French medallist, engraver and illustrator. He was first apprenticed to the medallist André Lavau (d 1808) and then attended the Académie de Peinture et de Sculpture in Bordeaux. In 1786 he travelled to Paris and entered the workshop of Nicolas-Marie Gatteaux. His first great success was a large, realistic and highly detailed medal representing the ...
English sculptor, silversmith and illustrator. He was the son of a chaser and attended the Royal Academy Schools, London. At first he gave his attention equally to silverwork and to sculpture, exhibiting at the Royal Academy from 1851. An early bronze, St Michael and the Serpent...
Decorative style of the late 19th century and the early 20th that flourished principally in Europe and the USA. Although it influenced painting and sculpture, its chief manifestations were in architecture and the decorative and graphic arts, the aspects on which this survey concentrates. It is characterized by sinuous, asymmetrical lines based on organic forms; in a broader sense it encompasses the geometrical and more abstract patterns and rhythms that were evolved as part of the general reaction to 19th-century historicism. There are wide variations in the style according to where it appeared and the materials that were employed....
German painter, medallist, designer and illustrator. He trained as a painter in the Munich Akademie from 1884, and initially won fame in this art with large decorative schemes on mythological or religious themes (e.g. Bacchanal, c. 1888; Munich, Villa Schülein) and portraits painted in a broad, realistic manner (e.g. ...
German goldsmith, engraver and draughtsman. Probably from a long-established Warburg family of freemen, he is first fully named in 1578, in an engraving that shows his connections with scholars as an illustrator of academic works. One of these was Michele Mercati, for whom Eisenhoit worked during a stay in Rome ...
French, 20th century, male.
Born 1905, in Paris; died 12 November 2000, in Paris.
Painter, engraver, illustrator, designer, medallist, graphic designer.
Raymond Gid designed his first posters in 1925, including Tennis Internationals (1925), Musée de l'Homme, Paris (1931) and the review ...
Polish painter, illustrator, metalworker, designer and writer. From 1924 to 1929 he studied at the Warsaw School of Fine Arts, where he was later an assistant professor (1927–30, 1933–5). From 1929 to 1930 he studied in France. He exhibited his works from 1928...
Austrian, 20th century, female.
Active in Belgium.
Born 1917, in Vienna.
Designer, illustrator, graphic designer, scenographer. Stage costumes and sets, wall decorations, medals, postage stamps.
From 1932 to 1939 May Néama was a pupil at the studios for publicity and décor of the theatre of the Instituut voor Sierkunsten en Ambachten in Antwerp, where she taught between ...
British, 20th century, male.
Born 22 March 1875, in London; died 1963.
Painter, illustrator, poster artist, decorative artist. Cityscapes, architectural views, scenes with figures.
Fred Taylor studied at the Académie Julian in Paris and Goldsmiths College in London. He became one of Britain's foremost poster artists and received regular commissions from London Transport, LNER and shipping companies from the turn of the century until the 1940s. He also worked as an illustrator and decorative artist, notably designing decorative schemes for the former Underwriter's Room at Lloyds of London, and murals for Austin Reed's red laquer room in ...
English draughtsman, illustrator and painter. In 1735 he was apprenticed to a goldsmith; he studied at the St Martin’s Lane Academy, London, where he was influenced by Gravelot. He worked briefly as a decorative painter in partnership with Francis Hayman, presenting topographical roundels of Christ’s Hospital...