1-20 of 47 results  for:

  • Photography x
  • Oceanic/Australian Art x
  • Artist, Architect, or Designer x
Clear all

Article

Kyla Mackenzie

New Zealand photographer. Aberhart became a leading photographer in New Zealand from the 1970s with his distinctive 8×10 inch black-and-white photographs, taken with a 19th-century large format Field Camera. He is particularly well known for his images of disappearing cultural history, often melancholic in tone, in New Zealand....

Article

Robert Smith

He arrived in Melbourne in 1854, where at the age of 16 he became assistant to Henry Beaufoy Merlin (1830–73), photographing views throughout the colony of Victoria, usually of buildings, often with the occupants posed before their façades. After five years they moved to Sydney, then to the goldfields of New South Wales, still concentrating on view pictures. Bayliss specialized in panoramas, and after Merlin’s death, the latter’s erstwhile patron, ...

Article

Anne Kirker

Australian painter, photographer and teacher. Binns trained as a painter at the National Art School, Sydney (1958–62) and held her first solo exhibition at Watters Gallery, Sydney in 1967. It comprised vividly coloured and decorative paintings, with explicit representations of female genitalia. This symbolic imagery predated a collective push by Australian women artists to produce work that they believed was inherently female. She initiated many community arts projects from the beginning of the 1970s and was an influential force in re-positioning women’s work. This took into account collaborative projects and a respect for amateur techniques and traditions that thrive outside the art world of metropolitan centres. Her community projects included ...

Article

William Main

New Zealand photographer and film maker. He came to photography through membership of the Christchurch Camera Club. Moving to Wellington in 1945 he became an assistant to Spencer Digby, one of the country’s leading portrait photographers. After five years he moved as a cameraman and director to the government-sponsored National Film Unit, where one of his notable achievements was the ...

Article

Constance W. Glenn

American photographer of Australian birth. Bruehl trained as an electrical engineer in Melbourne, but in 1919 he emigrated to the USA. He developed his interest in photography while working for the Western Electric Company, New York. In 1923 he attended an exhibition by students of ...

Article

William Main

New Zealand photographer. At the age of 34 he travelled to join his younger brother, Walter Burton, who had established a photographic business in Dunedin, New Zealand. Under the name of Burton Bros. they practised photography together until their partnership was dissolved by mutual consent in ...

Article

Jocelyn Fraillon Gray

Swiss painter, lithographer and photographer, active in Brazil and Australia. He attended a drawing school in Lausanne, where his teacher may have been Marc-Louis Arlaud (1772–1845), and is thought to have spent some time with the landscape painter Camille Flers in Paris c....

Article

Robert Smith

Australian photographer of Guernsey birth. After his arrival in South Australia c. 1858, he pursued his interest in photography while working as a hairdresser, becoming a professional photographer in Adelaide in 1867. Economic recession led him to move in 1870 to the neighbouring colony of Victoria, where he worked as hairdresser and photographer in the goldfields settlement of Talbot. By ...

Article

Robert Smith

Australian photographer of New Zealand birth (see fig.). His father, Pierce Mott Cazneau (1849–1928), was an English-born New Zealand photographer, who became manager of a photographic portraiture studio in Adelaide c. 1889 and took his family to South Australia. While still at school Harold Cazneaux assisted his father and in ...

Article

Edward Hanfling

New Zealand photographer, sculptor, installation artist, and painter, active also in France and Great Britain. Culbert consistently explored the workings of both natural and artificial light in his works, as well as the transformation of found objects and materials. A student at Hutt Valley High School, his artistic ability was fostered by the radical art educator James Coe. From ...

Article

Robert Smith

Australian photographer and geologist of English birth. In 1852 he withdrew from studies at Christ’s College, Cambridge (1851–2) for health reasons, joined the Australian gold-rush, and spent two unproductive years prospecting in Victoria. The experience inspired an interest in geology, and in 1854...

Article

Jeanette Hoorn

Australian Aboriginal painter and photographer of Badimaya and Yamatji descent. Convent educated, she trained at Curtin University and at the Claremont School of Art, both in Perth, between 1992–5. Dowling gained broad recognition from the late 1990s with her confronting and haunting paintings that tell stories about her family and the history of British colonialism and race relations in Western Australia (...

Article

Patrick McCaughey

Australian painter and photographer of English birth. His family settled in Melbourne in 1923, but Drysdale visited Europe twice in the early 1930s; on his second visit in 1932–3 he was particularly excited by the work of Paul Cézanne, Vincent van Gogh, Paul Gauguin, Henri Matisse and Pablo Picasso. The experience confirmed his desire to be an artist....

Article

John R. Neeson

Australian photographer, film maker, painter, and installation artist. Dunkley-Smith studied at Ballarat Teacher’s College (1964–5), Melbourne Teacher’s College (1966), Ballarat School of Mines and Industries (1967–71), and at Hornsey College of Art, London (1974–6). Since the late 1970s, Dunkley-Smith has made an enduring foundational contribution to analogue and digital, time-based, and venue-specific installation practice in Australia. Initially trained as a painter, Dunkley-Smith’s work with film and multiple slide projection installations date from the mid-1970s when he was living in London. His installations are characterized by duplicate and triplicate screens and sequences of images of time-based works that utilize procedural methods addressing the relation of pattern to indeterminacy, aspects of representation, and audience desire....

Article

Robert Smith

Australian photographer (see fig.). By 1929, when he joined the New South Wales Photographic Society, he had been an enthusiastic photographer for five years. In 1930 he began exhibiting and became assistant to Cecil Bostock (1884–1939), a leading commercial photographer and devotee of Pictorial photography. Dupain studied art at the East Sydney Technical College and at Julian Ashton’s Art School in Sydney. Within three years he had left Bostock and broken with the Impressionist effects of Pictorialism in favour of European-derived styles emphasizing form, dramatic contrasts and adventurous choice of subject. After a subsequent period of experiment with various modern artistic idioms, by the late 1930s he achieved a distinctive personal style based on perceptive and imaginative attitudes to subject-matter. His work had a growing documentary tendency possessing an affinity with developments in the USA....

Article

Australian, 19th century, male.

Active in the USA 1851-1855.

Born c. 1809, in Newcastle-on-Tyne, England; died 5 October 1891, in Melbourne.

Painter, photographer. Portraits.

Canberra (Nat. Library of Australia): Portrait of an Unknown Man (1879, oil on canvas)

Melbourne (Nat. Gal. of Victoria): ...

Article

Helen Ennis

Australian photographer, film maker, and video artist. Ford studied photography at the Royal Melbourne Institute of Technology in 1961 and worked intermittently in the field of commercial photography in Melbourne until 1967. Her daughter Emma was born in 1967 and son Ben in 1968. Ford was a key figure in the development of the art photography movement in Australia and was one of the first women photographers to establish an independent art practice. Her earliest photographs, portraits of her female friends, were not exhibited at the time but were eventually shown at the Art Gallery of New South Wales, Sydney, in ...

Article

Leonard Bell

New Zealand photographer. Born and trained in London, she migrated to New Zealand in 1958. By 1964 she was working as a freelance professional photographer, and was soon prominent in several genres, notably portraiture, in particular of artists, potters, writers, and children, and ‘street’ photography, as well as photojournalism for periodicals and newspapers, such as the ...

Article

Anthony Gardner

Malaysian conceptual artist, active also in Australia. Gill studied at the University of Western Sydney, completing her MA in 2001. Despite working in a range of media, she is best understood as a process-based artist who has consistently explored notions of migration and transformation within material culture. These include the effects of international trade on such everyday activities as cooking and eating. The spiral form of ...

Article

Charles Green

Australian photographer and video artist. Gladwell graduated in 1996 from the Sydney College of the Arts with a BFA and then from the College of Fine Arts, University of NSW, with an MFA in 2001. He then studied at Goldsmiths College, University of London, between ...