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Article

Andrew Wilson

(b Ardning, Styria, Sept 27, 1938).

Austrian performance artist, draughtsman, painter and film maker. He studied commercial graphic art at the Akademie für Angewandte Kunst in Vienna between 1957 and 1960. Following visits to Spain and the Venice Biennale of 1960, he started to paint gestural abstractions and came into contact with the Austrian painter Alfons Schilling (b 1934). In 1961 this development was interrupted when he was called up for military service, after which he found it difficult to return to painting, and by the end of 1962 he had started to concentrate on the act of painting rather than on the finished works themselves. He was persuaded by Otto Muehl to create, with his wife Anni, his first Aktion or performance, Ana, in November 1964, which he recorded on film in the first of a series of collaborations with the film maker Kurt Kren (b 1920). This led to his first self-painting ...

Article

Annamaria Szőke

(b Budapest, July 4, 1928; d Budapest, May 22, 1986).

Hungarian architect, sculptor, conceptual and performance artist, teacher, theorist and film maker. He came from a Jewish–Christian family, many of whom were killed during World War II. In 1947 he began training as a sculptor at the College of Fine Arts in Budapest, but he left and continued his studies in the studio of Dezső Birman Bokros (1889–1965), before training as an architect from 1947 to 1951 at the Technical University in Budapest. During the 1950s and early 1960s he worked as an architect and began experimenting with painting and graphic art, as well as writing poems and short stories. During this period he became acquainted with such artists as Dezső Korniss, László Latner and, most importantly, Béla Kondor and Sándor Altorjai (1933–79), with whom he began a lifelong friendship. In 1959 and 1963 he also enrolled at the Budapest College of Theatre and Film Arts but was advised to leave both times....

Article

John R. Neeson

Installation art is a hybrid of visual art practices including photography, film, video, digital imagery, sound, light, performance, happenings, sculpture, architecture, and painted and drawn surfaces. An installation is essentially site specific, three-dimensional, and completed by the interaction of the observer/participant in real time and space. The point of contention with any definition concerns the site specificity, ephemerality, and consequently ‘collectability’ of the work itself. One view has it that the category installation is presupposed on the transitory and impermanent, the second that an installation can be collected and re-exhibited as a conventional work of art.

In either case installation had its genesis in the environments and happenings devised by artists in the 1950s in New York and Europe (Nouveau Réalisme in France, Arte Povera in Italy). These in turn had antecedents in the architectural/sculptural inventions such as the various Proun rooms of El Lissitzky and the Merzbau of Kurt Schwitters...

Article

Deborah Cullen

[MoMA] (New York)

The Museum of Modern Art (MoMA) was founded in 1929 by patrons Lillie P(lummer) Bliss, Cornelius J. Sullivan and Rockefeller family §(1) to establish an institution devoted to modern art. Over the next ten years the Museum moved three times and in 1939 settled in the Early Modern style building (1938–9) designed by Philip S. Goodwin and Edward Durell Stone that it still occupies at 11 West 53 Street. Subsequent renovations and expansions occurred in the 1950s and 1960s by Philip Johnson, in 1984 by Cesar Pelli and in 2002–4 by Yoshirō Taniguchi (b 1937). MoMA QNS, the temporary headquarters during this project, was subsequently used to provide art storage. In 2000, MoMA and the contemporary art space, P.S.1, Long Island City, Queens, announced their affiliation. Recent projects are shown at P.S.1 in Queens in a renovated public school building.

According to founding director, Alfred H(amilton) Barr...

Article

German, 20th – 21st century, male.

Born 1953.

Performance artist, video artist, draughtsman. Multimedia.

Marcel Odenbach studied architecture and history of art. Since 1976, he has produced performances and video installations at numerous galleries in Hamburg, Wiesbaden, Bonn, Cologne, Amsterdam, Berlin, Antwerp, Munich, Basel, São Paulo, Los Angeles and Boston....

Article

French, 20th century, male.

Born 1930, in Strasbourg; died 1961 or 1965.

Painter, lithographer, illustrator. Stage sets, stage costumes.

Jacques Pajak attended at the École d'Architecture in Strasbourg in 1948 and studied cinematography in 1951. From 1960 he spent much of his time working on graphic works and industrial aesthetics. In ...

Article

Marita Sturken

Culture of images and visuality that creates meaning in our world today. This includes media forms such as photography, film, television, and digital media; art media such as painting, drawing, prints, and installations; architecture and design; comic books and graphic novels; fashion design, and other visual forms including the look of urban life itself. It also encompasses such social realms as art, news, popular culture, advertising and consumerism, politics, law, religion, and science and medicine. The term visual culture also refers to the interdisciplinary academic field of study that aims to study and understand the role that images and visuality play in our society; how images, gazes, and looks make meaning socially, culturally, and politically; how images are integrated with other media; and how visuality shapes power, meaning, and identity in contemporary global culture.

The emergence of the concept of visual culture as a means to think about the role of images in culture and as an academic field of study is a relatively recent phenomenon, emerging in the late 1980s and becoming established by the late 1990s. There were numerous factors that contributed to the idea that images should be understood and analysed across social arenas rather than as separate categories, including the impact of digital media on the circulation of images across social realms, the modern use of images from other social arenas (such as news and advertising) in art, and the cross-referencing of cultural forms displayed in popular culture and art. It was also influenced by the increasingly visible role played by images in political conflict and a general trend toward interdisciplinarity in academia....