Australian painter, photographer and teacher. Binns trained as a painter at the National Art School, Sydney (1958–62) and held her first solo exhibition at Watters Gallery, Sydney in 1967. It comprised vividly coloured and decorative paintings, with explicit representations of female genitalia. This symbolic imagery predated a collective push by Australian women artists to produce work that they believed was inherently female. She initiated many community arts projects from the beginning of the 1970s and was an influential force in re-positioning women’s work. This took into account collaborative projects and a respect for amateur techniques and traditions that thrive outside the art world of metropolitan centres. Her community projects included ...
Jocelyn Fraillon Gray
Swiss painter, lithographer and photographer, active in Brazil and Australia. He attended a drawing school in Lausanne, where his teacher may have been Marc-Louis Arlaud (1772–1845), and is thought to have spent some time with the landscape painter Camille Flers in Paris c....
Australian Aboriginal painter and photographer of Badimaya and Yamatji descent. Convent educated, she trained at Curtin University and at the Claremont School of Art, both in Perth, between 1992–5. Dowling gained broad recognition from the late 1990s with her confronting and haunting paintings that tell stories about her family and the history of British colonialism and race relations in Western Australia (...
Australian painter and photographer of English birth. His family settled in Melbourne in 1923, but Drysdale visited Europe twice in the early 1930s; on his second visit in 1932–3 he was particularly excited by the work of Paul Cézanne, Vincent van Gogh, Paul Gauguin, Henri Matisse and Pablo Picasso. The experience confirmed his desire to be an artist....
John R. Neeson
Australian photographer, film maker, painter, and installation artist. Dunkley-Smith studied at Ballarat Teacher’s College (1964–5), Melbourne Teacher’s College (1966), Ballarat School of Mines and Industries (1967–71), and at Hornsey College of Art, London (1974–6). Since the late 1970s, Dunkley-Smith has made an enduring foundational contribution to analogue and digital, time-based, and venue-specific installation practice in Australia. Initially trained as a painter, Dunkley-Smith’s work with film and multiple slide projection installations date from the mid-1970s when he was living in London. His installations are characterized by duplicate and triplicate screens and sequences of images of time-based works that utilize procedural methods addressing the relation of pattern to indeterminacy, aspects of representation, and audience desire....
Australian, 19th century, male.
Active in the USA 1851-1855.
Born c. 1809, in Newcastle-on-Tyne, England; died 5 October 1891, in Melbourne.
Painter, photographer. Portraits.
Canberra (Nat. Library of Australia): Portrait of an Unknown Man (1879, oil on canvas)
Melbourne (Nat. Gal. of Victoria): ...
English painter and photographer, active also in New Zealand. By profession he was an Anglican minister and school-teacher. An accomplished watercolour painter, he had studied under Aaron Penley (1807–70) at Southampton in 1835–6. His interests in architectural sketching were furthered when he was at Cambridge by his membership of the Camden Society in ...
New Zealand painter and photographer. He studied at the Elam School of Art, Auckland (1924–6). From 1930 to 1938 he worked in London, attending classes at the Central School of Art and Design. On his return to New Zealand he lived in various country towns in the Auckland and Northland districts, where he painted the scenes of provincial New Zealand on which his reputation rests (e.g. ...
New Zealand photographer, painter, curator and writer, active also in Australia. North began photographing and painting as a teenager, producing photographs as ‘notes for paintings’ from his motorbike in the early to mid-1960s. He completed a certificate of General Design at the School of Design, Wellington (...
Australian painter, printmaker and photographer of French descent. He studied painting at Cambridge House in Hobart, where he won the prize for drawing in 1849. Between 1850 and 1872 he worked as a draughtsman for the Tasmanian Survey Office, receiving additional instruction in art from ...
Australian painter, printmaker and curator, who worked mostly in Western Australia. While working in the photographic trade, Pitt Morison studied part time (1881–9) at the National Gallery School in Melbourne. He formed a friendship with the artist Tom Humphrey (1858–1922) and soon after he became associated with, and exhibited with, a group that included Tom Roberts and Arthur Streeton. The group, later known as the Heidelberg school, painted ...
Australian painter and photographer. From 1954 to 1957 he studied graphic design at the Swinburne College of Technology in Melbourne, where Dale Hickey was a fellow student. The year of his entry he began to exhibit at the Contemporary Art Society in Melbourne. His early work was influenced by figurative artists such as Ben Shahn and the illustrations of Andy Warhol and also by Charles Blackman, whom he knew personally. Later he came under the influence of Francis Bacon, as shown in ...
Australian painter, printmaker and photographer . She studied under William Boissevain (b 1927) from 1963–4 and under Henry Froudist (d 1969) from 1965–8, as well as at Claremont Technical College, producing paintings, prints and photographs, sometimes working across these media. Her photographs vary from modified images, such as ...
Australian, 20th century, male.
Active in England and Australia.
Born 7 April 1939, in Sydney, Australia; died 1992, in Thirroul, New South Wales, Australia
Painter, watercolourist, draughtsman, photographer, sculptor. Nudes, portraits, landscapes, urban landscapes.
Brett Whiteley won first prize in the young painters section at the Bathurst Show in ...