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Article

American, 20th century, male.

Born 24 January 1940, in New York.

Painter, sculptor, performance artist, video artist. Multimedia.

Body Art, Conceptual Art.

Vito Acconci was born in the Bronx, New York and lives and works in Brooklyn. He studied at Holy Cross College in Worcester, Massachusetts and at the University of Iowa. He has taught in various art schools and universities and in particular at the School of the Art Institute of Chicago, Yale University and the Parsons School of Design in New York....

Article

Sofia Hernández Chong Cuy

American installation artists, active also in Puerto Rico. Jennifer Allora (b Philadelphia, Mar 20, 1974) graduated with a bachelor’s degree in art from the University of Richmond, Virginia (1996), and Guillermo Calzadilla (b Havana, Cuba, Jan 10, 1971) graduated with a Bachelor of Fine Arts from the Escuela de Artes Plastica in San Juan, Puerto Rico (1996). Allora and Calzadilla met in Italy in 1995 during a study abroad program in Florence. They then lived together in San Juan for a year before moving to New York City where they started working collaboratively while each participated in different residency and study programs. In 1998–1999, Allora participated in the year-long Whitney Independent Study Program, while Calzadilla participated in the P.S.1 Contemporary Arts Center National Studio Program.

Allora & Calzadilla’s first important international exhibition was the XXIV Bienal de São Paulo in 1998 curated by Paulo Herkenhoff, which investigated the idea of cultural cannibalism known in Brazilian literature as ...

Article

American, 20th – 21st century, male.

Born 19 February 1946, in Washington DC.

Painter, sculptor, draughtsman, engraver, photographer, video artist, glassmaker, decorative designer. Theatre design.

AfriCobra Group.

Akili Ron Anderson attended the Corcoran School of Art and Howard University in Washington DC where he lives and works. He is a member of AfriCobra (African Commune of Bad Relevant Artists) founded in ...

Article

Russian, 20th century, male.

Also active in France.

Born 11 July 1889, in Petropavlosk (Kamchatka); died 1974, in Paris.

Painter, collage artist, sculptor, illustrator, draughtsman. Stage costumes and sets, film sets.

The son of a political exile in Kamchatka, Yuri Annenkov was able to go to St Petersburg in 1898 and study at the school of fine art and at several artists’ workshops between 1908 and 1911, developing a passion for the theatre and theatrical production. He went to Paris in 1911 and studied with Maurice Denis and Félix Vallotton and then went to Switzerland in 1913. He exhibited at the Salon des Indépendants in Paris in 1912 and 1913 and then returned to Russia where he joined the...

Article

Arcabas  

French, 20th century, male.

Born 1926, in Frémery (Moselle).

Painter, sculptor, decorative designer. Figure compositions, religious subjects, landscapes. Murals, church decoration, designs for mosaics and stained-glass windows, stage sets, stage costumes.

Arcabas studied at the École des Beaux-Arts in Paris and also had a degree. He was a friend of the painter Dimitri Varbanesco. He exhibited in numerous towns in France and abroad. From ...

Article

(b Geneva, June 24, 1948).

Swiss draughtsman, performance artist, painter, and sculptor. He studied at the Ecole des Beaux-Arts, Geneva (1966–7) and at the Glamorgan Summer School, Britain (1969). Armleder is known primarily for his involvement with Fluxus during the 1960s and 1970s, which included performances, installations, and collective activities. He was a member of the Groupe Luc Bois, based in Geneva in 1963. In 1969, with Patrick Lucchini and Claude Rychner, he was a founder-member of the Groupe Ecart, Geneva, from which stemmed the Galerie Ecart (1973) and its associated performance group (1974) and publications. Armleder’s first exhibition was at the Galerie Ecart in 1973, followed in the same year by one at the Palais de l’Athénée, Geneva. The anti-establishment and anti-formalist philosophy of the Fluxus groups continued in Armleder’s mixed-media works of later years, which include the Furniture Sculpture of the 1980s. In works that couple objects (second-hand or new) with abstract paintings executed by Armleder himself, and which often refer ironically to earlier modernist abstract examples, he questioned the context in which art is placed and the notion of authenticity in art. Such concerns continued to appear in his work. Armleder’s ...

Article

Inmaculada Julián

(b Madrid, Feb 26, 1937).

Spanish painter, sculptor, potter, printmaker and stage designer . As a painter he was mainly self-taught. After working as a journalist in 1957, he left Spain in 1958 to avoid military service, settling in Paris. There he continued to work both as a journalist and painter. From 1968 to 1972 he lived in Milan, returning to Paris in 1973. His work developed from expressionism to realism (Nueva figurina), which reflected on the pictorial language and function of painting and the artist’s role in society. He manipulated ready-made images, words and elements derived from commercial art and the work of other painters. His pieces formed series whose titles referred to the legacy of the Spanish Civil War and the contemporary political situation to help make their critical point. His work frequently provoked controversy, for example his series Arcole Bridge and St Bernard’s Pass (1962–6) was based on the theme of Napoleon Bonaparte as a symbol of imperialism (e.g. ...

Article

American, 21st century, female.

Born 1981, in San Francisco.

Painter, sculptor, printmaker, musician. Artists’ books.

After graduating from Stanford University in 2003, Tauba Auerbach worked as a sign painter in San Francisco, an influence reflected in many of her early works. This interest in the visual aspects of language and text manifested itself in an important series of calligraphic drawings and artists’ books. Her most notable body of work may be the ‘fold’ paintings, in which canvas supports are physically folded and creased, then spread out and spray painted from various angles, and with multiple colours; the canvases are then stretched totally flat, so that fold patterns exist only as painted remnants of the surfaces’ former topography. She has further explored the boundaries and visual relationships between two- and three-dimensionality in her group of pop-up books, and in a number of books made by photographing cross-sections of a solid surface, such as a block of marble or wood, as it is gradually sanded down....

Article

Justine Hopkins

(b London, Feb 20, 1921; d London, Nov 16, 1975).

English sculptor, painter, printmaker and writer . He left school at 14 to begin his painting career. After spending time in France, Ayrton returned to England in 1939, finding success in stage design and art criticism. His writings in The Spectator (1946–8) were important in the acceptance of Neo-Romanticism. From 1946 he travelled widely in Italy, admiring the Quattrocento painters, especially Piero della Francesca. At Cumae he began the preoccupation with Greek mythology that continued throughout his life; he visited Greece regularly from 1957. After 1955 sculptures became his preferred medium, although drawing remained essential and he produced etchings and lithographs. However, his many bronzes of the Minotaur, Daedalus and Icarus (e.g. Icarus III, 1960; London, Old Change Court) remain his best-known images. The Arkville Maze (1968), built of brick and masonry, contains two lifesize bronze sculptures and still stands in the estate of Armand Erpf in the Catskill Mountains, New York (see Hopkins, p. 402)....

Article

Piero Pacini

(b Turin, Aug 18, 1871; d Rome, March 1, 1958).

Italian painter, sculptor, stage designer, decorative artist and actor. He was one of the originators of Futurism (see Furttenbach [Furtenbach; Furttembach], Josef [Joseph], the elder) and was particularly concerned with the representation of light and movement. His personal interest in scientific methods of analysis contributed to both the practical and ideological bases of the movement. His oeuvre from the Futurist period overshadowed the work of later years.

Balla was self-taught and began painting in Turin. In 1895 he settled in Rome. At the age of about 25 he painted some lively sketches of urban life that are characterized by a thick impasto, for example the series Machietta romana (1898; Rome, priv. col., see Lista, 1982, nos 12–17) and landscapes showing familiarity with the divisionism practised by the northern Italian artists Giuseppe Pelizza da Volpedo, Giovanni Segantini and Vittore Grubicy de Dragon, for example Luci di marzo (...

Article

Nelly Perazzo

(b Torroella de Montgri, Catalonia, March 3, 1911; d Buenos Aires, Oct 8, 1966).

Argentine painter, printmaker, illustrator, sculptor and stage designer of Spanish Catalan birth. He arrived in Buenos Aires in 1913. Although his uncle, José Planas Casas (b Catalonia, 1900; d Argentina, 1960), taught him the rudiments of art, he was basically self-taught and began to exhibit his work in 1934. Synthesizing ideas from Zen philosophy, psychoanalysis and the theories on cosmic energy espoused by the Austrian psychologist Wilhelm Reich with his interests in automatism, poetry and painting, he found a creative sense of direction from an early age. He applied his methods not only to paintings but to stage designs, illustrations, collages, prints, polychrome sculptures and boxlike constructions; as a painter he worked both in tempera and in oil, and he also produced 72 murals.

In 1936 Batlle Planas inaugurated a Surrealist phase with a series entitled Paranoiac X-rays, followed by another group of pictures, Tibetan Series, populated by spectral figures related to works by Yves Tanguy. Between ...

Article

(b Modena, c. 1490; d London, ?Feb 15, 1569).

Italian stuccoist, sculptor, painter and costume designer, active in France and England. He worked in France as a painter (1515–22), probably under Jean Perréal and Jean Bourdichon, then in Mantua, possibly under Giulio Romano, possibly calling himself ‘da Milano’. By 1532 he was at Fontainebleau and in 1533 was engaged with Francesco Primaticcio on the stuccoes and painting of the Chambre du Roi and was one of the highest paid of his collaborators. He may also have worked on the Galerie François I. He was described in 1534 as sculpteur et faiseur de masques and in 1535 made masquerade costumes for the wedding of the Comte de Saint-Pol. He was later involved in a fraud and by August 1537 was in England, where he settled. By 1540 Bellin was employed at Whitehall Palace, probably on making stucco chimneypieces, including that in the privy chamber. The following year he and his company of six were working on the slate carvings at ...

Article

Ewa Mikina

(b Zawory, nr Gdańsk, June 15, 1934).

Polish painter, sculptor and stage designer. He studied at the Higher School of Plastic Arts in Poznań between 1952 and 1958. His abstract work has a certain affinity with hard-edge painting and Minimalism. In his early paintings the circular or oval shape of the canvas restates the shape of the form painted on it and thereby becomes its real analogue (as in Double Circles and Circle Compositions, 1962–5). At about the same time he produced sculptures made from thin wire. In the paintings after 1965 the actual space becomes a part of the composition and begins to supplant painted, illusory forms; and the ‘empty’ space starts to play an increasingly important role (e.g. Structural Painting with Hole, 1965).

At the end of the 1960s Berdyszak produced the series of double and triple Integral Paintings, in which the initial formal composition is subjected to multiplication and modification. The sculptures from this period are loosely assembled groups of simple, geometrical elements that allow the viewer to rearrange them. Between ...

Article

French, 19th – 20th century, male.

Born 1849, in Orléans; died 1930.

Painter, watercolourist, sculptor, writer, musician. Landscapes.

Paul Besnard, the son of a magistrate, followed his father's example and became an examining magistrate in Romorantin. Being interested in painting, he asked his neighbour Henri Chouppe to teach him how to paint watercolours. One year after he first sent work to the Salon de Paris in ...

Article

Morgan Falconer

(b Chicago, IL, Oct 20, 1953).

American painter, sculptor and performance artist. Bidlo was educated at the University of Illinois and at Teachers’ College at Columbia University in New York. He shot to notoriety in 1982 with his first solo show, Jack the Dripper at Peg's Place (Long Island City, NY, P.S.1). Part exhibition, part performance, it was based on Hans Namuth’s film of Jackson Pollock painting in 1950. Bidlo exhibited a series of remarkably accurate copies of Pollock’s drip paintings and alongside these, restaged the painter’s famous gesture of peeing into Peggy Guggenheim’s fire grate. Subsequently, Bidlo mounted a number of performances which led to him being understood by some as a performance artist, yet he is now more widely known for his exact replicas of art central to the modernist canon, a project he began in 1982. Copying work to exact dimensions, using only reproductions for reference, Bidlo commonly chose works central to the mythology of creation of individual genius. ...

Article

Lithuanian, 20th century, male.

Active in France from 1933 then in the USA.

Born 19 November 1908, in Kaunas; died 27 April 1999.

Painter, sculptor. Portraits, interiors with figures, landscapes, still-lifes. Stage sets, stage costumes, monuments.

The pupil in Russia in a Soviet school for artistically gifted children, Arbit Blatas exhibited for the first time in Lithuania in 1933, then in Germany when he was studying at the academy in Berlin. He settled in Paris around 1933, and spent some time between 1940 and 1948 in the USA where many museums had acquired his works....

Article

Wojciech Włodarczyk

(b Pleszew, April 25, 1920; d Warsaw, Feb 2, 1980).

Polish painter, sculptor and stage designer. He studied at the Academy of Fine Arts, Warsaw, in the studios of Jan Cybis (b 1897) and Jan Seweryn Sokołowski (1904–53) between 1945 and 1948. He was a co-founder and later head of the Painting Section of the Club of Young Artists and Scientists (Klub Młodych Artystów i Naukowców), an interdisciplinary avant-garde institution that flourished in Warsaw between 1947 and 1949. In 1955, together with Zbigniew Dłubak and Kajetan Sosnowski he founded Group 55, which took a stand against the ideas of the exhibition at the Arsenal, Warsaw (see Arsenalists), and which formulated a programme of modern art. From 1956 to 1965 he ran the Galeria Krzywe Koło in Warsaw, which showed innovative work by Polish artists. Bogusz staged the First Koszalin Plein-air Art Session in Osieki (1963) and jointly organized the First Biennial of Spatial Forms in Elblag (...

Article

British, 20th century, male.

Born 1934, in Glasgow; died 2005.

Painter, sculptor, mixed media, performance artist.

Boyle lives in London and he and his wife Joan Hills (born 1936), and children Sebastian (born 1962) and Georgia (born 1964), work together as a family. He recreates the visual and tactile impressions that he himself draws from the geological environment in many different ways, both two- and three-dimensionally, using appropriate materials....

Article

(b Glasgow, May 11, 1934; d London, May 4, 2005).

Scottish sculptor, performance artist and painter. He studied law at the University of Glasgow (1955–6) but received no formal art training. He had a number of jobs until devoting himself entirely to art in 1958, when he met the artist Joan Hills (b Edinburgh, 1936) and began living and working with her. His earliest works were paintings, which were featured in his first one-man show in 1963. From 1964 he organized a series of events presented in front of an audience, beginning with Suddenly Last Supper (1964) at a flat in London. This consisted of films projected on to a variety of surfaces, including a reproduction of Botticelli’s Birth of Venus (original Florence, Uffizi) projected on to a nude woman in the same pose; the films were destroyed by fire or acid while still running, and during the performance the entire contents of the flat were removed, leaving the audience alone. Another event staged in London in ...

Article

Established in 2009, New York (New York), United States.

Art collective.

The Bruce High Quality Foundation is an anonymous artist collective that creates installations, videos, paintings, sculptures, performances, and exhibitions. The founding members keep their identities anonymous but are known to be a group of male artists who met while obtaining their undergraduate degrees at the Cooper Union in the late 1990s. The foundation is known for its tongue-in-cheek works, which use canonical art works as the basis for humorous, prank-style images and performances: in ...