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Susan Kart

(b Nairobi, 1958).

Kenyan photographer, multimedia and performance artist, and teacher of Indian descent, active in the USA. DeSouza was born in Kenya to Indian parents. Raised in London from the age of 7, he called his background that of a ‘double colonial history’. DeSouza attended Goldsmiths College in London and the Bath Academy of Art, and although he has worked primarily in photography and as a writer on contemporary art, he has also branched out into performance art, digital painting, and textual and mixed media arts. He moved to the USA in 1992 and in 2012 became of Head of Photography at the University of California, Berkeley.

The primary themes in deSouza’s work are those of colonial encounter, seen in Indigena/Assimilado (1998), a photographic series of migrant workers in Los Angeles; migration, as explored in Threshold (1996–8), his early photographic series of airports empty of people; exile, which he explored in ...

Article

Carol Magee

(b Douala, 1962).

Cameroonian photographer and dancer, active in the Netherlands. Essamba moved to Paris at the age of nine and later studied philosophy at the Lyceum. After marrying and moving to Amsterdam, she studied photography at the Fotovaschool. She first exhibited at the Gallerie Art Collective, Amsterdam (1984), and subsequently has shown in Africa, Asia, Europe, Latin America, the United Arab Emirates, and the United States. In 1996 she was awarded the Prix Spécial Afrique at the Festival des Trois Continents, Nantes, for her 1995 suite of black-and-white photographs, White Line. Her images primarily represent black women, challenging Eurocentric expectations of depictions of Africans. She explores mysticism and eroticism through sensual depictions of strong bodies. Her focus on the aesthetics of the body is evident in poses that also show her interest in dance and movement. In 1991 her work was shown in Cameroon for the first time. While there she did a series, ...

Article

South African, 20th–21st century, male.

Born May 1968 in Johannesburg.

Conceptual, installation, performance and video artist.

Influenced by his identity as a white Afrikaner growing up during apartheid, Kendell Geers’ artistic production reveals questions of a political, ethical, aesthetic and spiritual nature.

2002, Documenta 11...

Article

Russell Gullette

(b Johannesburg, May 1968).

South African installation, performance, and video artist and photographer. Geers is part of a generation of African artists who emerged during the global expansion of the art world in the 1990s. Born into a white working-class family, he studied fine arts at the University of the Witwatersrand in Johannesburg from 1985 to 1987. Geers was exiled for refusing to serve in the South African Defence Force in 1989. With the threat of imprisonment removed after the release of Nelson Mandela and other political prisoners in 1990 he returned to Johannesburg. Then in 2000 he moved to Brussels.

Geers has described his artistic position as a TerroRealist. His work features everyday, vernacular materials such as beer bottles, razor wire, pornography, neon signs, and expletives such as ‘shit’ and ‘fuck’. He employed these materials as a means to challenge various manifestations of power, whether state terror, working-class oppression, history, or, at his most poetic, language....

Article

Christine Robinson

[Ingrid Mwangi Robert Hutter]

(b Nairobi, 1975).

Kenyan and German performance artist, installation artist, photographer, and video artist. Mwangi’s work addresses notions of cultural difference, social conventions, racial categories, and national identity, primarily through an autobiographical lens. She has often utilized her body as a subject and engaged with questions related to her own African-European heritage. In 2005 Mwangi shifted from a mostly solo practice to a collaborative partnership with her husband, German artist Robert Hutter (b 1964). From that time, the pair has worked and exhibited exclusively under the name IngridMwangiRobertHutter. Together they have explored larger human experiences and universal issues of stereotypes, fear and negotiations between different cultures, genders, nationalities, and religions through multimedia works that have produced cross-cultural dialogues.

Mwangi was raised in Nairobi by a German mother and a Kenyan father. In 1990, as a teenager, she moved with her family to Germany and studied at the Hochschule der Bildenden Künste Saar in Saarbrücken from ...

Article

South African, 20th–21st century, male.

Born 1976, in Cape Town.

Active in Berlin.

Video artist, photographer, performance artist, graffiti artist.

Robin Rhode blossomed into critical awareness after a prank where he drew a bicycle in chalk on a wall and then proceeded to ‘climb’ onto it and ride away. It was ...

Article

South African, 20th–21st century, male.

Born 5 February 1958, in Pretoria.

Printmaker, sculptor, watercolourist, curator.

Joachim Schönfeldt spent his childhood in Windhoek, Namibia, and graduated with a fine arts degree from the University of the Witwatersrand, Johannesburg, in 1980. He began his career as a researcher into old African art and curios and spent time during the 1980s as a curator of the Meneghelli Holdings. His work in the field of African curios was seminal to the development of his art, which explores the idea of casting mythical realities on African value systems, involving found objects, multiple-headed animals, and peri-urban local landscapes drawn from photographs of his childhood holidays....