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Chinese, 20th century, male.

Active in the USA from 1980.

Born 7 October 1939, in Shanxi.

Painter, draughtsman, screen printer, illustrator. Figures, scenes with figures, landscapes, landscapes with figures, flowers. Postage stamps, murals.

Ding Shaoguang studied at the Central Academy of Fine Arts in Beijing in ...


Japanese, 20th century, male.

Born 6 May 1928, in Arashiyara (Kyoto).

Painter, draughtsman, engraver. Murals, stage sets.

Action painting.

Toshimitsu Imai studied literature and philosophy extensively before devoting himself to art. Staying in Paris from 1951 to 1962, he studied for a few months in 1957 at the Académie de la Grande Chaumière. In 1951, he was awarded the prize for young painters at the Tokyo salon, and in 1983 he was appointed an officer of the order of arts and letters. In 1957, Imai took part in the demonstrations Georges Mathieu organised in Paris on the anniversary of the conviction of the medieval thinker Siger de Brabant....


Japanese, 20th century, male.

Active in France from 1970.

Born 4 October 1944, in Kyoto.

Painter (including gouache), engraver, draughtsman, sculptor, installation artist. Figures. Stage sets.

Akihiko Kuroda studied art history but then abandoned painting until 1974. In 1985 he founded the magazine Noise. He lives and works in Paris. His work is very free, born out of spontaneity; his forms seem to spring to life from his line. Influenced by Chinese calligraphy, his early works have delicate graffiti or stabbing signs against dark backgrounds. He works with great economy of means, creating incisive figures and frozen silhouettes that stand out against monochrome backgrounds. He usually uses lively colours in flat areas outlined in black or white. When working in other media, his attitude to the painted surface is always restless, making it silent or complex by turns. In some of his more recent work in black and grey, the ‘nothingness of space’ contains points, dots, curves, lines, brushstrokes, vortices of matter, geometric forms tossed casually down. Primarily a painter, Kuroda has also produced a large number of posters and book covers, notably for ...


Shin’ichiro Osaki

(b Nishiwaki, Hyōgo Prefect., 1936).

Japanese stage designer, printmaker and painter . In 1960 he went to Tokyo and began his career as a stage designer. He was responsible for the design of such avant-garde drama as the Situation Theatre (Jōkyō Gekijō) of Jūrō Kara (b 1940) and the Upper Gallery (Tenjō Sajiki) of Shūji Terayama (1935–83). He also produced prints and in 1967 exhibited works in the Word and Image exhibition at MOMA, New York. Although he used photographs as the basis of his designs, Yokoo’s prints drew upon aspects of traditional Japanese woodcuts that coincided with the style of contemporary Pop art, using in particular flat areas of colour and overtly sexual subject-matter (e.g. X-sex IV, screenprint, 1968; priv. col., see Yokoo, 1990, p. 13). In addition to his activity as a commercial designer, from the late 1960s he became interested in mysticism and psychedelic art, influenced in particular by travels in India in the 1970s. He produced posters with eclectic imagery similar to that of contemporary psychedelic ‘underground’ magazines. In ...