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Article

Arcabas  

French, 20th century, male.

Born 1926, in Frémery (Moselle).

Painter, sculptor, decorative designer. Figure compositions, religious subjects, landscapes. Murals, church decoration, designs for mosaics and stained-glass windows, stage sets, stage costumes.

Arcabas studied at the École des Beaux-Arts in Paris and also had a degree. He was a friend of the painter Dimitri Varbanesco. He exhibited in numerous towns in France and abroad. From ...

Article

(b Modena, c. 1490; d London, ?Feb 15, 1569).

Italian stuccoist, sculptor, painter and costume designer, active in France and England. He worked in France as a painter (1515–22), probably under Jean Perréal and Jean Bourdichon, then in Mantua, possibly under Giulio Romano, possibly calling himself ‘da Milano’. By 1532 he was at Fontainebleau and in 1533 was engaged with Francesco Primaticcio on the stuccoes and painting of the Chambre du Roi and was one of the highest paid of his collaborators. He may also have worked on the Galerie François I. He was described in 1534 as sculpteur et faiseur de masques and in 1535 made masquerade costumes for the wedding of the Comte de Saint-Pol. He was later involved in a fraud and by August 1537 was in England, where he settled. By 1540 Bellin was employed at Whitehall Palace, probably on making stucco chimneypieces, including that in the privy chamber. The following year he and his company of six were working on the slate carvings at ...

Article

Lithuanian, 20th century, male.

Active in France from 1933 then in the USA.

Born 19 November 1908, in Kaunas; died 27 April 1999.

Painter, sculptor. Portraits, interiors with figures, landscapes, still-lifes. Stage sets, stage costumes, monuments.

The pupil in Russia in a Soviet school for artistically gifted children, Arbit Blatas exhibited for the first time in Lithuania in 1933, then in Germany when he was studying at the academy in Berlin. He settled in Paris around 1933, and spent some time between 1940 and 1948 in the USA where many museums had acquired his works....

Article

French, 20th century, male.

Born 10 June 1880, in Chatou; died 10 September 1954, in Garches, as the result of an accident.

Painter (including gouache), watercolourist, pastellist, draughtsman (red chalk/charcoal/ink), sculptor (including bronze), engraver (wood/metal), lithographer, illustrator. Religious subjects, figures, portraits, nudes, hunting scenes, scenes with figures, horse racing scenes, landscapes, waterscapes, landscapes with figures, urban landscapes, seascapes, architectural views, still-lifes, flowers, fruit...

Article

German, 20th – 21st century, female.

Active since 1973 active in France.

Born 1954, in Biberach.

Painter (mixed media). Stage costumes.

Conceptual Art.

From 1968, Domenika corresponded at length with the German sculptor Josef Beuys. In 1975 she met Rüdiger. She has exhibited in 1974, in Milan; ...

Article

Italian, 19th – 20th century, male.

Active in France.

Born 1859, in Codogno; died 16 December 1912, in Boulogne-sur-Mer, France.

Painter, watercolourist, sculptor. Stage costumes, figurines.

Edel made figurines and theatre costumes. He worked for Coquelin, Sarah Bernhardt, the Comédie Française and Barnum in Paris, as well as the Olympia Theatre in London and La Scala in Milan....

Article

Erté  

Russian, 20th century, male.

Active from 1910 in France.

Born 1892, in St Petersburg; died 21 April 1990, in Paris.

Painter (including gouache), sculptor, draughtsman, illustrator, stylist, decorative designer. Stage costumes and sets, designs for jewellery, furniture.

Art Deco.

The son of an admiral in the Imperial navy, Erté was a pupil of Ilya Repin in St Petersburg. He went to Paris at the age of eighteen, apparently attended the Académie Julian and was admitted to the Académie des Beaux-Arts in Jean-Paul Laurens' workshop. He began his career in 1913 with the couturier Paul Poiret. From that year onwards, he designed stage costumes for Mata-Hari, Mistinguett and Gaby Deslys and in 1914 he worked for the journals ...

Article

Robert J. Belton

(b Jassy [now Iaşi], Romania, Aug 29, 1933).

Canadian sculptor, film maker, costume designer, playwright and poet of Romanian birth. His formal art training began in 1945 but in 1950 he emigrated to Israel. From 1953 he studied at the Institute of Painting and Sculpture in Tel Aviv. Etrog’s first one-man exhibition took place in 1958 and consisted of Painted Constructions, wood and canvas objects blurring the distinctions between painting and low relief (see Heinrich). In these works he tried to embody uncertainties that stemmed from his experience of Nazi aggression as a boy. The results were loosely expressionistic versions of geometric abstraction, derived in part from the work of Paul Klee.

Assisted by the painter Marcel Janco, Etrog went on a scholarship to New York, where he was inspired by Oceanic and African artefacts he saw in the collections there. This led to a preoccupation with organic abstractions, flowing totemic forms, and metaphors of growth and movement, seen in ...

Article

Spanish, 20th century, male.

Active from 1906 in France.

Born 23 March 1887, in Madrid; died 11 May 1927, in Boulogne-Billancourt, France.

Painter (gouache), watercolourist, sculptor, draughtsman, newspaper cartoonist, engraver (etching), lithographer, illustrator, mixed media artist. Figures, portraits, landscapes, urban landscapes, still-lifes, flowers. Stage sets, stage costumes...

Article

American, 20th century, male.

Born 13 September 1928, in New Castle (Indiana).

Painter, sculptor. Stage sets, stage costumes, posters.

Pop Art.

Robert Indiana trained at the John Herron School of Art, Indianapolis, in 1945 and 1946, then at the Munson-Williams Proctor Institute, Utica (New York), Art Institute of Chicago from 1949 to 1953, Skowhegan School of Painting (Maine), University of Edinburgh and Edinburgh College of Art, and then in London. Afterward, he travelled to Mexico, Europe, and the interior of the USA. In 1958, he moved to New York and, in 1978, settled in Vinhalven, on an island in Maine....

Article

British, 20th century, male.

Born 1937, in Southampton.

Painter, sculptor, draughtsman. Scenes with figures, figures. Stage sets, stage costumes.

Pop Art.

Allen Jones studied painting at Hornsey College of Art from 1955 to 1959, and from 1960 to 1961 (the intervening year was spent at the Royal College of Art in London). He travelled to Paris in 1958, where he discovered the work of Robert Delaunay. He taught in the USA in the mid-1960s, and then returned to live and work in London. He was elected an associate of the Royal Academy in 1981 and a full member in 1986....

Article

Spanish, 20th century, male.

Active also active in the USA from 1942.

Born 1904, in Barcelona; died 1994, in Barcelona.

Painter (including gouache), watercolourist, sculptor, draughtsman. Scenes with figures, figures, portraits. Stage costumes.

Joan Junyer began studying at the academy in Barcelona in 1918. He lived in Paris ...

Article

Beatrice v. Bismarck

(b Lingen, Jan 25, 1925).

German sculptor. During World War II he worked as a hairdresser and fashion-designer and in the first post-war years trained as an actor, dancer and choreographer. This training influenced his work with marionettes, the first figurines of his ‘mechanical theatre’, begun in 1951. He used the mechanically controlled puppet to clarify movement-sequences, thus combining mechanical and balletic elements and breaking with the narrative tradition of ballet. The jointed dolls and wheel-figures, based on the human body and created for 13 Scenes (1953–5), were soon replaced by self-propelled machines. Dehumanized movement took on a self-sufficient quality in this motorial dance. Kramer’s exploration of the relation between people and technology brought him into the orbit of the Zero group. After moving to Paris in 1956, he produced 12-minute films in collaboration with Wolfgang Ramsbott (e.g. Die Stadt, 1956, Défense 58–24, 1958) and his ballet Nachtimpuls (performed in Paris in ...

Article

Russian, 20th century, male.

Active in France from 1914; naturalised in 1938.

Born 22 May 1881, in Tiraspol, Crimea; died 10 May 1964, in Fontenay-aux-Roses, France.

Painter (including gouache), watercolourist, draughtsman, sculptor, lithographer, illustrator, director, decorative artist. Stage sets, stage costumes.

Symbolism, Rayonism.

Groups: Golubaya Roza (Blue Rose), Oslinyy Khvost (Donkey’s Tail), Bubnovy Valet (Jack of Diamonds)...

Article

French, 20th century, male.

Born 4 February 1881, in Argentan; died 18 August 1955, in Gif-sur-Yvette.

Painter, sculptor, draughtsman, ceramicist, illustrator, mosaicist, designer, film producer. Designs for tapestries, designs for stained glass, stage sets, stage costumes.

Puteaux Group, Section d’Or, Association of Revolutionary Writers and Artists, Espace...

Article

Romanian, 20th century, male.

Active in Italy from 1971.

Born 20 April 1927, in Chisinau-Cris.

Painter, sculptor, graphic designer, designer, interior designer, scenographer. Stage sets, stage costumes, advertising art.

Ion Mitrici graduated from the N. Grigorescu Institute of Fine Arts in Bucharest in 1954. He was a member of the Union of Plastic Artists of Romania ...

Article

Philip Ward-Jackson

[Jean-Jacques]

(b Geneva, May 23, 1790; d Bougival, June 4, 1852).

Swiss sculptor, painter and composer. Prompted by his early displays of artistic talent, Pradier’s parents placed him in the workshop of a jeweller, where he learnt engraving on metal. He attended drawing classes in Geneva, before leaving for Paris in 1807. By 1811 he was registered at the Ecole des Beaux-Arts and subsequently entered its sculpture competitions as a pupil of François-Frédéric, Baron Lemot. A more significant contribution to his artistic formation around this time was the guidance of the painter François Gérard. Pradier won the Prix de Rome in 1813 and was resident at the French Academy in Rome, from 1814 until 1819. On his return to France, he showed at the Salon of 1819 a group Centaur and Bacchante (untraced) and a reclining Bacchante (marble; Rouen, Mus. B.-A.). The latter, borrowing an erotically significant torsion from the Antique Callipygean Venus, opens the series of sensuous Classical female subjects that were to become Pradier’s forte. In ...

Article

American, 20th century, female.

Born 8 October 1930, in New York.

Painter, engraver, sculptor, mosaicist, performance artist, mixed media. Figure compositions, scenes with figures. Murals, costumes.

Faith Ringgold trained at City University, New York. While still in New York, in 1971 she co-founded, with Kay Brown, ...

Article

Jordana Moore Saggese

(b Baltimore, MD, Nov 15, 1948).

African American sculptor, jeweller, printmaker, installation artist, performance artist, and poet . Daughter of the renowned quiltmaker Elizabeth Talford Scott (b 1914), she received a BFA in art education from the Maryland Institute College of Art, Baltimore, in 1970 and her MFA from Institute Allende in Mexico in 1971. She also studied at Rochester Institute of Technology in New York and Haystack Mountain School of Crafts in Deer Isle, ME. As a visual and performance artist, Scott is most noted for works that engage with both politics and popular culture. The signature of Scott’s visual work is the application of beads, which she frequently used in her sculptures, installations, and jewellery. Her predilection for a material typically associated with craft, rather than fine arts, was inspired in part by the handicraft traditions of African and African American cultures. Such traditions were very familiar to Scott as her maternal grandfather was a basket-maker and a blacksmith and her paternal grandfather was a woodworker; her mother and grandmother both made quilts as well. The use of beads also connects Scott to a broader history of art. For example, one can see the influence of Yoruba beadwork in her creation of objects that are both beautiful and functional. The work also extends beyond Africa to include many other cultures and communities—Native American, Czech, Mexican, and Russian—which all have beading traditions. Scott’s manipulation of so-called women’s arts (i.e. quilting, sewing, and beadwork) connects her to a longer tradition of black feminist artists including Betye Saar and Howardena Pindell. Even with these connections to personal, cultural, and artistic histories, however, Scott’s materials are unique in that the sparkling and seductive surfaces they create are integral to the artist’s desire to shock and to surprise her viewers....

Article

Greek, 20th century, female.

Born 1922, in Smyrna (now Izmir).

Sculptor, painter. Masks, stage costumes.

Stathmi Group.

Spiteris studied at the school of fine arts in Athens. She was a member of the avant-garde Stathmi group. She travelled to France, Germany, Austria and Switzerland, familiarizing herself with the latest innovations in sculpture. In her early work, Spiteris first expressed her art using torn, shredded forms, especially in the ...