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Article

A  

15th – 17th century (?), male.

Monogram of an engraver (wood).

Cited by Brulliot as having engraved a Conversion of St Paul.

Article

A. A.  

14th – 17th century (?), male.

Initials of a painter and engraver.

Cited by Bartsch and Defer; known for an engraving of Young Satyr and Old Satyr copied from an etching by Marcantonio Raimondi.

Article

A. A.  

17th century, male.

Monogram of an engraver (etching).

Active towards the end of the 17th century; cited by Brulliot. Known as the engraver of a garland of flowers and fruit probably designed for use as a model by silversmiths and goldsmiths.

Article

German (?), 14th – 17th century (?), male.

Monogram of an engraver.

Brulliot made a reference to this artist. His monogram is usually interpreted as A. A. B., but it could also be read as M. B. He left a cartouche, held by two eagles and topped by a ram's head....

Article

A. B.  

German (?), 14th – 17th century (?), male.

Monogram of an engraver (stippling).

Brulliot makes a reference to A. B. He produced decorations in gold and silver.

Article

A. B.  

17th century, male.

Monogram of an engraver (burin).

Active in the early years of the 17th century; cited by Charles Le Blanc. The monogram is believed to have been used initially by Abraham Bosse. It is found on an item entitled Theatre of Tabarin depicting Tabarin standing on stage and addressing a large audience....

Article

German, 16th – 17th century (?), male.

Monogram of an engraver.

The signature A. C. T. is to be found on a copy of Bagpipe Player, an engraving by Albrecht Dürer.

Article

Italian, 17th century, male.

Monogram of an engraver.

Cited by Brulliot as having worked around the middle of the 17th century. Known works include portraits of J.B.Porta and Andreas Vessaius.

Article

A. L.  

Flemish School or German, 17th century, male.

Monogram of an engraver.

A. L. was active at the beginning of the 17th century. He is mentioned by Brulliot. One work by him survives: Landscape; in the Front a Man is Helping a Woman on Horseback to Cross a Ford...

Article

A. M.  

German, 14th – 17th century (?), male.

Monogram of a draughtsman, engraver (wood).

The monogram A. M. is found on an engraving on wood of a View of the Town of Meissen.

Article

German, 14th – 17th century (?), male.

Monogram of an engraver.

Article

Italian, 17th century, male.

Monogram of an engraver (etching).

Active towards the middle of the 17th century. His known work includes a series of 20 engravings entitled Views of Roman and Ancient Monuments.

Article

15th – 17th century (?), male.

Monogram of an engraver.

Cited by Ris-Paquot.

Article

A. S.  

German, 17th century, male.

Monogram of an engraver.

Quoted by Brulliot in the Dictionary of Monograms, this artist was active in the 17th century and engraved The Martyrdom of St Sebastian.

Article

15th – 17th century (?), male.

Monogram of a draughtsman, engraver (wood).

Monogram found on a three-plate chiaroscuro etching of Absalom's Death at the Hands of Joab.

Article

A. V.  

14th – 17th century (?), male.

Monogram of an engraver.

Article

17th century, male.

Born 1639, in Antwerp.

Painter, engraver, architect.

Engravings by Hendrik Abbé have survived in Antwerp cathedral and the artist is also cited by Heinecken as responsible for the illustrations to Ovid's Metamorphoses as published by Barrier. He is further believed to have been responsible for a ...

Article

Italian, 17th century, male.

Active at the end of the 17th century.

Born in Milan.

Engraver.

Possibly related to Giuseppe Abbiati. An unsigned and undated engraved portrait of Girolamo Cornaro, the procurator of St Mark's, is credited to Abbiati.

Article

Dutch School, 17th century, male.

Engraver.

Pieter van Abelec's name appears in the Ris-Pacquot dictionary of monograms.

Article

German, 17th century, male.

Born c. 1580, in Passau (Bavaria).

Engraver. Cards.

Attributed to him is the city map of Passau for Braun's Topography. The map bears the name and monogram of the artist: Leonardus About patranien. F. However, in the next sentence, in one of Braun's prefaces, it is suggested that the 'skilled hand of Hogenberg' did the engraving and Abent was only the draughtsman of the city map of Passau. According to Heinecken, Abent signed his works ...