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Anne Gray

(b Kisumu, Nov 4, 1938).

Australian painter, draughtsman and printmaker of Kenyan birth. He studied art at the Chelsea School of Art, where he gained a strong command of drawing, together with perceptive powers of observation and an intelligent understanding of the formal traditions in painting. He moved to Perth in 1962, where he taught at various art colleges and had a significant impact on a generation of students. He is a determined colourist, creating paintings that refer to the visible world, or to flickering apparitions from it. He has depicted a range of subjects—rural and urban landscapes, interiors and people—and is interested in portraying movement. However, within these diverse subjects there is the unifying theme of his delight in the physical world, in people and their interrelation with their generally prosperous environment. His varied interests have led him to work in a variety of styles and to experiment with technique, but he has been primarily concerned with layering rich, vibrant intense colours in bold strokes, to convey intense light, shade and atmosphere, or to express a sensuous delight in the world around him....


(b Ballarat, Victoria, Dec 25, 1879; d Littlehampton, Sussex, July 1, 1953).

Australian painter, also active in England. In 1900–01 he spent 16 months as a trooper in charge of remounts with the South African Light Horse during the Boer War. After this he moved to London where he studied at the Heatherley School of Fine Art. On his return to Australia he taught art privately until he joined the Australian Imperial Force in 1915, embarking for Egypt with the 1st Australian Remount Unit. Longstaff was invalided back to England in October 1917 and the following year was selected for camouflage training under the Australian Records Section war art scheme. A skilful and innovative camouflage worker, he took plane flights to note effects from the air, his thoroughness contributing to successful concealment of allied activity.

Longstaff is best known for his large, popular, allegorical paintings of ghostly fallen soldiers on battlefields, such as Menin Gate at Midnight (1927), and Immortal Shrine...


Christine Clark

(b Ismâilîya, Egypt, Jan 18, 1921; d Sydney, Nov 24, 1973).

Australian painter and museum administrator. He studied at Hornsey School of Art, London, and at Kingston School of Art (1937–40). After serving as a fighter pilot in World War II he continued his studies from 1947 to 1949 at the National Art School, East Sydney Technical College. In 1950 he began working as an attendant at the Art Gallery of New South Wales in Sydney but within a year was appointed assistant to the Director. He held this position, retitled Deputy Director in 1957, until his death. He painted all his life, but his career as a painter was overshadowed by his administrative job. He was responsible for the curating and building up of the fine collection of aboriginal and Melanesian art in the Art Gallery of New South Wales.

During his lifetime Tuckson had only two one-man exhibitions, in 1970 and 1973 at the Watters Gallery, Sydney. Influenced by Picasso, Klee, and de Kooning, American Abstract Expressionists and aboriginal art, his art progressed from portrait and figurative studies through to Abstract Expressionist works. It is for these later works that he is admired as one of Australia’s best ...