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Article

Dutch, 20th century, male.

Born 15 December 1896, in Berlin; died 13 March 1983, in Wassenaar (The Hague).

Painter, collage artist, photomontage artist.

Dadaism, Constructivism.

Having studied at a school of painting and fine arts in Berlin, Paul Citroen abandoned painting in 1914 to become a bookseller. In ...

Article

Erika Billeter

(b Berlin, Dec 15, 1896; d Wassenaar, March 13, 1983).

Dutch photographer, Photomontagist and painter, active also in Germany. He belonged to the Dada group in Berlin and was a friend of George Grosz, Raoul Hausmann, John Heartfield and Erwin Blumenfeld. From 1922 to 1925 he was associated with the Bauhaus in Weimar, producing during this period the photocollage Metropolis (1923; Leiden, Rijksuniv.), the single work for which he remains best known, and which has become a classic image of the 20th-century city. His period at the Bauhaus clearly helped shape his photographic style, his photomontages in particular betraying the influence of both Dada and Constructivism. In 1927 he moved to the Netherlands, founding and then teaching at the Nieuwe Kunstschool in Amsterdam (1933–7). From 1935 to 1940, and again from 1945 to 1960, he was professor of drawing and painting at the Academie voor Beeldenden Kunsten in The Hague. He continued to work as both a painter and photographer without ever recapturing the fame that he had enjoyed with his work of the 1920s....

Article

American, 20th century, male.

Born 1935, in Cincinnati.

Painter (gouache), watercolourist, assemblage artist, happenings artist, draughtsman, lithographer, photographer.

Neo-Dadaism, Pop Art.

Jim Dine spent his childhood in his father’s painting and plumbing tool shop. He studied at the University of Cincinnati and then at Ohio University, leaving with a Bachelor of Arts in 1957. He also followed courses at Boston Museum School. In 1958 he settled in New York, participating in the birth of Pop Art and, more especially, Happening Art, participating in avant-garde group exhibitions. However, this allegiance to Pop Art has to be moderated to some extent; even though historically he lived this experience, he always added a somewhat poetic, sentimental nuance and retained an attachment to pictorial problems, something that brought him closer to another artist who found himself isolated during this period: Cy Twombly....

Article

Swedish, 20th century, male.

Born 12 October 1880, in Lund; died 19 May 1925, in Berlin.

Painter, film maker.

Dadaism.

Eggeling studied in Switzerland and in Milan between 1900 and 1908. In 1911 he moved to Paris, where he became friendly with Modigliani. In 1915...

Article

American, 20th century, male.

Born 1 June 1937, in Nashville (Tennessee).

Painter, sculptor, draughtsman, performance artist, environmental artist, installation artist, film maker.

Neo-Dadaism, Pop Art.

Born Charles Rogers Grooms, the red-headed Red Grooms studied at the School of the Art Institute of Chicago (1955...

Article

German, 20th century, male.

Active and naturalised in the USA 1932–1952.

Born 26 July 1893, in Berlin; died 6 July 1959, in Berlin.

Painter, draughtsman, photomontage artist, collage artist, photographer.

Dadaism, Neue Sachlichkeit (New Objectivity).

Berlin Dadaist, ASSO Group (Association of Revolutionary Figuration Artists).

George Grosz was born of modest parents who wanted to see him enter the military or civil service. After his generally weak academic performance, he entered the Kunstakademie in Dresden at the age of 16, and then went to the Kunstgewerbeschule in Berlin. There he studied with Bruno Paul and Orlik, who had little influence over him. In 1913 he spent several months in Paris where he saw the latest Cubist works, whose influence he likewise hardly retained. He was drafted in 1914 but was wounded and returned to Berlin at the end of 1916. After a trial, after which he was condemned to pay a heavy fine and destroy 30 incriminating plates, he fled to Paris in 1924 and then to Provence. Grosz was invited to teach in 1932 at the Art Students League in New York, where he settled and took up American citizenship....

Article

Austrian, 20th century, male.

Active in Germany 1900-1933, in France from 1939.

Born 12 July 1886 , in Vienna, to Czech parents; died 1 February 1971 , in Limoges, France.

Painter, collage artist, photomontage artist, photographer, sculptor.

Dadaism, Visual Poetry, Sound Poetry.

Berlin Dada, Phases group.

Raoul Hausmann lived in Berlin from 1900 to 1933, having gone there to study painting and sculpture. In 1912, he published his first critical analysis in the magazine ...

Article

Timothy O. Benson

(b Vienna, July 12, 1886; d Limoges, Feb 1, 1971).

Austrian photomontagist, painter, photographer, printmaker, writer, and theorist. He trained in the academic artistic tradition under his father, Victor Hausmann (1859–1920). In 1900 he went to Berlin, where he later became a central figure in Dada. His important friendship with the eccentric architect and mystical artist Johannes Baader (1875–1956) began in 1905. In the first years of the next decade he was associated with such artists as Erich Heckel and Ludwig Meidner and produced numerous paintings, including Blue Nude (1916; Rochechouart, Mus. Dépt.), and woodcuts, several of which were published in his book Material der Malerei Plastik Architektur (Berlin, 1918). These works blended Expressionism with the influences of artists then exhibiting at Herwarth Walden’s Sturm-Galerie: Fernand Léger, Alexander Archipenko, Robert Delaunay and Sonia Delaunay, Arthur Segal, and others. Around 1915 his widening contacts with the writers Salomon Friedländer and Franz Jung led to innumerable theoretical and satirical writings that were published in ...

Article

German, 20th century, male.

Born 19 June 1891, in Berlin-Schmargendorf; died 1968, in Berlin.

Painter, photomontage artist, photographer. Stage sets.

Dada.Berlin Dada, ASSO Group (Association of Revolutionary Figuration Artists)

John Heartfield was an apprentice in a Wiesbaden bookshop in 1905-1906. He was a pupil at the school of decorative arts in Munich ...

Article

Barbara Lange

revised by Andrés Mario Zervigón

[Herzfeld, Helmut ]

(b Berlin, June 19, 1891; d Berlin, April 26, 1968).

German photomontagist, draughtsman, typographer, stage designer, and film director. After a difficult childhood owing to the persecution of his father for his political beliefs, he studied art at the Königliche Kunstgewerbeschule in Munich from 1907 to 1911, specializing in advertising art. In 1912 he took his first job in a paper packaging company (for which he completed graphic design work) in Mannheim, moving to Berlin in 1913, where he and his brother Wieland Herzfeld made contact with avant-garde circles. (Wieland changed his surname to Herzfelde in early 1914.) Heartfield’s experiences in World War I led him to conclude that the only worthy art was that which took account of social realities (see Eclipse of the Sun on the Rhine, 1957). He destroyed all his early work.

From 1916 Heartfield collaborated closely with George Grosz and in the summer of 1917, like Grosz, anglicized his name, although he did not adopt this form officially until after the war. His earnest criticism of bourgeois society found its expression in his commitment to the ...

Article

Ellen Maurer

(Johanne )

(b Gotha, Nov 1, 1889; d Berlin, May 31, 1978).

German painter and photomontagist. She moved to Berlin in 1912 to study at the Städtischen Kunstgewerbe- und Handwerksschule Charlottenburg. Her course was interrupted by the outbreak of World War I, and she then enrolled at the Lehranstalt des Kunstgewerbemuseums in Berlin, where she studied under Emil Orlik until 1920. She had a relationship with Raoul Hausmann from 1915 to 1922, and through him came into contact with the literary and artistic circle that formed the Club Dada (see Dada) in 1918. The collective activities of this avant-garde movement came to a climax between 1918 and 1922 in exhibitions, demonstrations and multimedia events. Photomontage (e.g. Mother, 1925–6) which was its own expressive art form, was created by Höch and Hausmann in 1918, partly as a response to the instability of the war years, and partly as an anti-academic alternative to German Expressionism.

Höch’s best-known photomontage, Cut with the Dada Kitchen Knife through the Last Era of the Weimar Beer-belly Culture...

Article

Czechoslovak, 20th century, male.

Born 1940, in Plzen.

Painter, draughtsman, performance artist, video artist. Multimedia.

Neo-Dadaism, Fluxus.

Between 1948 and 1956, Milan Knizak studied at the Mariánské Lázne school of music, at the academy of fine arts, and at the faculty of mathematics and physics in Prague. He taught at several American universities and art colleges in Germany and Austria. He was appointed rector of the academy of fine arts in Prague in ...

Article

John Milner

[Lisitsky, El’ ; Lisitsky, Lazar’ (Markovich )]

(b Pochinok, Smolensk province, Nov 23, 1890; d Moscow, Dec 30, 1941).

Russian draughtsman, architect, printmaker, painter, illustrator, designer, photographer, teacher, and theorist.

After attending school in Smolensk, he enrolled in 1909 at the Technische Hochschule, Darmstadt, to study architecture and engineering. He also travelled extensively in Europe, however, and he made a tour of Italy to study art and architecture. He frequently made drawings of the architectural monuments he encountered on his travels. These early graphic works were executed in a restrained, decorative style reminiscent of Russian Art Nouveau book illustration. His drawings of Vitebsk and Smolensk (1910; Eindhoven, Stedel. Van Abbemus.), for example, show a professional interest in recording specific architectural structures and motifs, but they are simultaneously decorative graphic works in their own right and highly suitable for publication. This innate awareness of the importance of controlling the design of the page was to remain a feature of Lissitzky’s work throughout radical stylistic transformations. He also recorded buildings in Ravenna, Venice, and elsewhere in Italy in ...

Article

Man Ray  

American, 20th century, male.

Active also in France from 1921.

Born 27 August 1890 , in Philadelphia; died 18 November 1976 , in Paris.

Painter (mixed media), collage artist, ready-made and assemblage artist, illustrator, photographer (rayograph), filmmaker.

Dadaism, Surrealism.

Société Anonyme, New York Dada.

According to his somewhat fictionalised autobiography, Man Ray began painting at the age of five and entered the Academy of Fine Art in 1897, an astonishing achievement at the age of seven, unless perhaps it was an extracurricular studio for children. His parents wanted him to be an engineer or an architect, and he began studying industrial design and architecture in 1908. He preferred to work in an advertising agency while attending evening classes in drawing at the Ferrer Center. In 1909, he adopted the pseudonym Man Ray. The New York Armory Show in 1913 contributed to his decision to become an artist. That same year he married a Frenchwoman, Adon Lacroix. He is said to have learnt photography in 1914 with the pioneer of modern photography, Alfred Stieglitz, in order to reproduce his own paintings accurately. He then followed the Gallery 291 exhibitions organised by Stieglitz and the activities of the 291 Group and the magazine ...

Article

Man Ray  

Merry A. Foresta

[Radnitzky, Emmanuel ]

(b Philadelphia, PA, Aug 25, 1890; d Paris, Nov 18, 1976).

American photographer and painter. He was brought up in New York, and he adopted the pseudonym Man Ray as early as 1909. He was one of the leading spirits of Dada and Surrealism and the only American artist to play a prominent role in the launching of those two influential movements (see Cadeau, 1921). Throughout the 1910s he was involved with avant-garde activities that prefigured the Dada movement. After attending drawing classes supervised by Robert Henri and George Bellows at the Francisco Ferrer Social Center, or Modern School, he lived for a time in the art colony of Ridgefield, NJ, where he designed, illustrated, and produced several small press pamphlets, such as the Ridgefield Gazook, published in 1915, and A Book of Diverse Writings.

Man Ray was a frequent visitor to Alfred Stieglitz influential gallery, Gallery 291, where he was introduced not only to a dizzying array of European contemporary art, from Auguste Rodin’s drawings to collages by Braque and Picasso, but also to photographs by Stieglitz and others. Like many American artists, he was also greatly influenced by the avant-garde art exhibited at the ...

Article

Greek, 20th century, male.

Active in the USA from 1948.

Born 14 September 1936, in Kastoria.

Painter, watercolourist, pastellist, happenings artist, sculptor of assemblages, photographer, mixed media.

Neo-Dadaism.

In 1948 at the age of 12, Samaras arrived in the USA with his family. He became acquainted with Allan Kaprow and George Segal, a major factor in his development, at Rutgers University between ...

Article

Astrid Schmetterling

(b Miesbach, Upper Bavaria, Aug 21, 1894; d Keilberg, nr Aschaffenburg, Feb 25, 1982).

German painter, collagist, printmaker and photographer. He studied briefly at the Akademie der Bildenden Künste in Munich (1913–14) and in 1913 began to make Expressionist woodcuts, which were published in magazines such as Die Aktion (Berlin), Die Weissen Blätter (Leipzig) and Sirius (Zurich). From 1915 to 1920 he lived in Zurich and Geneva, where he was associated with the Dada movement. He continued creating woodcuts but also made reliefs, paintings and collages from newspaper cuttings and other printed papers. At the same time he became interested in abstracting photography and using it in a more metaphoric way. In 1918, while living in Geneva, he created his first ‘schadographs’, such as Untitled (Fish; 1918; New York, MOMA), contact prints of collages and objects on photosensitive paper. Like Man Ray’s rayographs and Moholy-Nagy’s photograms, these cameraless photographs reproduced the negative image of the textures placed on them, creating a new form of representation....

Article

Wilford W. Scott

(b Philadelphia, PA, Oct 15, 1881; d Philadelphia, Oct 13, 1918).

American painter and photographer. After training as an architect at the University of Pennsylvania, Philadelphia (A.B., 1903), he studied painting at the Pennsylvania Academy of the Fine Arts, also in Philadelphia, from 1903 to 1906 under William Merritt Chase, with whom he travelled to Europe. From 1907 to 1909 he lived mostly in Paris, where he saw the work of major avant-garde artists, including Cézanne, Picasso and Matisse, and benefited from contact with Leo Stein, an important collector and writer. By 1909 Schamberg had responded to the example of Cézanne’s paintings, including simplified and more solid forms in his own work. Following his participation in the Armory Show in 1913, Cubism became the dominant element of his art, modified in such works as Figure B, Geometric Patterns (1913; Fort Worth, TX, Amon Carter Mus.) by his use of vibrant colour. About 1915 Schamberg met Marcel Duchamp and Francis Picabia in New York through Walter Arensberg and in works such as ...

Article

German, 20th century, male.

Active from 1955 also active in France and in Spain.

Born 14 October 1932, in Leverkusen; died 3 April 1998, in Berlin.

Painter (mixed media), draughtsman, engraver, sculptor, sculptor of assemblages, performance artist, installation artist, video artist.

Neo-Dadaism, Fluxus, Affichisme.

Labor Group...