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American, 20th–21st century, male.

Born 1955, in York (Pennsylvania).

Assemblage artist, installation artist, photographer, mixed media. Multimedia.

Neo-Conceptual Art (Neo-Geo), Appropriation Art, Neo-Pop Art.

Jeff Koons trained for three years at the Maryland Institute College of Art in Baltimore, and subsequently at the Art Institute of Chicago. He lives and works in New York, Germany and Italy. Before embarking on an artistic career he worked on Wall Street as a commodities broker, and his artwork and his conception of the role of the artist remain suffused with ideas and concepts drawn from this earlier experience: the artist survives by supplying commodities to a specific market, governed by the laws of consumerism, speculation and marketing....

Article

American, 20th–21st century, female.

Born 1947, in Hazleton (Pennsylvania).

Photographer, painter, draughtsman, watercolourist, lithographer, installation artist.

Neo-Conceptual Art, Appropriation Art (Simulationism).

Sherrie Levine was a student at the University of Wisconsin, in Madison, from 1969 to 1973, where she studied photography. After obtaining her diploma, she lived in Berkeley, and then established herself in New York....

Article

American, 20th – 21st century, male.

Born 1949, in the Panama Canal zone.

Painter, photographer.

Neo-Conceptual Art, Appropriation Art (Simulationism), Neo-Pop Art.

Richard Prince used the technique of 'appropriation' that was popular in the 1980s with those who were influenced by Post-Modernist ideas. In his photographs, which made him famous, he takes new pictures of existing advertising images, deleting the text of the commercial advertisement. In this way he isolates the persona of such characters as the famous ...

Article

American, 20th – 21st century, female.

Born 19 January 1954 , in Glen Ridge (New Jersey).

Photographer, filmmaker Figures, portraits.

Neo-Conceptual Art, Appropriation Art (Simulationism), Identity Art (Feminist Art).

In 1972, Cindy Sherman enrolled at the State University of New York at Buffalo, first focusing on painting before discovering the expressive potential in photography. While in college, Sherman began to formulate characters. At first a personal exploration of identity, the characters became the basis of her photographic art. Sherman’s early works were influenced by conceptual and performance artists such as Lynda Benglis and Vito Acconci. To create her photographs, Sherman works alone, acting as model, makeup artist, costume designer, and photographer. Her characters are often suggested to the artist through experimentation with costume, props, and prosthetics that alter and even distort her appearance....