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Milan Ivelić

Chilean painter and draughtsman. He studied painting in Santiago in 1947–8 with the Chilean painter Miguel Venegas, then lived in Spain from 1961 to 1972 before moving to Tangiers. His entire artistic career has been conducted outside his native country.

Bravo initially worked as a portrait painter, supporting himself in Spain through commissions, which also introduced him into Spanish high society. His sitters included General Franco and his family. Later, while still in Spain, he began painting packages and wrapped objects in a polished, highly detailed realist style bordering on Photorealism but consciously related to the Spanish still-life tradition represented by Zurbarán and Velázquez, whose work he greatly admired. He remarked that he hoped to be regarded as one of the few 20th-century painters to have respected the work of the Old Masters and learnt from it....


American sculptor. He studied at the University of Colorado, Boulder (1961–5), and was an art assistant at the University of New Mexico, Albuquerque (1966–8). He had his first one-man show at the OK Harris Gallery in New York in 1970. He rapidly developed a style of casting and then painting fibreglass or polyvinyl acetate sculptures of figures from live models. His techniques evolved to include refinements for achieving his hyper-realistic effects, including layering paint and glazes to depict a variety of skin surfaces and veins, creating individual characteristics such as moles and freckles, and implanting hair instead of adding wigs (...


Paraguayan, 20th – 21st century, male.

Born 1960, in Concepción.

Painter. Still-lifes, flowers. Screens.

Hernán Miranda was self-taught. His still-lifes are painted in a hyperrealist style and the stylised flowers on his screens are inspired by Japanese prints. Hernán Miranda teaches at the Escuela de Artes at the Catholic University of Chile and is head of the Museo de Arte Contemporáneo in Valdivia at the Universidad Austral de Chile....