Benedictine abbey on the River Enns in Styria, Austria. It was founded in the mid-11th century by Bishop Gebhard from Salzburg, endowed by St Henna von Gurk, Gräfin von Friessach (d 1045), and settled by Benedictine monks from St Peter’s, Salzburg under Abbot Isingrin. The Romanesque minster (consecrated 1074), which was dedicated to St Blaise, was famous for its marble columns and was rebuilt after a fire in 1152; a Gothic choir was added in 1276–86. The present church incorporates Romanesque side doors as well as other fragments. The abbey became an important cultural centre with a renowned scriptorium. Amongst the many famous scholars there was Abbot Engelbert of Admont (reg 1297–1327). From 1121 to the 16th century a convent was attached to the abbey. Under the abbots Mathias Preininger (reg 1615–28) and Urban Weber (reg 1628–59) the whole establishment was transformed in the Baroque style, and the church was rebuilt (...
Lucília Verdelho da Costa
Cistercian abbey in Portugal. The abbey, dedicated to S Maria, was founded as part of the policy of repopulation and territorial improvement of the first king of Portugal, Alfonso I (reg 1139–85), who in 1152 granted a large area of land to St Bernard of Clairvaux by a charter known as the Carta dos Coutos (Lisbon, Arquiv. N.). Work on the monastery started in 1158 and adhered to the rigid precepts of the Order. Although the exterior was extended and altered in the 17th and 18th centuries, especially the Baroque façade of the church, the interior essentially preserves its original Early Gothic appearance.W. Beckford: Recollections of an Excursion to the Monasteries of Alcobaça and Batalha (London, 1835/R 1972) M. V. Natividade: Ignez de Castro e Pedro o Cru perante a iconografia dos seus túmulos (Lisbon, 1910) E. Korrodi: Alcobaça: Estudo histórico, arqueológico e artístico da Real Abadia de Alcobaça...
Andrew John Martin
(b Bologna, 1627; d after 1687).
Italian architect. His first known work is in connection with the church of S Bartolomeo (consecrated 1664) in Bologna; he completed this for the Theatines to the designs, which he modified, of Giovanni Battista Falcetti (1580–1629). His masterpiece is the church of St Kajetan in Munich, which was commissioned by Adelaide Henrietta of Savoy (1636–76), wife of Ferdinand, Elector of Bavaria, in thanksgiving for the long-awaited birth in 1662 of the heir to the throne, Maximilian II Emmanuel. When her initial attempt to employ Guarino Guarini failed, Adelaide Henrietta approached Barelli, who submitted his first scheme in Munich in October 1662 and was awarded the commission. Six months later he presented a second set of designs; in April 1663 the foundation stone was laid. The building, which faces the Residenz, was designed to fulfil several functions: it served as a church for the Theatines and as a sacred ceremonial assembly hall for the court, and it housed the Wittelsbach family sepulchre. One of the terms of the commission was that Barelli should observe the proportions of the mother church of the Theatines, S Andrea della Valle (...
Alfonso Rodríguez Ceballos
(b Murcia, 1594; d Madrid, May 20, 1679).
Spanish architect. He entered the Jesuit Order at 16 as a lay brother and began his career as a carpenter and assembler of retables. His earliest work included the Mannerist retable in the church of the Jesuit college of Alcalá de Henares and the tabernacle in Juan Gómez de Mora’s Bernadine church (c. 1624–30) in the same city. The latter is an empty, free-standing feature, placed on the altar, quite distinct from the traditional Spanish retable, which rests against the rear wall of the sanctuary. In 1633 he replaced the lay brother Pedro Sánchez (1568–?1633) as master of the works at the church of the Colegio Imperial in Madrid, now the cathedral of S Isidoro. There he built the vaults and the dome over the crossing, the latter being the first instance of the ‘cúpula encamonada’, a dome constructed using a timber frame (‘camón’), roofed in slate and plastered inside, with a brick drum. The ease of construction of this type of dome, its low cost and its structural stability made it the prototype of Madrid domes in the Baroque period. Bautista reduced the height and width of the nave arcades in S Isidoro and replaced the capitals and entablatures of the façade columns and paired pilasters of the nave with others of his own particular invention. The capitals featured Corinthian foliage surmounted by an egg-and-dart moulding, while the entablatures displayed paired triglyph consoles....
(b Vic-sur-Seille, Moselle, 1588 or 1591; d Agde, Hérault, Oct 29, 1644).
French Jesuit priest and architect. Entering the novitiate of the Society of Jesus in 1611, he studied in Rouen and La Flèche, was ordained a priest in 1621 and studied theology in Paris (1621–2). He had also taught grammar at Rennes (1615–18) and mathematics at La Flèche (1618–21). He worked first as an architect at the Jesuit college in Rouen, where from 1622 to 1629 he was praefectus fabricae; then as architectus at the college in Rennes, where he supervised the building works; at the college of Orléans, for which he provided plans in 1632; and, above all, at the Jesuit church in Paris, St Louis (now St Paul–St Louis). In plans for the latter he found himself in competition with Etienne Martellange. Both sets of plans were submitted to Rome; those by Martellange were preferred, and he began work on the church in ...
P. Gabriel Kleeb
Benedictine abbey and Marian pilgrimage site c. 35 km south-east of Zurich, in the canton of Schwyz, Switzerland. The original abbey, on the site of the martyrdom of St Meinrad (
Plans for reconstructing the upper minster, then the rest of the church and finally the whole abbey were commissioned in 1702 from Caspar Moosbrugger, a lay brother of the abbey who had worked as a mason under Kuen. The work was carried out between ...
António Filipe Pimentel
Family of builders and masons of Italian origin, active in Portugal. Giovanni Battista Garbo (b ?Milan,fl 1670; d ?Lisbon) went to work in Lisbon c. 1670 for the Jesuits at São Antão (now the chapel of the hospital of São José) and perhaps also for the church of Nossa Senhora de Loreto. His son Carlos Baptista Garbo (d Mafra, 1725) was trained in the same skills of masonry at São Antão, and he also became a designer of altarpieces. The high altar with marble mosaic for the old Jesuit church, now the seminary, Santarém, was designed by Carlos Baptista along 17th-century lines and made in 1713 in the workshops of São Antão. It was here that his son António Baptista Garbo (b Lisbon, 1692; d ?Lisbon) was trained and also worked in the service of the Jesuits.
The ability of the Garbo family is most visible at Mafra, where Carlos Baptista superintended the construction of the vast palace, church and convent, following the plans of ...
The construction of a worthy seat for the emerging Society of Jesus (see Jesuit Order, §1) was delayed by the opposition of the families (especially the Altieri) who owned the land on which the church was to be built. The first plan for Il Gesù (SS Nome di Gesù), produced in 1549–50 by Nanni di Baccio Bigio, was for a longitudinal scheme with six chapels flanking the nave and a short transept. The work was soon interrupted, however, and the efforts of Cardinal della Cueva to have it resumed had little effect, although he had obtained a new plan free of charge in 1554 from Michelangelo.
In 1568 building began in earnest thanks to the lavish patronage of Cardinal Alessandro Farnese, who put Jacopo Vignola in charge along with the Jesuit Giovanni Tristano (d 1575). Vignola adopted the longitudinal scheme with stubby transepts and three interconnected chapels at each side of the nave, respecting the wishes of Farnese, who considered the plan most suitable for the devotional requirements of the Counter-Reformation liturgy. Two additional chapels were set into the sides of the apse. The strong spatial unity of the interior (...
(b Savona, May 1, 1583; d Rome, July 23, 1654).
Italian priest, architect and mathematician. He was born into an established Savonese noble family but joined the Jesuit Order in Rome at the age of 17, taking his vows in 1618. As early as 1616 he was appointed professor of mathematics at the Collegio Romano, a position he held with interruptions until 1627. Although he soon earned the highest respect and engaged in discussions with Galileo Galilei on his theories about the nature of comets, he is best known for his achievements in the field of architecture. He may be considered the most important Jesuit architect of the first half of the 17th century.
Grassi seems to have come to the profession by way of architectural theory: in 1612 he was instructed by his Order to establish an academy to train Jesuit architects. This institution seems to have been short-lived, if it existed at all. From 1617 to 1624 and again from ...
(b Oppido Lucano, Calabria, 1543; d Naples, Aug 1, 1613).
Italian architect. He joined the Theatine Order in Naples in 1574. His first major building was the church of S Paolo Maggiore, Naples (1581–1603). Its nave arcades give a strong sense of movement, with arches of alternating height opening into domed or vaulted bays. In 1588, as presumably the most eminent Theatine architect, he was summoned to Rome to design the Order’s new church of S Andrea della Valle. Because of the influence of Cardinal Alfonso Gesualdo (d 1603), he was obliged to submit his designs to Giacomo della Porta for approval; this leaves the evolution of the design uncertain, especially as della Porta left soon after the foundation stone was laid, while Grimaldi remained in Rome until 1598. During this time he also visited Lecce, where he worked on the church of S Irene (1588–1639). Grimaldi’s first major commission on his return to Naples was to build S Maria degli Angeli (begun ...
(b Modena, Jan 17, 1624; d Milan, March 6, 1683).
Italian architect, mathematician, astronomer, theorist, writer and priest. Together with Francesco Borromini, he is the most renowned exponent of the anti-classical, anti-Vitruvian trend that dominated Italian architecture after Michelangelo but increasingly lost ground from the late 17th century. His subtly designed buildings, crowned with daring and complex domes, were ignored in Italy outside Piedmont, but illustrations published in 1686 and again in Guarini’s treatise Architettura civile (1737) proved a fruitful source of inspiration in the development of south German and Austrian late Baroque and Rococo architecture.
Guarini came from a deeply religious family; he and his four brothers all joined the Theatine Order. At the age of 15 he became a novice and was sent to Rome (1639–48), where he was able to study High Baroque architecture, in particular the work of Borromini, Gianlorenzo Bernini and Pietro da Cortona. The details of Guarini’s architectural training are not known, but in the excellently equipped libraries of his Order he presumably studied such well-known treatises as those of Serlio and Jacopo Vignola. In ...
Cistercian abbey in the Vienna Woods, Lower Austria. Heiligenkreuz, the oldest Cistercian abbey in the region once ruled by the house of Babenberg, was founded in 1135 by Margrave Leopold III of Austria (reg 1096–1136). It was settled with monks from Morimond Abbey in France, and a temporary building was consecrated in 1136. From the time of Leopold IV (reg 1136–41) Heiligenkreuz was the preferred burial place of the Babenbergs.
The nave of the church, begun before 1147 and consecrated in 1187, is an ashlar building, which at first had a flat ceiling. Excavations have shown that the original east end consisted of three apses without a transept. In 1147 Henry II (reg 1141–77) donated the village of Münchendorf and its revenues to the abbey, making it possible to vault the church, and a further endowment in 1156 enabled the monastic buildings to be rebuilt in stone. The five-bay aisled nave, the proportions of which are based on a module derived from the crossing square, has alternating supports. The aisles are groin-vaulted, but the main vessel has domical vaults with ribs of a plain, rectangular profile, the transverse arches resting on short pilasters corbelled above the arcade (...
(b Antwerp, June 1601; d Brussels, March 4, 1690).
Flemish architect. He joined the Jesuits in 1617 and went to school in Antwerp from 1619 to 1621, at which time the church of St Carolus Borromeus was being built after the design of Franciscus Aguilonius and Peter Huyssens. Initially, Hesius came to prominence as a preacher and an important figure in religious politics, and he did not become active as an architect until he was nearly 50. During the third quarter of the 17th century he was his order’s most important architectural adviser. The plans for St Michielskerk, Leuven, one of the most important examples of Flemish Baroque architecture, have been attributed to him and date from 1650. They show the influence of Vitruvius (known in the Netherlands through the translations of Pieter Coecke van Aelst and Sebastiano Serlio), as well as the influence of illustrations by Jean Maggius. The design is characterized principally by a high lantern tower with a dome above the junction of transept and nave. The church, completed in ...
(b Bruges, June 6, 1577; d Bruges, June 6, 1637).
Flemish architect. The son of a master mason in Bruges, he learnt the same profession there. He joined the Jesuits as a friar in 1597. From 1606 to 1613 he made designs for the church and other buildings of the Jesuit College in Maastricht; he also supervised the construction of the church (converted into a theatre in the 18th century), which was conceived in a wholly traditional Flemish Renaissance style. In 1613 he was sent to Antwerp, where he became assistant to the rector, Franciscus Aguilonius, who had already made the first designs for the city’s Jesuit church (now St Carolus Borromeus). Huyssens took over from Aguilonius after the latter’s death in 1617; apart from the two side-chapels, added after 1622, the church was finished in 1621. From the beginning Rubens had taken part in its conception, and his close collaboration with Huyssens produced a church in which Baroque forms were used with an opulence unprecedented in the Netherlands. Even before this church was completed, Huyssens was asked by his superiors to design two others, the first being in Bruges in ...
D. O. Shvidkovsky
Monastery at Teryayevo in Russia, some 110 km north-west of Moscow. It was founded in 1479 by Iosif Volotsky (1439–1515), who successfully resisted the 15th-century movement to secularize monastic properties, and was partially paid for by the Grand Princes of Moscow, who helped to establish it as a centre for icon painting and manuscript illumination and who established its collection of ancient reliquaries. Between 1484 and 1500 Dionisy painted an extensive series of icons for the monastery.
The monastery’s first stone church was built between 1484 and 1486 and was surrounded by brick walls c. 1543–66. The whole complex, which is enclosed on two sides by a lake, was completely rebuilt between the 1670s and 1690s and is a fine example of 17th-century Russian architecture, with its numerous white walls and towers and well-proportioned stone-stepped roofs. A two-storey building pierced by two asymmetrically placed gates, the Holy Gates, serves as the main entrance to the monastery. The five-domed church of the Dormition (...
Helen M. Hills
(b Licata, May 8, 1628; d Palermo, May 5, 1700).
Italian architect. Described as an ‘architectus et sculptor’, he joined the Jesuit novitiate in Palermo in November 1671. He then worked as an architect for the Jesuits at Sciacca and Marsala (c. 1674) and the Jesuit colleges at Termini Imerese (c. 1679) and Mazara del Vallo (c. 1682). His church of S Francesco Saverio (1684–1709), Palermo, has four hexagonal chapels inserted between the arms of a Greek cross. The plan probably reflects the church designs of Guarino Guarini (ii), which Italia must have seen when he was in Messina in 1672. The chapels, with Doric columns in the style of Jacopo Vignola, rise through two storeys and open on to the central space through an arcade. The triglyphs of the frieze bulge forward under the projecting curve of the cornice and become consoles, as if supporting a balcony. The upper parts of the campanile’s exterior recall the bell-towers of the Chiesa Madre (begun ...
Susanne Kronbichler-Skacha and Martina Pippal
Benedictine abbey complex in Upper Austria, south of Linz.
Tassilo III, Duke of Bavaria (reg 748–88) and close rival to Charlemagne, founded the abbey in
Soon after 1600 a large-scale reconstruction was begun; it was carried out continuously during the following 150 years, leaving the abbey in its present state, as a fairly symmetrical layout of several courtyards, with the outer and the inner areas separated by a moat. Of the early 17th-century work, the first building, the Abteitrakt (...
Nigel J. Morgan
Benedictine abbey in Upper Austria. It was possibly founded in 1054 by St Adalbero (1045–90), Bishop of Würzburg, and has been a Benedictine foundation since 1056. Of the Romanesque church only the westwork survives, and the remainder of the church and conventual buildings date from the rebuilding begun under Abbot Placidus Hieber (reg 1640–78), which was continued into the early 18th century. The west choir was built 1056–89 but was blocked off by a Baroque organ loft and buttressing wall. In 1957 it was discovered that behind these structural additions there was a complete series of wall paintings, which probably date from before the time of the consecration of the church in 1089. They are one of the most important survivals of 11th-century painting in northern Europe. The space, surmounted by three domical groin vaults, is covered with paintings on both the vaults and the walls. They show cycles from the Old Testament and the ...
Germán Ramello Asensio
Sanctuary complex at the birthplace of Ignatius Loyola near Azpeitia, Guipozcoa province, northern Spain. The Loyolas’ manor house (1387–1405), now known as the Santa Casa, was where Ignatius resolved to become a soldier of Christ, while recovering from wounds received at the siege of Pamplona (1521). It is a relatively simple building, 16 m square, and contains the chapel of the Conversion and that of the Immaculate Conception, with its interesting decoration (1904). In 1681 Mariana of Austria, widow of Philip IV, bought the house and gave it to the Jesuits, and in the same year she commissioned Carlo Fontana to design a college and church for the site. Construction began in 1689, but the church was not consecrated until 1738, and the ensemble was not completed until 1888. The complex is in the form of a large rectangle, with the circular church at centre front. Its dome is 21 m in diameter, with its keystone at a height of 56 m. It is fronted by a convex portico and monumental steps with two bell-towers flanking the building. The model for the church was probably S Maria dei Miracoli (begun ...
Former Cistercian abbey near Wrocław in Silesia, south-west Poland, one of the largest Baroque abbeys in central Europe (main complex: 223×118 m), situated south of Lubiąż village on the west bank of the Odra (Ger. Oder), surrounded by defence walls and moats, fields and woods. It was formerly also a centre of music. The abbey’s present imposing appearance is the result of a remodelling in 1681–1739. It was founded in 1163 as the first Cistercian abbey in Silesia by Boleslav I of Silesia (reg 1163–1201), who brought the Order from Pforta on Saal in Thuringia. The monks settled on the site, which c. 1150–63 had been occupied by Benedictines. The first Romanesque church is mentioned in a document of 1208, but the only element surviving from that building is a small column (c. 1230–40), originally a piscina, preserved in the choir. The capital is elaborately carved with bird and plant motifs and has traces of polychromy. In the late 13th century and the early 14th that church was replaced by the existing Gothic basilica with its rectangular ambulatory; a ducal burial chapel was added in ...