New Zealand sculptor and conceptual artist. He studied at the Royal College of Art in London in the early 1960s and first showed his work alongside that of fellow students such as David Hockney and Derek Boshier, helping to mark the emergence of British Pop art. The pseudonym that he adopted in ...
Australian, 20th century, male.
Born 29 December 1939, in Geelong, Australia; died 29 September 1993, in New South Wales, Australia.
Conceptual artist, curator. Artists’ books
Art & Language.
Ian Burn attended the National Gallery School of Art in Melbourne, where he trained as a landscape and portrait painter. In ...
Malaysian conceptual artist, active also in Australia. Gill studied at the University of Western Sydney, completing her MA in 2001. Despite working in a range of media, she is best understood as a process-based artist who has consistently explored notions of migration and transformation within material culture. These include the effects of international trade on such everyday activities as cooking and eating. The spiral form of ...
Australian artists’ co-operative gallery that existed in Sydney between 1970–72. It was the first co-operative gallery in Australia run by artists and it championed conceptual and performance art. The core organizers were
Australian conceptual and performance artist, film maker and writer. He began writing poetry as a student at Queensland University (1965–6). Although he attended the National Art School at Darlinghurst, Sydney (1968), he was largely self-taught as an artist. He first became known for his conceptual works, filmed actions and performances and typescript pieces in ...
Australian conceptual artist, active also in the USA. Swallow came to prominence only a few years after completing his Bachelor of Fine Arts at the Victorian College of the Arts, Melbourne, by winning the prestigious Contempora 5 art prize in 1999. Swallow could be said to have ushered in a wholly new style in Australian art after the appropriation art of the 1980s and 1990s. His first mature work was a hammerhead shark made out of plaid, later followed by such objects as bicycles and telescopes made out of plastic. These were not hyperreal simulacra in the manner of Pop artist ...
Australian conceptual artist and painter. An architecture student at Sydney University (1969–72), he closely followed the profound questioning of artistic practices concentrated there, including the radical rethinking of Australian and modern art history occurring in the courses and research of the Power Institute of Fine Arts. He was also alert to the particular nexus between minimalist aesthetics and conceptual experimentality being forged by artists in Sydney as elsewhere. A son of Latvian immigrants, he saw these developments from an already displaced perspective. They gave him the grounding for his artistic language, and for his recurrent subject: the imagery of identity, of the personal within the social. It was approached obliquely, usually by inference, often unstable and elusive to the point of disappearance....