Italian family of artists, architects and collectors . Pietro Bagatti Valsecchi (b Milan, 15 April 1802; d Milan, 27 Nov 1864) was adopted by Baron Lattanzio Valsecchi and assumed the latter’s surname and inherited his estate. He gained a degree in mathematics and physics but later devoted himself to painting miniatures on ivory, enamel, glass, metal and porcelain, specializing in these techniques in Paris and Geneva. Returning to Milan, he soon gained considerable recognition for such work and took part in major exhibitions. In 1837 he presented a group of works at the Salon in Paris, including a miniature copy on ivory of Francesco Hayez’s Mary Queen of Scots Mounting the Scaffold (1827; Milan, Bagatti Valsecchi Col.) and a copy on porcelain of Francesco Podesti’s Raphael’s Studio (Milan, Bib. Ambrosiana). In 1842 he was made a noble of the Austrian Empire for his artistic achievements, and the Emperor Ferdinand acquired one of his paintings on porcelain, ...
Laura Mattioli Rossi
American, 20th century, male.
Born 7 June 1931, in Eatonton (Georgia).
Painter, draughtsman (including ink), collage artist, print artist, sculptor, collector, art historian. Religious subjects, figures, portraits, figure compositions, scenes with figures, landscapes. Designs for stained glass.
David C. Driskell earned a BFA at Howard University in ...
(b Quebec City, March 10, 1795; d Quebec City, June 21, 1855).
Canadian painter, collector and politician. After studying briefly at the Quebec Seminary, in 1812 he was apprenticed to the painter and glassmaker Moses Perce (fl 1806–48). The sale in Quebec City in 1817 of part of the collection of Louis-Joseph Desjardins (1766–1848), which comprised altogether about 200 European Old Master paintings, had a decisive effect on Légaré’s career. He bought a number, which he cleaned and restored himself, and, as an almost entirely self-taught artist, found them a valuable source of inspiration, technical example and income: many of his early commissions were for large copies of religious pictures from the collection. He painted about 100 religious works but in 1828 won an honorary medal for an original secular composition, the Massacre of the Hurons by the Iroquois (Quebec, Mus. Qué.)
Légaré’s oeuvre (over 250 oils on canvas and on paper) was considerably more diverse and ambitious in subject-matter than that of such contemporaries as Jean-Baptiste Roy-Audy, Antoine Plamondon and Théophile Hamel, who favoured portraiture and religious painting. He was the first Canadian-born painter to specialize in landscapes, for example ...
Richard C. Mühlberger
(b Dordrecht, March 4, 1710; d The Hague, May 7, 1792).
Dutch painter, glass engraver, printmaker, collector and dealer. He studied with the Dordrecht artist Adriaen van der Burg (1693–1733) from c. 1725 until van der Burg’s death. On 16 October 1733 he began entries in the first of two professional diaries (Dordrecht, Mus. van Gijn) that record in unusual detail the activities of his career until 16 November 1753. In 1733 he took on his first pupil. He taught regularly for the rest of his life: among his pupils were Jan van Os, Joris Ponse (1723–83), Wouter Dam (c. 1726–c. 1785), Gerrit Malleyn (1753–1816), Nicolaas Muys (1740–1808), Jacobus Perkois (1756–1804) and his own great-nephew, the marine painter Martinus Schouman (1770–1848).
In 1736 Schouman became one of the founder-members of the Dordrecht Brotherhood of St Luke, a private society formed for the discussion of art. He gave an exhibition there and was official engraver to the Brotherhood. He also belonged to drinking and debating clubs, and through them and the Brotherhood he met many of the prominent citizens of Dordrecht. In ...