of New York.

Jackson Pollock was born in Wyoming and spent his childhood in California, then in Arizona. He began to study painting and sculpture from 1925 at the Manual Art School of Los Angeles, where he was expelled after two years. He went to New York City in 1930 to study at the Art Students League. He was the pupil of Thomas Hart Benton who, even though he became a friend, never exercised much lasting influence on him. Pollock worked on murals for the Works Progress Administration (WPA) Federal Art Project from 1935 to 1943. In 1936, he attended the experimental workshop of David Alfaro Siqueiros in Union Square. After his marriage to Lee Krasner, a pupil of Hans Hofmann, in 1944, he settled in Long Island....