1-2 of 2 results  for:

  • Performance Art and Dance x
  • Scenography x
  • Graphic Design and Typography x
Clear all

Article

Barbara Lange

revised by Andrés Mario Zervigón

[Herzfeld, Helmut ]

(b Berlin, June 19, 1891; d Berlin, April 26, 1968).

German photomontagist, draughtsman, typographer, stage designer, and film director. After a difficult childhood owing to the persecution of his father for his political beliefs, he studied art at the Königliche Kunstgewerbeschule in Munich from 1907 to 1911, specializing in advertising art. In 1912 he took his first job in a paper packaging company (for which he completed graphic design work) in Mannheim, moving to Berlin in 1913, where he and his brother Wieland Herzfeld made contact with avant-garde circles. (Wieland changed his surname to Herzfelde in early 1914.) Heartfield’s experiences in World War I led him to conclude that the only worthy art was that which took account of social realities (see Eclipse of the Sun on the Rhine, 1957). He destroyed all his early work.

From 1916 Heartfield collaborated closely with George Grosz and in the summer of 1917, like Grosz, anglicized his name, although he did not adopt this form officially until after the war. His earnest criticism of bourgeois society found its expression in his commitment to the ...

Article

(b Paris, Oct 31, 1883; d Paris, June 8, 1956).

French painter, stage designer and illustrator. After studying porcelain painting at the Sèvres factory (1901) and drawing in Paris under the French flower painter Madelaine Lemaire (1845–1928), in 1903–4 she studied at the Académie Humbert in Paris, where she met Georges Braque and Francis Picabia. In 1907 she first exhibited paintings at the Salon des Indépendants, met Picasso at Clovis Sagot’s gallery and through Picasso was introduced to the poet Guillaume Apollinaire. Laurencin and Apollinaire were soon on intimate terms, their relationship lasting until 1912.

Laurencin became a regular associate of the painters and poets associated with the Bateau-Lavoir, who included Picasso, Braque, Gris, Max Jacob and André Salmon. She was present at the banquet given by Picasso in honour of Henri Rousseau in 1908 and produced the first version of Apollinaire and his Friends (1908; Baltimore, MD, Mus. A.) in a highly simplified style, in which she pictured herself and the poet with Picasso and his companion Fernande Olivier. Both this and a larger version with additional figures (...