Paintings in which a building or a group of buildings or ruins constitutes either the main subject of the composition or plays an important role in it. The term is modern and owes much of its currency to Jantzen’s fundamental survey (1910) of 16th- and 17th-century Netherlandish architectural paintings (...
Walter Liedtke and Daniela Coia
A drawing or painted or engraved composition combining features of imaginary and/or real architecture, ruined or intact, in a picturesque setting. In its fantasy element it is the opposite of the Veduta. It reached its apogee as a popular genre during the era of the ...
Pieter van der Merwe
Large-scale, illusionistic form of transparency painting, developed in 1821–2 as a public entertainment by the French scenic artist and pioneer of photography Louis-Jacques-Mandé Daguerre, in association with the architectural painter Charles-Marie Bouton (1781–1853); also the special building in which it was shown. Like the earlier ...
Small figures and animals used to enliven a landscape or architectural composition. They were often painted by specialist artists, especially in the northern Netherlands in the 17th century (, for staffage figures painted by Adriaen van de Velde).