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Article

Uruguayan, 20th century, male.

Active also active in the USA.

Born 1919.

Painter.

Neo-Constructivism.

Atelier Torres García.

A student of Torres García, Alpuy lived in New York for several years, which was undoubtedly what enabled him to combine a free representational style with a more rigorously Constructivist composition. He usually worked on wooden boards that he painted and shaped according to his imagination. His figures are positioned according to Constructivist principles....

Article

Venezuelan, 20th – 21st century, male.

Active in France.

Born 6 March 1947.

Painter.

Neo-Constructivism.

Luis Arnal studied at the school of fine arts in Caracas and then in Paris at the École Pratique des Hautes Études and the University in Paris. He exhibits mainly in Venezuela. Arnal is a self-declared Constructivist and this is borne out in the technical rigour of his pieces and the phenomenological games he plays with contrasting, bright colours. He uses almost exclusively curves and counter-curves....

Article

Argentinian, 20th century, male.

Active also active in Italy.

Born 1892, in Tenque-Lauquen; died 1978.

Painter.

Futurism, Neo-Constructivism.

Grupo Madí.

In 1908, Bay emigrated from the outskirts of Buenos Aires to Milan. He studied drawing and painting until 1914. From 1911 in Milan and throughout Italy until ...

Article

Argentinian, 20th century, male.

Active in France from 1952.

Born 23 January 1926, in Buenos Aires; died 31 January 1995, in Chartres, France.

Painter, sculptor.

Neo-Constructivism.

From 1943 to 1950 Carlos Cairoli studied at the academy of art in Buenos Aires, rising to the rank of lecturer, then ...

Article

Cuban, 20th century, male.

Born 1913, in Havana; died 20 December 1999, in Santiago de Chile.

Painter. Scenes with figures, local scenes.

Neo-Constructivism.

Mario Carreno studied for a short time at the Academia Nacional de Bellas Artes San Alejandro in Havana, then left for Madrid where he worked as a designer of comics. He visited Mexico in ...

Article

Brazilian, 20th century, female.

Born 23 October 1920, in Belo Horizonte; died 1988.

Sculptor, painter.

Neo-Constructivism, Conceptual Art, Body Art.

Grupo Frente.

Clark studied in Brazil under the direction of Burle-Marx in 1947, then went to Paris in 1948 and worked with Fernand Léger, Arpad Szenes and Dabrinsky. In ...

Article

Argentinian, 20th century, male.

Active in France.

Born 27 November 1937, in Buenos Aires.

Installation artist, painter, draughtsman, sculptor, photographer, mixed media.

Neo-Constructivism.

Cafone was a student at the school of art in Buenos Aires and at the Slade School in London. A sculptor who abandoned his sculptor's tools very early on, he looked to drawing as a medium through which to find an equivalent, a medium in which he proved to have astonishing dexterity. His paintings employ mixed media, incorporating sheets of lead, for example. Harking back to his work as an installation sculptor, he also took the venue in which he was exhibiting into account, if needs be creating certain works directly onto the walls of the gallery. If a certain preciousness of materials, and in particular the ornamental details, are set aside, there is a relationship here between Cofone's work and Minimalism, given their common refusal to attach any meaning to the completed object other than the one that defines - in the most material terms possible - its physical relationship with the artist who has created it, not in his image, but on his scale....

Article

American, 20th century, male.

Born 23 July 1914, in Greece. Died 23 November 2010, in Provincetown, Massechusetts.

Painter, sculptor.

Neo-Constructivism.

Nassos Daphnis emigrated to the USA in 1930 and took part in numerous group exhibitions - notably the Carnegie International in Pittsburgh in 1958 and ...

Article

Brazilian, 20th century, male.

Active in Italy from 1968.

Born 1944, in Paraiba.

Painter.

Conceptual Art, Neo-Constructivism, Figuration Narrative.

Dias' early works were inspired by the geometric abstraction of Torres García. Between 1965 and 1968 he produced paintings and montages glorifying violence in a visual language influenced by Pop Art, and after ...

Article

Brazilian, 20th century, male.

Born 1920.

Painter.

Neo-Constructivism.

The first São Paulo Biennale was held in 1951. It suddenly offered young Brazilian and Latin-American artists a panoramic overview of art during the first half of the 20th century, and the impact was considerable. First it was Constructivist art that caught the imagination of the new audience. By ...

Article

American, 20th century, male.

Born 1882, in Villanova (Pennsylvania); died 1952, in New York.

Painter.

Neo-Constructivism.

American Abstract Artists (AAA).

Albert Gallatin studied law at the New York Law School. He made frequent visits to Paris from 1921 until 1938, where he was acquainted with the avant-garde of the art world, and built up a famous collection which he called the ...

Article

Canadian, 20th century, male.

Born 1910, in Toronto.

Painter.

Neo-Constructivism.

Lawren Philips Harris studied at the Boston Museum of Fine Arts School in 1931-1932, but received most of his training from his father, Lawren Stewart Harris, and the other painters with whom he associated. He went into the army in ...

Article

Venezuelan, 20th – 21st century, male.

Active in France from 1977.

Born 1952, in Campo Carabobo.

Painter.

Neo-Constructivism.

Grupo Madí.

Octavio Herrera has exhibited since 1980 and since 1990 with the Grupo Madí, notably in 1997 at the Abstraction-Intégration touring exhibition in the Essonne.

Article

Argentinian, 20th century, male.

Born 1923, in Buenos Aires; died 1993.

Painter, draughtsman.

Neo-Constructivism.

Groups: Arte Concreto Invención, Artistas Modernos de la Argentina.

Alfredo Hlito studied at the school of fine arts in Buenos Aires but soon came under the influence of Torres García. In ...

Article

Horacio Safons

(b Buenos Aires, May 4, 1923; d 1993).

Argentine painter. He studied at the Escuela Nacional de Bellas Artes in Buenos Aires from 1938 to 1942 and in 1945 was a founder-member of the Asociación Arte Concreto Invención. He played a leading role in the development of abstract art in Argentina during the 1940s and 1950s. From 1945 he worked in a Constructivist style that took as its starting-point the notion of a line fracturing the plane in the work of Joaquín Torres García; by the early 1950s this was elaborated into compositions of pure geometrical forms. From 1954 to 1962 he explored effects of vibrating colour, first using discernible forms conveyed in a pointillist technique and then by juxtaposing lightly applied flat brushstrokes in diluted colours to create a shimmering veil-like surface.

While living in Mexico from 1963 to 1973, Hlito developed a vocabulary of rhythmic, fundamentally organic forms using curved lines; these led to acrylic paintings in a vertical format in which vibrant atmospheres, interpenetrated by dynamic planes, generated monumental spaces of glittering colour. In ...

Article

Ticio Escobar

(b Asunción, 1921; d Asunción, May 14, 1993).

Paraguayan painter and engraver. She studied under Jaime Bestard and Lívio Abramo in Asunción and from 1958 in São Paulo, Brazil. Her paintings of the 1950s were Cubist-inspired landscapes and still-lifes in oils. In the late 1950s she began to transpose her schematized pictorial style into wood-engraving; in the early 1960s her engravings were increasingly based on the simple play of black and white and textures, and she then passed through a phase of abstraction related to Art informel finally to reach a purified but effectively suggestive abstraction based on organic forms. Her engravings of this period show her skill in synthesis and her capacity for expression: large shapes are realized straightforwardly in black and white but are animated by an intense inner energy. In the 1970s she embarked on a new technique based on multiple impressions and the use of colour: large masses of strong shades and contrasting tones were superimposed and juxtaposed to provoke special chromatic tensions. This series of engravings, entitled ...

Article

Mark Haworth-Booth

(b Great Falls, MT, Dec 14, 1890; d New York, Oct 22, 1954).

American designer and painter, active in England. He studied painting first, at evening classes at the Mark Hopkins Institute, San Francisco (1910–12), at the Art Institute of Chicago, with lettering (1912), and in Paris at the Académie Moderne (1913–14). In 1912 he adopted the name of an early patron, Professor Joseph McKnight (1865–1942), as a gesture of gratitude. In 1914 he settled in Britain.

From 1915 McKnight Kauffer designed posters for companies such as London Underground Railways (1915–40), Shell UK Ltd, the Daily Herald and British Petroleum (1934–6). One of his master works, Soaring to Success! Daily Herald—The Early Bird (1919; see Haworth-Booth, fig.), was derived from Japanese prints and from Vorticism. In 1920 he was a founder-member of Group R with Wyndham Lewis and others. McKnight Kauffer’s designs included illustrations for T. S. Eliot’s Ariel Poems...

Article

American, 20th century, male.

Born 1902; died 1985.

Painter, watercolourist, draughtsman.

Constructivism.

Paul Kelpe was an abstract painter. His pieces are strictly geometric, structured around straight lines, squares, rectangles, triangles and circles. He also produced figurative murals for the Illinois Federal Art Project in the late 1930s, including a mural on the ...

Article

Brazilian, 20th – 21st century, male.

Born 1946.

Painter.

Neo-Constructivism.

Paulo Leal is a Neo-Constructivist.

Article

Nelly Perazzo

(b Buenos Aires, Apr 24, 1922).

Argentine painter, graphic designer, teacher, and theorist. He studied at the Academia Nacional de Bellas Artes in Buenos Aires from 1938. In 1944 he was a co-founder of the Argentine avant-garde review Arturo, which was concerned with both art and literature and led to the formation in 1945 of the Asociación arte concreto invención, of which he was also one of the main instigators. In 1948 he traveled to Europe, where he came into contact with Max Bill and other Swiss Constructivists, whose example inspired him both as a painter and as a theorist on his return to Argentina. Blue with Structure and A Form and Series (both 1950, Buenos Aires, Mus. A. Mod.) are typical of a rigorous type of painting with which he became identified. He stressed the application of such ideas, moreover, not only to art but also to social and political concerns, seeking nothing less than the transformation of the physical environment in which we live. Such convictions gave coherence to all his activities from that time on, including his co-founding in ...