1-17 of 17 results  for:

  • Interior Design and Furniture x
  • African Art x
Clear all

Article

Tunisian, 20th century, male.

Active in France since 1964.

Painter, engraver. Figure compositions, genre scenes, scenes with figures. Theatre decoration, designs for stained glass and for tapestries.

Mohamed Amich paints pictures of a Tunisia characterised by its traditions, festivals and crafts. Using a particularly wealthy range of colours, he construes and composes his works according to principal sketches and spatial structures, using a systematic approach stemming from Cubism via the teaching or example of André Lhote....

Article

Tunisian, 20th century, male.

Born 26 May 1921, in Tunis.

Painter, miniaturist. Genre scenes, local scenes, figures. Wall decorations, stage sets, designs for stained glass.

Jélal Ben Abdallah was a student at the school of fine art in Tunis. Initially he was a miniaturist, having studied traditional Islamic art and developed an oriental style, often defined as Tunisian. He portrays the traditions and ceremonies of Tunisian life in a make-up inspired by the ancient miniatures, using a range of warm ochres and soft browns. He also proved himself to be capable of adapting the images from these miniatures to a much larger format, that of murals, especially popular in the banks of Tunisia. His pleasant illustrations of Tunisian traditions are very popular with the public. As well as a certain ease of style and subject-matter, he can also achieve a certain poetic vein in his work....

Article

Tunisian, 20th century, male.

Born 25 December 1910, in Tunis.

Painter, watercolourist, miniaturist, decorative artist. Figures, animals. Designs for tapestries.

In 1932 Ali Ben Salem was involved in setting up the Musée d'Art Tunisien. His tapestry-like painting is highly decorative and reveals graceful outlines and tender colours, featuring elegant young women alongside nimble animals....

Article

Chest  

J. W. Taylor

Large box container with a hinged lid. When the lid is domed, or if the chest is reinforced, it can also be known as a coffer. Chests are among the earliest furniture types and commonly served in ancient Egyptian homes as storage for clothing, linen and valuables. The shape and size of these chests often depended on their function. Some types, which could be quite complex, were known during the Old Kingdom (c. 2575–c. 2150 bc) and survived virtually unchanged over the succeeding centuries. The ancient Egyptian chest comprised a rectangular box supported on legs and covered by a lid, which could be flat, gabled, domed or sloping. Cords wound around projecting knobs on the lid and side of the chest held it closed; if necessary, this fastening could be sealed with a lump of mud for greater security. Favoured materials for making chests include native acacia and ...

Article

Simon Njami

(b Karentaba, 1954).

Senegalese painter and furniture designer. He graduated from the Ecole Normale Supérieure d’Education Artistique and the International School of Art and Research, Nice. He taught at the Ecole Nationale des Arts and in 1997 was president of the National Association of Fine Arts, Senegal, as well as a member of the Economic and Social Council of Senegal. In the 1980s his ‘dense and emotive’ works were figurative and dealt with general issues such as violence. His work of the mid-1990s was made with strips of cotton cloth, fashioned on canvases so as to create areas of three-dimensional relief, and colored with browns and ochres. He also created brightly coloured figurative acrylic pieces on paper. He exhibited in the first (1995) and second (1997) Johannesburg Biennale and at other international shows in Senegal, Russia, Belgium, Switzerland, Burkina-Faso, Argentina, the USA and elsewhere. His furniture designs include a table made from old machinery parts, gears, hoes and glass, which was included in Dak’Art ’98. In the late 1990s he was considered one of Senegal’s pre-eminent artists....

Article

Egyptian, 20th century, male.

Born 1940, in Cairo.

Painter, watercolourist, illustrator, decorative artist. Decorative motifs. Stage costumes and sets, designs for jewellery.

A pupil at the Académie Julian, the École des Arts Decoratifs and the École des Beaux-Arts in Paris, Georges Doche went on to show his work in several public exhibitions and, in particular, at the Salon des Artistes Indépendants in Paris, as well as at several private galleries in Geneva, Tokyo and London. He had a number of solo exhibitions, including in Paris (...

Article

Ebony  

Gordon Campbell

Article

John Wilton-Ely

Neo-classical style of architectural and interior design; as Egyptomania or Egyptiennerie it reached its peak during the late 18th century and early 19th. Napoleon’s campaign in Egypt (1798) coincided with emerging tastes both for monumental and for richly ornamental forms, enhanced by the literary and associational concerns of Romanticism. Unlike its Greek and Gothic counterparts, the Egyptian Revival never constituted a coherent movement with ethical or social implications. Indeed, since its earliest manifestations occurred in the later Roman Empire, the Revival itself can be seen as one in a series of sporadic waves of European taste in art and design (often linked to archaeological inquiry), acting as an exotic foil to the Classical tradition with which this taste was and remains closely involved (see fig.). On a broader plane of inquiry, the study of Egyptian art and architecture has continued to promote a keen awareness of abstraction in design and a decorative vocabulary of great sophistication. These are among the most enduring contributions of ancient Egypt to Western art and design. ...

Article

Tunisian, 20th century, male.

Born 2 June 1928, in Tunis.

Painter. Figure compositions, figures. Wall decorations.

Gorgi was a native of Georgia who lived and worked in Tunis. From 1949 onwards, he took part in group exhibitions in Tunis, as well as in the 1958...

Article

Gordon Campbell

Article

Morocco  

Article

South African, 20th century, male.

Born 1943, in Hlabisa area, Natal (KwaZulu-Natal); died 2007.

Basketweaver.

Reuben Ndwandwe lived in the Hlabisa area of KwaZulu-Natal. He was taught to weave at the Mahashini Primary School under the apartheid regime, when such crafts were compulsory for black students. In pre-industrial South Africa, most basket weaving was done by men. By the early 20th century, due to the migrant labour system and the availability of plastic and metal containers, this activity had all but died out. In the 1950s, missionary organisations supported a revival of the craft in KwaZulu-Natal as a means to economic upliftment, especially for women. Ndwandwe was encouraged to pursue basket weaving during a long convalescence in hospital. He was one of the few men pursuing the craft in the second half of the 20th century and was renowned for his immaculately woven lidded baskets with intricate over-weaving and subtle colours....

Article

Egyptian, 20th century, male.

Born 1926, in Paris.

Painter, illustrator. Wall decorations.

Samir Rafi won the national award for fine arts in Cairo with his composition Time. In 1946, he formed the Contemporary Art association, with the aim of returning to specifically Egyptian inspiration and breaking away from the School of Paris. In ...

Article

Egyptian, 20th century, male.

Active in France and naturalised from 1930.

Born 10 August 1887, in Alexandria; died 9 December 1951, in Paris.

Painter, pastellist, watercolourist, engraver, decorative artist. Nudes, portraits, landscapes, still-lifes.

Orientalism.

Georges Hanna Sabbagh left Egypt in 1906 for Paris, where he was the student of Maurice Denis, Paul Sérusier and Félix Valloton. He became a professor at the Académie Ranson in Paris and at the school of fine arts in Cairo ...

Article

Tunisian, 20th century, male.

Born 19 November 1924, in Tunis.

Painter, draughtsman, sculptor. Local scenes, local figures. Low reliefs, wall decorations.

Zoubeir Turki was a student at the school of fine arts in Tunis, then spent a period in Stockholm from 1953 to 1958, where he attended the school of fine arts. He lives and works in Tunis. He portrays the figures in his compositions with a great deal of wit and affectionate humour, making them lively, vivacious, and malicious. His drawing is linear, very pure, and reminiscent of Matisse's, but is nevertheless full of detail, meaning, and the psychology of its figures. He especially excels in mimicking the Tunisian middle classes. He also executed some mural decorations and low reliefs in Tunisia....

Article

Gavin Macrae-Gibson

American architectural, urban planning, exhibition, and furniture design partnership formed in 1980 by Robert Venturi , John Rauch (b Philadelphia, 23 Oct 1930), and Denise Scott Brown [née Lakofski] (b Nkana, Northern Rhodesia [now Zambia], 3 Oct 1930). Venturi studied architecture at Princeton University, NJ (BA 1947, MFA 1950), and between 1950 and 1958 he worked in various offices including those of Oskar Stonorov , Saarinen family, §2 , and Louis Kahn . He also spent a period (1954–6) as Fellow at the American Academy in Rome. In 1957 he joined the staff of the University of Pennsylvania, Philadelphia, the start of an extensive teaching career. He was then in partnership with Paul Cope and H. Mather Lippincott (1958–61), with William Short (1961–4) and from 1964 with Rauch, who graduated from the University of Pennsylvania in 1957. Denise Scott Brown studied at the University of the Witwatersrand, Johannesburg (...

Article

Tunisian, 20th century, male.

Sculptor. Figures, nudes, portraits, animals.

Béchir Zribi worked for a long period as a cabinetmaker and was known for his copies of bourgeois styles of the past. Staying with the material and the technique from his previous profession, he went on to sculpt directly from wood. He occasionally works with stone, also cutting directly, using the chisel in place of the gouge....