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Kirk Ambrose

(b Moscow, May 7, 1903; d Paris, Jan 25, 1988).

Lithuanian art historian, scholar of folklore and Egyptology, and diplomat of Russian birth. Son of the celebrated Lithuanian Symbolist poet of the same name, Jurgis Baltrušaitis II studied under Henri(-Joseph) Focillon at the Sorbonne and earned the PhD in 1931. The concerns of his mentor are evident in La stylistique ornementale dans la sculpture romane (1931), which reprises and extends arguments for the ‘law of the frame’ in Romanesque sculpture. Accordingly, the shapes of architectural members, such as capitals and tympana, determined the articulation of sculptural forms. This theory could account for the genesis of a wide array of monumental carvings, from foliate capitals to narrative reliefs, but ultimately it had a rather limited impact on the field of Romanesque sculptural studies. In a scathing critique, Schapiro argued that Baltrušaitis’s book—and by implication Focillon’s methods—robbed Romanesque sculptors of agency and neglected the religious and expressive meanings of this art form....

Article

(Mark David)

(b London, Aug 30, 1950).

English sculptor and draughtsman. He studied archaeology, anthropology and art history at Trinity College, Cambridge (1968–71) and Buddhist meditation in India and Sri Lanka (1971–4), experiences that profoundly inform his work. Influenced by the ideals of Indian sculpture as much as by those of modernism, his sculptures use the human form to explore man’s existence in and relation to the world. He is primarily known for the lead figures cast from his own body. Free of individualizing surface detail, with welding lines emphatically exposed, these remain physical casings rather than imitative representations of the universal human form. His belief that the spiritual and physical selves are inseparable is reflected in works such as Land, Sea and Air II (1982). Three figures, crouching, kneeling and standing, were placed on the seashore, embodying the process of Buddhist spiritual awareness. The work also referred to the earthly condition of the body and man’s relationship with his surroundings. These concerns are further reflected in Gormley’s full use of installation space, with sculptures suspended from ceiling and walls. Many works were made specifically for natural environments, most controversially ...

Article

Barbara Stoler Miller

(b Nikolsburg, Austria [now Mikulov in the Czech Republic], 1896; d Philadelphia, PA, Aug 31, 1993).

Austrian art historian, teacher, and museum curator, active in India and the USA. Her published writings begin with her PhD dissertation on early Buddhist art (1919), written at the University of Vienna under the supervision of Josef Strzygowski. In 1921 she went to India at the invitation of Rabindranath Tagore (see Tagore family §(1)) to teach at his school at Santiniketan. She remained for 30 years as a professor at the University of Calcutta. During her tenure she edited the Journal of the Indian Society of Oriental Art, to which she contributed numerous articles on every period of architecture, sculpture, and painting, as well as on folk and contemporary art. Her researches culminated in The Hindu Temple (1946), which she characterized as ‘the sum total of architectural rites performed on the basis of its myth’. The work analyses the Hindu temple conceptually, locating its structural principles in ancient Vedic ritual and texts, as well as in Sanskrit treatises on architecture....