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G. Lola Worthington

(b Arizona, 1950).

American jeweler, sculptor, painter, and silversmith, of Mescalero Apache–Navajo descent. White Eagle began his career as a silversmith under the tutelage of legendary Navajo artisan Fred Peshlakai , at age five, learning by observation and developing an artistic understanding of Peshlakai’s aesthetic approach. At nine, he began making and selling his own jewelry at Union Square in Los Angeles. Later moving to Palm Springs, CA he continued to generate and sell his jewelry on the street under the date palms trees.

Always handmade, his jewelry pieces used the finest available quality of semi-precious stones. Singular details and features demonstrated his exclusive and unique artistic vision and styling. In 1973, the Yacqui artist, Art Tafoya, began a silversmith apprenticeship with White Eagle, studying the hand-stamped old style embossing skills of jewelry; he continued the historic creation of extraordinary designs.

Bold and substantial, White Eagle’s jewelry balanced a focal fluid turquoise stone against deeply carved flora and linear design lines. His pieces represented transcultural combinations of traditional Navajo silver interwoven with mainstream expectations of Native American style. He daringly counterbalanced mixed semi-precious stonework with irregular fusions of silver positive space. Smooth, amazingly detailed stamp work combined with bent offset features providing an overall asymmetrical daring quality....

Article

Camara Dia Holloway

(b Philadelphia, PA, Feb 5, 1948).

American photographer, curator and scholar. Willis was born in North Philadelphia to a hairdresser mother and a policeman father who was an amateur photographer. Within a familial and communal context, Willis learned that photographs could function as powerful statements of African American identity. These ideas were reinforced by reading her family’s copy of the publication The Sweet Flypaper of Life (1955) that featured the photographs of Roy DeCarava, a major African American photographer. She also attended the Metropolitan Museum of Art exhibition, Harlem on My Mind in 1969. Willis earned a BFA from the Philadelphia College of Art in 1975 and an MFA from the Pratt Institute in Brooklyn in 1979. Inspired by the quilting and storytelling traditions in her family, Willis developed a practice that combined her photographs, family photographs and other elements into autobiographical quilts. Her later works focused more on the female body.

From 1980 to 1992...