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Philip Cooper

(b Nyack, NY, Dec 24, 1903; d Flushing, NY, Dec 29, 1972)

American sculptor, film maker and writer. Cornell studied from 1917 to 1921 at Phillips Academy in Andover, MA. After leaving the Academy he took a job as a textile salesman for the William Whitman Company in New York, which he retained until 1931. During this time his interest in the arts developed greatly. Through art reviews and exhibitions he became acquainted with late 19th-century and contemporary art; he particularly admired the work of Odilon Redon. He also saw the exhibitions of American art organized by Alfred Stieglitz and became interested in Japanese art, especially that of Andō Hiroshige and Katsushika Hokusai. Following a ‘healing experience’ in 1925 he became a convert to Christian Science.

In 1931 Cornell lost his job as a salesman. In November 1931 he discovered Julien Levy’s newly opened gallery in New York and showed Levy some of his collages. Employing curious juxtapositions, these were composed from cut-out fragments of engravings as in ...

Article

Fiona Bradley

(Felip Jacint )

(b Figueres, May 11, 1904; d Figueres, Jan 23, 1989).

Spanish Catalan painter, draughtsman, illustrator, sculptor, writer and film maker. One of the most prolific artists of the 20th century, his fantastic imagery and flamboyant personality also made him one of the best known. His most significant artistic contribution, however, was through his association with Surrealism.

Dalí was born into the happy, if ideologically confusing, family of a respected notary. His father was a Republican and atheist, his mother a Roman Catholic. He was named Salvador in memory of a recently dead brother. This had a profound effect: his subsequent experimentation with identity and with the projection of his own persona may have developed out of an early understanding of himself as ‘a reply, a double, an absence’ (Dalí, 1970, p. 92). His childhood provided him with the fertile memories, both true and false, that fill his autobiography and resound in his art. Catalonia remained important to Dalí, but for its landscape rather than its separatist politics. He painted for much of his life in a house he bought in Port Lligat, near the family holiday home in Cadaqués, but the radical political beliefs that his father had taught him were to be replaced by a self-conscious monarchism and Catholicism. Dalí’s first contact with painting was through Ramon Pichot (...

Article

Spanish, 20th century, male.

Also active in France.

Born 11 May 1904, in Figueras (Catalonia); died 23 January 1989, in Port-Lligat.

Painter, sculptor, printmaker, illustrator, filmmaker, writer.

Paris Surrealist group.

Dalí was born into a middle-class family in Catalonia and named after a brother who had died the year before he was born, a fact that would later affect his conception of his own identity. Dalí’s exposure to art began early. The Impressionist painter Ramon Pichot (1872–1925) was a friend of his father’s, and as a child, Dalí attended the municipal drawing school in Figueras. By the age of 10 he had painted two ambitious works: ...

Article

British, 20th century, male.

Born 19 August 1907, in Walberswick (Suffolk); died 24 September 1950, in Poros, Greece, as the result of an accident.

Painter (mixed media), filmmaker, theatre designer, photographer, poet.

English Surrealist Group.

Humphrey Jennings was a noted English filmmaker and photographer. He was active with the English Surrealists until ...

Article

New Zealander, 20th century, male.

Active from 1944 in the USA.

Born 1901, in Christchurch; died 1980, in New York.

Sculptor, filmmaker.

Kinetic Art.

7&5 Society, English Surrealist Group.

Len Lye travelled to Samoa in 1923, to study the aesthetic use of movement in Oceanian and Pacific art. He settled in London in ...

Article

Belgian, 20th century, male.

Born 1920, in Antwerp; died 1993.

Collage artist, photomontage artist, writer, photographer, film maker.

Brussels Surrealist Group, Hainaut Surrealist Group.

Marcel Mariën was a self-taught artist who started out in 1934-1936 as an apprentice photographer. He went on to work as an apprentice stockbroker. In ...

Article

French, 19th – 20th century, male.

Born 8 December 1861; died 1938, in Orly.

Film maker, draughtsman.

Méliès made more than 4,000 films. As a draughtsman, his unusual drawings in a pre-Surrealist spirit were a precursor of animated cartoons.

Lefebvre, Thierry: ‘Méliès la tempête optique’ in ...

Article

Montage  

Tom Williams

Term that refers to the technique of organizing various images into a single composition in both film and visual art. It is also frequently applied to musical and literary works that emphasize fragmentation and paratactic construction. In film, the term typically refers to the organization of individual shots to create a larger structure or narrative. This technique was developed most systematically by the film makers of the 1920s Russian avant-garde such as Sergey Eisenstein (1898–1948), Lev Kuleshov (1899–1970), and Vsevolod Pudovkin (1893–1953). In visual art, the term refers to the juxtaposition of disparate images in Collage and particularly Photomontage. Although this use of montage has a number of historical precursors, it was developed primarily in the 1910s and 1920s by artists associated with Dada, Surrealism, and Russian Constructivism such as George Grosz, John Heartfield, Hannah Höch, and Aleksandr Rodchenko. During the period after World War II, the technique became an increasingly routine practice in both advertising and the fine arts. In the late 20th century it has been most associated with the work of such figures as ...

Article

French, 20th – 21st century, female.

Born 1961.

Assemblage artist, installation artist, video artist. Multimedia.

Conceptual Art.

Françoise Quardon works by collating, modifying and personalising. She refers to her Surrealist installations as 'psycho objects' and to her exhibits as 'psycho bric-a-brac' which reveals her emotions and her occasionally troubled sense of self....