1-20 of 311 results  for:

  • Conceptual Art x
Clear all

Article

Yugoslav, 20th–21st century, female.

Active in the Netherlands.

Born 30 November 1946, in Belgrade (now in Serbia).

Performance artist. Multimedia.

Conceptual Art, Body Art.

Marina Abramovic studied at the fine arts academy in Belgrade from 1965 to 1970 and began executing her first performance pieces, films and videos between ...

Article

French, 20th – 21st century, male.

Born 1966, in Marseilles.

Installation artist, sculptor, action artist, photographer.

Conceptual Art.

Boris Achour, who was a graduate of the École des Beaux-Arts in Paris, received a three-month extra-mural bursary from the Villa Médicis that he spent in Los Angeles in ...

Article

Dutch, 20th century, male.

Active in the USA from 1963.

Born 1942, in Winschoten; died 1975, while crossing the Atlantic.

Performance artist, happenings artist, installation artist, photographer.

Conceptual Art.

Bas Jan Ader settled in the USA when he was 21 years old, and studied art and philosophy at the University of California in Irvine, where he would later teach. After ...

Article

Italian, 20th century, male.

Born 1926, in Milan; died 1981.

Collage artist, mixed media. Artists' books.

Arte Povera, Conceptual Art.

Vicenzo Agnetti's work has appeared in numerous group exhibitions of international contemporary art, including Documenta 5 in Kassel, Germany (1972) and Biennale in Venice (...

Article

French, 20th century, male.

Born 1945, in Bordeaux; died 1980, in Barbézieux (Charente).

Assemblage artist.

Conceptual Art, Art Sociologique (Sociological Art).

Thierry Agullo showed a 'collection' of horseshoes collected from around the world in 1973 in Paris, each presented with its own references. In 1974...

Article

Finnish, 20th – 21st century, female.

Active in Helsinki.

Born 1959, in Hämeenlinna.

Video installation artist, film producer, photographer, performance artist.

Conceptual Art.

Eija-Liisa Ahtila was a student at the university of Helsinki from 1980 to 1985 and studied film and video at the London College of Painting. In ...

Article

French, 20th – 21st century, male.

Born 1971, in Nanterre.

Draughtsman, sculptor.

Conceptual Art.

Albert lives and works in Paris and Nice. Stéphane Albert enquires into things and their relative individuality. He also plays upon the ordinariness of his family name, which he has made a subject of his work as an artist. He 'draws', which is to say, writes, copies of pages of books having characters by the name of Albert. By this process, he shows the desperation of the contemporary hero. In the same vein, he also produces formal duplicates in wood of various familiar objects (garbage, crates, palettes, rubble), achieving almost their dematerialisation before giving them a new singularity through his artistic gesture....

Article

French, 20th – 21st century, male.

Born 1954, in Albi.

Painter.

Conceptual Art, Mec'Art.

Group Untel.

Jean-Paul Albinet founded, with Philippe Cazal and Alain Snyers, the Untel group in 1975, whose multiple operations examined the everyday social, political, economic and intimate lives of the French in urban milieux. The most successful work of the group was undoubtedly ...

Article

Italian, 20th – 21st century, male.

Born 17 July 1947, in Milan.

Painter, sculptor, theorist.

Arte Povera, Conceptual Art.

Adriano Altamira put forward his first critical observations on the phenomena of vision in 1967. Next he began to use minimalist structures, plaits and interlacings, like some of the methods used in France by the ...

Article

French, 20th – 21st century, male.

Born 4 August 1948, in Paris.

Installation artist.

Conceptual Art, Arte Povera.

Bernard Amiard's work can be compared to that of Arte Povera. He combines substances, texture and image. He mostly uses neon as a graphic medium. He leans towards a redefinition of objects as brute materials and their reciprocating relationships....

Article

Italian, 20th century, male.

Active in Turin.

Born 1934, in Borgofranco d'Ivrea.

Installation artist.

Conceptual Art, Arte Povera.

Giovanni Anselmo is one of the exponents of Arte Povera (It. 'poor art'), the singular movement that was expressed in many physical forms. It was founded in Italy and remained Italian in character, despite obviously influencing conceptual artists in other countries. Arte Povera falls within the vast movement of conceptual art that swept over the art scene in the 1960s, historically a time of social, political and ethical protest. Arte Povera challenged art itself above all else. A Zen influence, conscious or subconscious depending on the work, is also discernible in the invitation to contemplate a pile of pebbles presented as a work or a non-work of art, or any other object that the eyes and the mind regularly take for granted.The term Arte Povera was coined by Germano Celant (the movement's main instigator and historian) in ...

Article

Renato Barilli

(b Borgofranco d’Ivrea, Piedmont, Aug 5, 1934).

Italian sculptor. After working as a painter from 1959 to 1964, he turned to conceptual art in 1965 and by 1968 was associated with the emergence of Arte Povera, of which he became one of the strictest and most coherent exponents. His limited output consisted largely of the staging of major physical processes whose long-term effects the audience was invited to imagine, in such a way that the non-material dimension of thought was brought to bear on bulky and spectacular physical phenomena. In Direction (150×500×800 mm, 1967–9; Paris, Pompidou), for instance, a magnetic compass is set within a circular recess of a slab of granite shaped like an arrowhead and displayed pointing north, thus proposing two different ways of expressing the concept alluded to by the title.

A consistent message in Anselmo’s work is that one should not entirely believe one’s eyes, since there is always a component that lies beyond appearances. In one sculpture, ...

Article

Francis Summers

(b Karachi, 1935).

Pakistani conceptual artist, sculptor, painter, writer and curator, active in England. He graduated in civil engineering from the University of Karachi in 1962 and moved to London in 1964. He began working as an artist without any formal training, producing sculptures influenced by Minimalism and by his engineering experience; the four-part Boo (1969; Liverpool, Walker A. G.), with its cage-like compartments, recalls in particular the work of Sol LeWitt. In 1972, appalled by the institutionalized racism that he found to be endemic in Britain, he became interested in radical politics and joined the Black Panther movement. Six years later he founded and began editing the journal Black Phoenix, which, in 1989, was transformed into Third Text, one of the most important journals dealing with art, the third world, post-colonialism and ethnicity. He continued to contribute to and edit Third Text, and was one of the pivotal figures in establishing a black voice in the British arts through his activities as a publisher, writer and artist. His performance ...

Article

Portuguese, 20th century, male.

Born 1934; died 1978.

Painter.

Conceptual Art.

Compared with other Portuguese artists, Antonio Areal was relatively isolated. After a period in which his work was Informel, yet close to the experiments in Surrealism, he wrote an important work on Conceptual Art....

Article

British, 20th century, male.

Painters, installation artists.

Conceptual Art.

The term Art & Language was coined in England in 1968 by Terry Atkinson, David Bainbridge, Michael Baldwin and Harold Hurrell, who had already collaborated on various projects. In 1971, Ian Burn and Mel Ramsden joined this group of conceptual artists, along with Philip Pilkington, David Rushton and Charles Harrison. In May ...

Article

Tom Williams

[Art and Language]

Anglo-American group of conceptual artists . Art & Language was founded in Coventry in 1968 by Terry Atkinson (b 1939), David Bainbridge (b 1941), Michael Baldwin (b 1945), and Harold Hurrell (b 1940). Their name reflected their early aspiration to eliminate the accepted distinctions between artistic practice and critical discourse, and, in 1969, they pursued this aspiration by founding the theoretical journal Art-Language. During that same year, the group invited the conceptual artist Joseph Kosuth to serve as the journal’s American editor, and, in 1971, the art historian and critic Charles Harrison (1942–2009) joined the group and assumed editorial responsibility after leaving a position as editor at Studio International. During the same year as Harrison’s arrival, the group was also joined by Mel Ramsden (b 1944) and Ian Burn (1939–93) of the Society for Theoretical Art and Analysis in New York (although their collaboration had pre-dated this moment by a couple of years), and, until ...

Article

British, 20th century, male.

Born 1939, in Barnsley (Yorkshire).

Painter, assemblage artist, mixed media.

Conceptual Art.

Art & Language group.

Terry Atkinson was born in Thurnscoe, Yorkshire in 1939. He studied at Barnsley Art School from 1959 to 1964 and then completed a degree at the Slade School of Art. He taught at the Art Colleges in Birmingham and then Coventry. He is currently a tutor at the school of fine art at the University of Leeds, and much of his own work is made in the studio provided at Leeds....

Article

Morgan Falconer

(b Thurnscoe, nr Barnsley, 1939).

British painter and sculptor. He studied at the Slade School of Art (1960–4). Atkinson first came to prominence as part of the conceptual art group Art and Language, of which he was a founding member, in 1967. His work at that time included both essays for the group’s journal and discussion, which resulted in works exhibited under the group’s name. Gradually he began to grow apart from the group’s interest in Conceptualism and he left in 1974. His work continued to pursue Art and Language’s concerns with politics, history painting and the recent history of Modernism, but he approached these issues through paintings and, often, accompanying texts. The Happy Snap–History Snap series (1984–5; see exh cat. 1985–6) is typical of his work in the mid-1980s: the broad handling and bright palette marked a distance from the traditional values of Beaux-Arts painting, while the content, drawn from photographs, sought to situate his family in the context of major historical events; World War II, the Cold War and the politics of North Ireland have been recurrent interests. Towards the end of the 1980s he became more interested in late Modernism and began to mix ostensibly formalist styles with historically specific events. ...

Article

British, 20th century, male.

Born 1941, in Barnsley (Yorkshire).

Painter, assemblage artist, mixed media.

Conceptual Art.

Art & Language group.

David Bainbridge prefers analysing the mechanisms of artistic expression rather than the realisation of art itself. From 1970, he exhibited with the Art & Language...

Article

Dutch, 20th century, male.

Born 1943, in Heemstede.

Mixed media.

Conceptual Art.

Douwe Jan Bakker has been represented in collective exhibitions since 1967, especially in Holland. He also featured at the 8th Biennale des Jeunes Artistes in Paris in 1973, and Minimalism and After, DaimlerChrysler Contemporary, Berlin. Among his solo shows were Haarlem, ...