1-20 of 85 results  for:

  • Performance Art and Dance x
  • Fashion, Jewellery, and Body Art x
  • Twentieth-Century Art x
Clear all

Article

Italian, 20th century, male.

Born 1900, in Marciana Marina (Livorno); died 1971, in Milan.

Painter, ceramicist, illustrator, scenographer, writer. Stage costumes.

Futurism.

Giovanni Acquaviva studied philosophy and law at the University of Pisa, while devoting himself to illustration at the same time. He founded the Futurist group ...

Article

Adrian  

Ann Poulson

(Gilbert) [Greenburg, Adrian Adolph]

(b Naugatuck, CT, March 3, 1903; d Los Angeles, CA, Sept 13, 1959).

American costume and fashion designer. Adrian is best known for his costume designs for Hollywood films and his signature women’s suits (see fig.). Adrian was educated at the School for Fine and Applied Arts (now Parsons School of Design) in New York and Paris. He began his career in New York by designing costumes for Irving Berlin’s Music Box Revue of 1921. It was through his work on Broadway that he met the costume designer Natacha Rambova, wife of the screen idol Rudolph Valentino, and began designing costumes for films. He arrived in Los Angeles in 1924 and by 1926 was working for the director Cecil B. DeMille, who brought him to Metro Goldwyn Mayer (MGM) in 1928. When his contract with DeMille ended, Adrian signed with MGM, where he would remain as head costume designer until 1942. At MGM, Adrian dressed stars such as Greta Garbo, Joan Crawford, Jean Harlow, Norma Shearer and Jeanette McDonald. Although it was his designs for Garbo, in which he was careful not to distract from her natural beauty, that first brought him fame, it was his creations for Joan Crawford that made him a household name....

Article

John Hovell

(b Wairoa, Hawke’s Bay, NZ, Aug 27, 1939).

Maori painter, carver, weaver, costume and stage designer. His involvement with art began at Te Aute Maori Boys’ College (1954–7), Hawke’s Bay, Waipawa County, and continued with formal art training at Ardmore Teachers’ College (1958–9) and at Dunedin Teachers’ College (1960), where he trained as an art specialist. He subsequently worked for the Department of Education as an arts and crafts adviser and served on committees for national art education policies, the Historic Places Trust (with particular reference to Maori sites), art museums and tribal committees (dealing with traditional and customary art forms and architecture). He helped to promote contemporary developments in Maori arts for community buildings, meeting houses, churches and public sites, serving on private and governmental commissions. In his own work he maintains a balance between the conservation of older traditional materials and forms of Maori arts and the experimental use of new materials, such as composite chipboard, synthetic dyes, plastic-coated basketry fibres and composite, laminated board. His painted and woven-fibre works are notable for their rich but subtle colours and controlled sense of line. They vary in size from complex architectural installations or stage designs for the Royal New Zealand Ballet to designs for postage stamps. At Te Huki Meeting House (...

Article

Akarova  

Belgian, 20th century, female.

Born 1903.

Painter. Stage costumes.

Primarily a dancer, Akarova was married to the painter Marcel Louis Baugniet, and it was probably under his influence as an artist of the Avant-Garde that she too emerged as a painter. Some exhibitions held in Belgium in the 1990s acknowledged her contribution to the art of the early 20th century....

Article

Romanian, 20th century, male.

Born in Bucharest.

Painter. Stage costumes.

Alkar Alexandresco was important as a theatrical costume designer and exhibited as such in Paris at the Salon des Indépendants in 1927. Assyrian Idol is quoted in a private collection.

Article

Native American (Choctaw), 20th–21st century, male.

Born 1959, in Phoenix.

Beadworker, painter, fashion designer, glass artist , performance artist.

Marcus Amerman is a distinguished Choctaw artist who works in a number of media and in performance (as a figure called ‘Buffalo Man’) but is best known for creating his own approach to the Native American tradition of beadworking. Amerman has a BA in Fine Art from Whitman College in Walla Walla, Washington, and also studied at the Institute of American Indian Arts in Santa Fe and the Anthropology Film Center. He lives and works north of Santa Fe. Amerman uses a highly mimetic style in his beadwork to recreate, and hence reclaim, Indian images from history, as in his beaded version of the famous D.F. Barry photograph, ...

Article

Arcabas  

French, 20th century, male.

Born 1926, in Frémery (Moselle).

Painter, sculptor, decorative designer. Figure compositions, religious subjects, landscapes. Murals, church decoration, designs for mosaics and stained-glass windows, stage sets, stage costumes.

Arcabas studied at the École des Beaux-Arts in Paris and also had a degree. He was a friend of the painter Dimitri Varbanesco. He exhibited in numerous towns in France and abroad. From ...

Article

Russian, 19th – 20th century, male.

Active in France.

Born 10 May 1866, in St Petersburg; died 28 December 1924, in Paris.

Painter (including gouache), watercolourist, draughtsman, illustrator. Portraits, nudes, genre scenes, landscapes, seascapes. Stage sets, stage costumes, posters.

Symbolism, Art Nouveau.

Mir Iskusstva (World of Art) group...

Article

French, 20th century, male.

Born c. 1880, in Paris.

Painter. Landscapes, urban views. Murals, decorative panels, stage costumes, posters.

Maurice Barbey worked in several different techniques including large decorative panels for a hotel in St-Cast, posters and theatrical costumes as well as paintings. His landscapes are sometimes warm in colour, with large splashes of pure colour, or practically monochromatic as in his views of small German towns in the snow....

Article

British, 20th century, male.

Born 1904; died 1980.

Painter (including gouache), watercolourist, draughtsman (including ink), illustrator, designer, photographer. Portraits, landscapes. Stage sets, stage costumes.

Sir Cecil Beaton was influenced, in the first half of the 20th century, by the Russian ballets of Diaghilev and the fashionable world surrounding Coco Chanel. He was particularly known as a theatrical costume designer, for the famous musical comedies ...

Article

French, 19th – 20th century, male.

Born 1860, in Lyons; died 3 March 1905, in Paris.

Painter, draughtsman, decorative artist. Figures. Stage costumes.

Charles Bianchini began as a designer of costumes for revues and in 1893 was appointed artist to the Paris Opéra. He also produced costume designs for the Opéra-Comique and other companies, designs which were always right for the roles and for the physique of the actors involved....

Article

Lithuanian, 20th century, male.

Active in France from 1933 then in the USA.

Born 19 November 1908, in Kaunas; died 27 April 1999.

Painter, sculptor. Portraits, interiors with figures, landscapes, still-lifes. Stage sets, stage costumes, monuments.

The pupil in Russia in a Soviet school for artistically gifted children, Arbit Blatas exhibited for the first time in Lithuania in 1933, then in Germany when he was studying at the academy in Berlin. He settled in Paris around 1933, and spent some time between 1940 and 1948 in the USA where many museums had acquired his works....

Article

Danish, 20th century, male.

Active from 1947 active in France.

Born 20 or 29 May 1924, in Kolding; died 21 October 1999, in Paris.

Painter, watercolourist, draughtsman, engraver, illustrator, newspaper cartoonist. Stage sets, stage costumes.

Lars Bo was the son of an architect and painter who duly followed in his father's footsteps. His earliest drawings were of animals of every description. He enrolled at the academy of applied arts in Copenhagen in ...

Article

Tom Williams

Movement in performance art that took shape in the 1960s and 1970s in which artists use their own bodies or those of their audience as the basis for their work. Body art performances have frequently involved transgression and occasionally violence, and they have often entailed extreme acts of endurance on the part of the artists. This term is typically in used in reference to artists such as Vito Acconci, Chris(topher) Burden, Valie Export, Gina Pane, Carolee Schneemann, the Vienna Actionists, Hannah Wilke, Marina Abramović and her former collaborator Ulay, as well as Brazilian artists in the Neo-Concrete movement such as Hélio Oiticica and Lygia Clark. (For information about the permanent decoration of the body, see Tattoo.)

Although the emergence of body art is often traced back to early 20th-century trends in performance art, recent accounts have pointed to Hans Namuth’s famous photographs of Jackson Pollock (1912–56) in the act of painting as a particularly important precedent. This practice was taken up by a number of performance artists during the late 1950s and early 1960s, including artists involved in Happenings such as ...

Article

French, 20th century, male.

Born 1933.

Painter (including gouache), decorative designer. Figures, architectural views, flowers. Stage sets, stage costumes.

Dimitri Bouchêne was among the theatrical designers who followed on from Christian Bérard. His free, light line deliberately recalls classical architecture, though this is more suggested than actually represented and uses harmonious pale tones....

Article

John-Paul Stonard

(b Sunshine, Victoria, March 26, 1961, d London, Dec 31, 1994).

Australian fashion designer and performance artist. He arrived in Britain from Australia in 1980 and set up as a fashion designer in London’s Kensington Market, selling clothes he had made with his partner. His regular and increasingly outlandish appearances on the club circuit led to his opening the club Taboo in Leicester Square in 1985, within which he developed his performing persona. In 1988 he made his first foray into the mainstream London art scene with a one-week performance at the Anthony D’Offay Gallery. Every afternoon for one week Bowery improvised a performance in front of a one-way mirror, wearing a different costume each time and accompanied by a soundtrack of traffic sounds; the narcissism of his outlandish preening and posing, exposed to the audience with a literal transparency, was all the more comical and outrageous given his large and ungainly appearance. His subsequent performances include an appearance in 1993...

Article

French, 20th century, male.

Born 7 July 1918, in Blois.

Painter, engraver. Figure compositions, figures, portraits, interiors with figures, landscapes, urban landscapes, harbour views, seascapes, gardens, still-lifes. Stage sets, stage costumes.

François Bret studied in Paris during his teens and in 1936 became a student at the École des Beaux-Arts, studying under André Dewambez, Charles Guérin and Nicolas Untersteller. He made several visits, both for study and pleasure, to Italy in ...

Article

French, 20th century, male.

Born 3 September 1921, in La Baule.

Painter, lithographer, illustrator. Scenes with figures, portraits, nudes, landscapes, still-lifes. Stage sets, stage costumes, church decoration.

Jean Bruneau was a student at the École des Beaux-Arts in Nantes from 1938 to 1945 and won the Prix de la Ville de Nantes in his final year. In ...

Article

Italian, 20th century, male.

Born 8 August 1927, in Palermo.

Painter, watercolourist, pastellist, draughtsman, illustrator. Figure compositions, figures. Stage sets, stage costumes.

Bruno Caruso edited the Sicilia review from 1953 to 1956, and worked on numerous other publications, including Graphis, Fortune and Du, providing both drawings and articles. From ...

Article

French, 20th century, male.

Born 24 August 1904, in Paris; died 30 March 1992, in Paris.

Painter (including gouache), watercolourist, draughtsman, illustrator. Scenes with figures, figures, landscapes, mountainscapes, seascapes, still-lifes, flowers, fruit, boats. Murals, designs for tapestries, stage sets, stage costumes.

Chapelain-Midy attended the Lycée Louis-le-Grand and then entered the École des Beaux-Arts in Paris. He only stayed there for four months, in Cormon's studio, before choosing to enrol in an art academy in Montparnasse, where he received tuition from Charles Guérin, André Favory and Picart-le-Doux. In 1930, during a trip to Italy, he discovered 'modernity' in the work of Piero della Francesca, which had a particular influence on him. On his return, he worked on a number of wall decorations, notably at the Mairie in the 4th Paris arrondissement, the foyer of the Théâtre du Palais de Chaillot in 1937, and the Institut National Agronomique and the Muséum d'Histoire Naturelle in 1938. He collaborated on other decorations, including the Lycée d'Enghien, the Préfecture in Mézières, the Lycée de la Folie St-James at Neuilly, the Palais des Congrès in Versailles, the Faculté des Sciences in Rennes, and the garden at the Nouvelle Faculté des Sciences in Paris, as well as the ferries ...